The activity of early Christian proclaimers is seen as the backdrop for the Epistle's challenge to its readers to identify with God's order or with the earthly patronage of the rich. The significance of the Epistle of James within early Christianity, when not neglected, has been disputed. In recent years the letter, and its author, have received renewed attention, and this contribution to the revival examines the way in which the author and his addressees are depicted within the social world of emerging Christianity. Edgar finds strong points of contact with the sayings of Jesus and with early Christian itinerant proclaimers, who are often seen as having been active in preserving and transmitting these sayings. The Epistle challenges the shaky commitment of its readers to their new allegiance, and, in the light of the coming of God's eschatological ruoe, employs the model of patronage to lay out the choice between loyalty to God and identification with the earthly value system dominated by the rich.

'Marley was dead: to begin with...' One ghostly Christmas night, coldhearted businessman Ebenezer Scrooge gets the fright of his life, discovers the truth about himself, and learns to love his neighbour. This adaptation by David Edgar of the Charles Dickens classic - one of the best-loved stories ever written - rediscovers the social conscience of the timeless tale. It was premiered by the Royal Shakespeare Company in Stratford-upon-Avon for Christmas 2017, directed by Rachel Kavanaugh. The smash-hit, critically acclaimed production was revived in 2018, and again in 2022, with Adrian Edmondson in the role of Scrooge.

Based on Robert Louis Stevenson's classic horror story, this dramatic adaptation shows the transformation of the mild-mannered Dr Jekyll into the fiendish Mr Hyde. When Jekyll discovers a drug that can transform him, he becomes able to unleash the dark side of his nature onto the streets of Victorian London. But he soon discovers the price of his double life. What are the themes? The struggle between good and evil, the conscious and unconscious, family relationships,Victorian society and morality. Teaching points With one actor taking the roles of both Jekyll and Hyde, the play allows pupils to more easily understand that these characters are 'one' person. The play is suitable for use either at Key Stage 3, or to support the study of the novel at Key Stage 4.

Latin America represents one of the most dynamic business regions in the world. Innovation Support in Latin America and Europe explores the need for training innovation professionals, identifies appropriate strategies and best practice for ensuring its delivery, and reflects the outcomes of a major innovation and knowledge transfer project. Academics, business professionals, policy makers, and trade representatives, all contribute to review the literature and existing practices of innovation, and explore the often misunderstood and contested terrain that surrounds innovation theory, policy and practice. In this book you will find a comparative insight into Latin American and European approaches to innovation management and innovation in practice, and an examination of how innovative ideas are exploited for a specifically Latin American context. With chapters which offer insights from both academics and practitioners, the text offers a refreshing, contemporary and trans-national perspective and a clear, concise and enriching discussion on the interplay between research, policy and practice. Innovation Support in Latin America and Europe will appeal to academics and researchers, higher level students, policy makers and business leaders, particularly those with any interest in Latin America.

In How Plays Work, distinguished playwright David Edgar examines the mechanisms and techniques which dramatists throughout the ages have employed to structure their plays and to express their meaning. Written for playwrights and playgoers alike, Edgar's analysis starts with the building blocks of whole plays - plot, character-creation, genre and structure - and moves on to scenes and devices. He shows how plays share a common architecture without which the uniqueness of their authors' vision would be invisible. How Plays Work is both a masterclass for playwrights and playmakers and a fascinating guide to the anatomy of drama. In this revised edition, Edgar brings the book right up to date with analyses of many recent plays, as well as explorations of emerging genres and new innovations in playwriting practice. 'A brilliantly illuminating, bang-up-to-date, unmissable read' April De Angelis 'A book of real theoretical heft written by a major working playwright' Steve Waters 'An essential accompaniment for anyone fascinated by the craft of dramatic storytelling' John Yorke 'Every theatremaker should read this book' Pippa Hill, Literary Manager, Royal Shakespeare Company 'Even if you've read the book before, it demands to be reread' Simon Callow 'Combines theoretical acumen with the assured know-how of a working dramatist' Terry Eagleton, Times Literary Supplement

Latin America represents one of the most dynamic business regions in the world. Innovation Support in Latin America and Europe explores the need for training innovation professionals, identifies appropriate strategies and best practice for ensuring its delivery, and reflects the outcomes of a major innovation and knowledge transfer project. Academics, business professionals, policy makers, and trade representatives, all contribute to review the literature and existing practices of innovation, and explore the often misunderstood and contested terrain that surrounds innovation theory, policy and practice. In this book you will find a comparative insight into Latin American and European approaches to innovation management and innovation in practice, and an examination of how innovative ideas are exploited for a specifically Latin American context. With chapters which offer insights from both academics and practitioners, the text offers a refreshing, contemporary and trans-national perspective and a clear, concise and enriching discussion on the interplay between research, policy and practice. Innovation Support in Latin America and Europe will appeal to academics and researchers, higher level students, policy makers and business leaders, particularly those with any interest in Latin America.

A timely, provocative and witty look at the campaign to redefine Britishness for a multicultural society. Who is head of the Church of England? How many members are there in the Welsh Assembly? What is the main function of the Council of Europe? Emma is a dedicated ESOL teacher (English for Speakers of Other Languages), teaching British citizenship to people from Somalia, Serbia, the Congo, India and Egypt. At the same time, Tetyana, Mahmood and Chong have their own, very different reasons for wanting to pass the citizenship test. As the Home Office worries away at the questions in the test, Emma faces a challenge to her deepest-held beliefs. David Edgar's play Testing the Echo was first staged by Out of Joint on a UK tour in 2008.

A superb adaptation of Robert Louis Stevenson's famous story of the unassuming Dr Jekyll and his dark alter-ego Mr Hyde. During one of his audacious experiments trying to separate good from evil in human nature, the kind and gifted Dr Jekyll inadvertently unleashes an alternative personality of pure evil ... the mysterious Mr Hyde. As this sinister figure starts causing terror and havoc in foggy London, Jekyll must race to find a cure for his monstrous alter-ego before it takes over for good. This version by David Edgar, first performed at the Birmingham Repertory Theatre in 1996, is a revised and partially re-written version of the adaptation premiered by the Royal Shakespeare Company at the Barbican Theatre, London, in 1991.

A collection of shorter plays from stage and television by one of the UK's foremost political playwrights. Included are: Blood Sports, five hilarious sketches on sporting subjects Ball Boys, an unlikely match between Marx and tennis Baby Love, a powerful and moving account of a baby-snatcher The National Theatre, 'Three Sisters' in a strip club The Midas Connection, an ironic look at gold dealing Especially suitable for performances by groups with limited time and/or resources, all the pieces engage - however wryly - with important issues. The whole collection sheds fascinating new light on Edgar the dramatist.

This book provides a history of the study of the tides over two millennia, from the primitive ideas of the Ancient Greeks to present sophisticated space-age techniques. Tidal physics has puzzled some of the world's greatest scientists and mathematicians: Galileo, Descartes, Bacon, Kepler, Newton, Bernoulli, Euler, Laplace, Young, Whewell, Airy, Kelvin, G. Darwin, Lamb. The book will appeal to all those interested in how scientific ideas develop. It will particularly interest specialists in oceanography, hydrography, geophysics, geodesy, astronomy and navigation.

INTRODUCED BY DAVID EDGAR 'I had no taste for what is called popular art, no respect for popular morality, no belief in popular religion, no admiration for popular heroics' With Plays Unpleasant, therefore, Shaw broke all the rules governing how a playwright should entertain his audience. In Widower's Houses, Harry Trench is engaged to brisk Blanche Sartorius. When he realizes that her father is a slum landlord, Harry questions whether he and Blanche have a future together. Charismatic Leonard Charteris is the philanderer who proposes marriage to Grace, while still involved with the beautiful Julia Craven. But Julia is not inclined to surrender him so easily. In Mrs Warren's Profession, Vivie discovers that her mother's immoral earnings have paid for her genteel upbringing. Will she be able to accept her mother for herself?

These plays, as David Edgar says, deal with 'the conflict between youthful ideals and economics realities, the drawbacks of promiscuity and the perils of matrimony, the duties of women to others and themselves, the necessity for and the costs of revolt. What could be more eternal than that?'

The definitive text under the editorial supervision by Dan H. Laurence

The third in David Edgar's post-Cold War trilogy, which also includes Pentecost and The Shape of the Table. An urgently topical account of a bloody conflict on Europe's Eastern borders. Beginning in early 1989 and spanning some twelve years, the play follows a team of peace negotiators attempting to resolve an ethnic conflict occurring within a fictional former Soviet republic. The Prisoner's Dilemma was first performed by the Royal Shakespeare Company at The Other Place, Stratford-upon-Avon, in July 2001, transferring to the Pit Theatre, Barbican, London, in January 2002.