This is the first study of the work of Chao-Chen Yang (1909–1969), an important Seattle photographer who gained national prominence in the mid-twentieth century. Born in Hangzhou, China, Yang received his art training at the University of Hsin-Hwa in Shanghai. After graduating, he became art director for the Government Institute of Nanking. In 1933 he moved to Chicago as chancellor of the Chinese Consulate and attended the Art Institute of Chicago. Initially trained as a painter, he later used photography as his main medium for artistic expression. In 1938 Yang was transferred to Seattle as chancellor of the Chinese Consulate and became actively involved with the Seattle Photographic Society. He was also an influential art and photography instructor and worked tirelessly to advance Chinese culture in the United States. Yang won numerous awards in important photography salons and became a Fellow of the Photographic Society of America, the Professional Photographers Association of America, and the Royal Photographic Society of Great Britain. He was a pioneer in color photography in the Northwest in both advertising and the fine arts. Exhibition dates: Cascadia Art Museum, November 9, 2023–February 11, 2024

One of the leading Northwest artists of his generation, George Tsutakawa (1910-97) is internationally known for his sculpture and fountain designs. However, a lesser-known aspect of his career was the production of blockprints, watercolors, and works on paper that began in the 1930s and continued throughout his career. Born in Seattle and educated in Japan, Tsutakawa had early success while still in high school. He attended the University of Washington, where he received an MFA in sculpture in 1950, and became an influential instructor at the university's School of Art from 1947 to 1976. Drawn from the Tsutakawa estate, most of the works shown here have never been seen previously by the public. These early works display concepts and inspirations that would inform Tsutakawa's aesthetic throughout a long and distinguished career. Contextual works by Tsutakawa's instructors and contemporaries provides a broader understanding of his oeuvre. Exhibition dates: Cascadia Art Museum, December 1, 2022-March 26, 2023

One of the state's oldest arts organizations, "Women Painters of Washington" was founded in 1930 with the aim of overcoming limitations faced by women artists. Over its 75-year history, the group has counted among its members talented artists of national prominence whose stories have not been widely shared, until now.

From founding members' early efforts to support fellow women artists, to contemporary members' cultural exchanges and international exhibitions, David F. Martin tells the story of Women Painters of Washington. He examines members' artistic achievements and the recognition they received in the national and international art worlds. In addition, a selection of works by current WPW members demonstrates the organization's continued vitality. Abundant color plates clearly illustrate the talent and innovation of these artists.

David F. Martin is a leading expert on early Northwest art and co-author of "Shadows of a Fleeting World: Pictorial Photography and the Seattle Camera Club."

"A visually stunning book that will utterly revise our conventional notions of Northwest art." -HistoryLink.org

"A fitting tribute to an important local arts organization. Highly recommended." "-Choice"

Territorial Hues: The Color Print and Washington State, 1920-1960 will consist of prints that display the cultural and stylistic influences used by Washington State artists to produce highly exceptional works that reflect the color, light, and atmosphere that is unique to this region. The book focuses on several mediums including color woodcut, intaglio, serigraphy, and lithography. The influences of Japanese prints and regional appropriations of international movements will be examined as well as the local production of white-line prints.

To increase the performance of the current US satellite launch capability, new rocket designs must be undertaken. One concept that has been around since the 50s but yet to be utilized on a launch platform is the aerospike, or plug nozzle. The aerospike nozzle concept demonstrates globally better performance compared to a conventional bell nozzle, since the expansion of the jet is not bounded by a wall and therefore can adjust to the environment by changing the outer jet boundary. A dual-expander aerospike nozzle (DEAN) rocket concept would exceed the Integrated High Payoff Rocket Propulsion Technology initiative (IHPRPT) phase three goals. This document covers the design of the chamber and nozzle of the DEAN. The validation of the design of the DEAN are based on the model in Numerical Propulsion System Simulation (NPSS TM), added with the nozzle design from Two-Dimensional Kinematics (TDK 04TM). The result is a rocket engine that produces 57,231 lbf (254.5 kN) of thrust at an Isp of 472 s. Additionally, the oxygen wall is made of silicon carbide, with a melting point of 5580 R (3100 K), and has a maximum temperature at the throat of 1625 R (902 K).

The current resurgence of tuberculosis (TB) is being sustained and fuelled by the increasing incidence of resistance of M tuberculosis strains to the most-effective (first-line) anti-TB drugs and association of active TB disease with concomitant human immunodeficiency virus (HIV) infection or other underlying immunosuppressive conditions such as diabetes. In this book, the authors study the risk factors, drug resistance data and treatment methods for tuberculosis. Topics discussed include the global burden of TB and its public health crisis; new medicines to treat TB; rapid microcalorimetric detection of TB; meta-analysis and risk factors for tuberculosis susceptibility; Type 2 diabetes as a risk factor for TB; and elucidating the action mode of the bi-substrate InhA inhibitors as anti-tuberculosis agents through molecular dynamics simulations.