Between 1500 and 1870, millions of Africans were transported across the Atlantic by European traders to work as slaves in the Americas. They were shipped in conditions of great cruelty to lead lives of hard, unremitting labour, subject to degradation and violence. The products of their labour - primarily sugar, coffee and tobacco - were sent back to Europe and the profits derived from slavery helped fuel European economic development in the 18th and 19th centuries. The cost in lives and human suffering was enormous. First published to accompany a permanent gallery in the Merseyside Maritime Museum, this reissue of Transatlantic Slavery with new material documents this era through essays on women in slavery, the impact on West and Central Africa, and the African view of the slave trade. Richly illustrated, it reveals how the slave trade shaped the history of three continents-Africa, the Americas, and Europe-and how all of us continue to live with its consequences.

Case-studies of whether and how heritage can be used to bring about reconciliation. This volume explores one of the most critical issues of our time: whether heritage can contribute to a more peaceful society and future. It reflects a core belief that heritage can provide solutions to reconciling peoples and demonstrates the amount of significant work being carried out internationally. Based round the core themes of new and emerging ideas around heritage and peace, heritage and peace-building in practice, and heritage, peace-building andsites, the twenty contributions seek to raise perceptions and understanding of heritage-based peace-building practices. Responding to the emphasis placed on conflict, war and memorialization, they reflect exploratory yet significant steps towards reclaiming the history, theory, and practice of peacebuilding as serious issues for heritage in contemporary society. The geographical scope of the book includes contributions from Europe, notably the Balkans andNorthern Ireland, the Middle East, and Kenya. Diana Walters is an International Heritage Consultant and Honorary Senior Research Fellow at the University of Exeter; Daniel Laven is Associate Professor of Human Geography, Department of Tourism Studies and Geography/European Tourism Research Institute (ETOUR), Mid Sweden University; Peter Davis is Emeritus Professor of Museology, Newcastle University. Contributors: Tatjana Cvjeticanin, PeterDavis, Jonathan Eaton, David Fleming, Seth Frankel, Timothy Gachanga, Alon Gelbman, Felicity Gibling, Will Glendinning, Elaine Heumann Gurian, Lejla Hadzic, Feras Hammami, Lotte Hughes, Bosse Lagerqvist, Daniel Laven, Bernadette Lynch, Elena Monicelli, Yongtanit Pimonsathean, Saleem H. Ali, Sultan Somjee, Peter Stone, Michele Taylor, Peter van den Dungen, Alda Vezic, Jasper Visser, Diana Walters.

Late one evening in March 1924, a tipsy young nun was seen trying to slip into Balliol, an all-male Oxford college, just as the gates were about to close for the night. The nun - subsequently unmasked as the son of the college bursar - was returning after a fancy-dress party at a notorious Oxford social club, one known to the university proctors for its hedonistic ways, heavy drinking and wayward behaviour. This was the final straw; the club was shut down. Described by one habitue as 'a kind of early twentieth-century Hell Fire Club', the Hypocrites Club counted some of the brightest of the future 'Bright Young People' among its members. The one-time secretary was Evelyn Waugh, who used ten of his fellow Hypocrites as inspiration for his fictional characters - seven of them in Brideshead Revisited alone. The Hypocrites didn't just lend themselves to Waugh's fiction. Many went on to prominence themselves, including Anthony Powell, Robert Byron, Henry Green, Claud Cockburn and Tom Driberg. Hellfire is the first full-length portrait of this scandalous club and its famous members, who continued to be thorns in the Establishment's side - throughout war and austerity - for the next five decades.

Surviving the Future is a story drawn from the fertile ground of the late David Fleming's extraordinary Lean Logic: A Dictionary for the Future and How to Survive It. That hardback consists of four hundred and four interlinked dictionary entries, inviting readers to choose their own path through its radical vision. Recognizing that Lean Logic's sheer size and unusual structure can be daunting, Fleming's long-time collaborator Shaun Chamberlin has selected and edited one of these potential narratives to create Surviving the Future. The content, rare insights, and uniquely enjoyable writing style remain Fleming's, but are presented here at a more accessible paperback-length and in conventional read-it-front-to-back format. The subtitle-Culture, Carnival and Capital in the Aftermath of the Market Economy-hints at Fleming's vision. He believed that the market economy will not survive its inherent flaws beyond the early decades of this century, and that its failure will bring great challenges, but he did not dwell on this: "We know what we need to do. We need to build the sequel, to draw on inspiration which has lain dormant, like the seed beneath the snow." Surviving the Future lays out a compelling and powerfully different new economics for a post-growth world. One that relies not on taut competitiveness and eternally increasing productivity-"putting the grim into reality"-but on the play, humor, conversation, and reciprocal obligations of a rich culture. Building on a remarkable breadth of intellectual and cultural heritage-from Keynes to Kumar, Homer to Huxley, Mumford to MacIntyre, Scruton to Shiva, Shakespeare to Schumacher-Fleming describes a world in which, as he says, "there will be time for music." This is the world that many of us want to live in, yet we are told it is idealistic and unrealistic. With an evident mastery of both economic theory and historical precedent, Fleming shows that it is not only desirable, but actually the only system with a realistic claim to longevity. With friendliness, humor, and charm, Surviving the Future plucks this vision out of our daydreams and shows us how to make it real.

Lean Logic is David Fleming's masterpiece, the product of more than thirty years' work and a testament to the creative brilliance of one of Britain's most important intellectuals. A dictionary unlike any other, it leads readers through Fleming's stimulating exploration of fields as diverse as culture, history, science, art, logic, ethics, myth, economics, and anthropology, being made up of four hundred and four engaging essay-entries covering topics such as Boredom, Community, Debt, Growth, Harmless Lunatics, Land, Lean Thinking, Nanotechnology, Play, Religion, Spirit, Trust, and Utopia. The threads running through every entry are Fleming's deft and original analysis of how our present market-based economy is destroying the very foundations-ecological, economic, and cultural- on which it depends, and his core focus: a compelling, grounded vision for a cohesive society that might weather the consequences. A society that provides a satisfying, culturally-rich context for lives well lived, in an economy not reliant on the impossible promise of eternal economic growth. A society worth living in. Worth fighting for. Worth contributing to. The beauty of the dictionary format is that it allows Fleming to draw connections without detracting from his in-depth exploration of each topic. Each entry carries intriguing links to other entries, inviting the enchanted reader to break free of the imposed order of a conventional book, starting where she will and following the links in the order of her choosing. In combination with Fleming's refreshing writing style and good-natured humor, it also creates a book perfectly suited to dipping in and out. The decades Fleming spent honing his life's work are evident in the lightness and mastery with which Lean Logic draws on an incredible wealth of cultural and historical learning-from Whitman to Whitefield, Dickens to Daly, Kropotkin to Kafka, Keats to Kuhn, Oakeshott to Ostrom, Jung to Jensen, Machiavelli to Mumford, Mauss to Mandelbrot, Leopold to Lakatos, Polanyi to Putnam, Nietzsche to Naess, Keynes to Kumar, Scruton to Shiva, Thoreau to Toynbee, Rabelais to Rogers, Shakespeare to Schumacher, Locke to Lovelock, Homer to Homer-Dixon-in demonstrating that many of the principles it commends have a track-record of success long pre-dating our current society. Fleming acknowledges, with honesty, the challenges ahead, but rather than inducing despair, Lean Logic is rare in its ability to inspire optimism in the creativity and intelligence of humans to nurse our ecology back to health; to rediscover the importance of place and play, of reciprocity and resilience, and of community and culture. ------ Recognizing that Lean Logic's sheer size and unusual structure could be daunting, Fleming's long-time collaborator Shaun Chamberlin has also selected and edited one of the potential pathways through the dictionary to create a second, stand-alone volume, Surviving the Future: Culture, Carnival and Capital in the Aftermath of the Market Economy. The content, rare insights, and uniquely enjoyable writing style remain Fleming's, but presented at a more accessible paperback-length and in conventional read-it-front-to-back format.

East of the land of the Elves is the land of Sweet Smellums, lives a family of hedgehogs by the name of Fipple Berry. Charlie Blue Berry Fipple Berry is their only son, and he has three favorite things: eating Blue Berry muffins, fishing, and playing with his best friend, a polar bear named Norry Norris Fruit Bean. On one very special day, Charlie Blue Berry wakes up in celebration, because this day, is the last day of school before the summer

All year long Charlie Blue Berry Fipple Berry tries to listen to his parents and to do the right thing, but it isn't easy always. Thinking that his Mother did not notice, Charlie Blue Berry Fipple Berry does something his Mother asked him not to, and spends the whole day feeling bad about it. How will Charlie Blue Berry Fipple Berry explain what he has done? Charlie Blue Berry Fipple Berry feels so bad about what he has done, he tells his self he will never do anything bad again, but then Charlie Blue Berry Fipple Berry makes another mistake...a big mistake...........Children growing up make a lot of mistakes. Learning from our mistakes and telling the truth about things that we have done is always the right thing to do We will must never be afraid to tell our parents when we have done something wrong, they love us, and wants to show us the right way.

East of the land of the Elves is the land of Sweet Smellums, lives a family of hedgehogs by the name of Fipple Berry. Charlie Blue Berry Fipple Berry is their only son, and he has three favorite things: eating Blue Berry muffins, fishing, and playing with his best friend, a polar bear named Norry Norris Fruit Bean. On one very special day, Charlie Blue Berry wakes up in celebration, because this day, is the last day of school before the summer

All year long Charlie Blue Berry Fipple Berry tries to listen to his parents and to do the right thing, but it isn't easy always. Thinking that his Mother did not notice, Charlie Blue Berry Fipple Berry does something his Mother asked him not to, and spends the whole day feeling bad about it. How will Charlie Blue Berry Fipple Berry explain what he has done? Charlie Blue Berry Fipple Berry feels so bad about what he has done, he tells his self he will never do anything bad again, but then Charlie Blue Berry Fipple Berry makes another mistake...a big mistake...........Children growing up make a lot of mistakes. Learning from our mistakes and telling the truth about things that we have done is always the right thing to do We will must never be afraid to tell our parents when we have done something wrong, they love us, and wants to show us the right way.

Mark Carter barely has time to dump his personal belongings into his office in the administration building at Boan University when Dean Hartley's lifeless body is found lying in a pool of blood. A booming, narcissistic voice is silenced forever just as carter is about to begin his new role as provost.

While police roam the campus looking for clues as to who killed the dean, Carter attempts to seek out rationality in the often irrational world of higher education administration. Armed only with a sense of humor and an ancient cell phone, Carter steps into a universe of endless meetings, inflated egos, and inane policies and soon becomes disillusioned with a college administration more focused on a dunk-the-mascot event during spirit week than on a much-needed library renovation. The real mystery at Boan University is not, who killed Dean Hartley? it's how does anything get done and can Provost Carter survive?

"It's All Academic" presents a lighthearted and highly entertaining account of one man's ill-fated year as he immerses himself in the often unpredictable, image-building life that surrounds the world of higher education.

Mark Carter barely has time to dump his personal belongings into his office in the administration building at Boan University when Dean Hartley's lifeless body is found lying in a pool of blood. A booming, narcissistic voice is silenced forever just as carter is about to begin his new role as provost.

While police roam the campus looking for clues as to who killed the dean, Carter attempts to seek out rationality in the often irrational world of higher education administration. Armed only with a sense of humor and an ancient cell phone, Carter steps into a universe of endless meetings, inflated egos, and inane policies and soon becomes disillusioned with a college administration more focused on a dunk-the-mascot event during spirit week than on a much-needed library renovation. The real mystery at Boan University is not, who killed Dean Hartley? it's how does anything get done and can Provost Carter survive?

"It's All Academic" presents a lighthearted and highly entertaining account of one man's ill-fated year as he immerses himself in the often unpredictable, image-building life that surrounds the world of higher education.

In the spring of 1968, the English faculty at the University of Wisconsin-Madison (UW) voted to remedialize the first semester of its required freshman composition course, English 101. The following year, it eliminated outright the second semester course, English 102. For the next quarter-century, UW had no real campus-wide writing requirement, putting it out of step with its peer institutions and preventing it from fully joining the "composition revolution" of the 1970s. In "From Form to Meaning, " David Fleming chronicles these events, situating them against the backdrop of late 1960s student radicalism and within the wider changes taking place in U.S. higher education at the time.
Fleming begins with the founding of UW in 1848. He examines the rhetorical education provided in the university's first half-century, the birth of a required, two semester composition course in 1898, faculty experimentation with that course in the 1920s and 1930s, and the rise of a massive "current-traditional" writing program, staffed primarily by graduate teaching assistants (TAs), after World War II. He then reveals how, starting around 1965, tensions between faculty and TAs concerning English 101-102 began to mount. By 1969, as the TAs were trying to take over the committee that supervised the course, the English faculty simply abandoned its long-standing commitment to freshman writing.
In telling the story of composition's demise at UW, Fleming shows how contributing factors--the growing reliance on TAs; the questioning of traditional curricula by young instructors and their students; the disinterest of faculty in teaching and administering general education courses--were part of a larger shift affecting universities nationally. He also connects the events of this period to the long, embattled history of freshman composition in the United States. And he offers his own thoughts on the qualities of the course that have allowed it to survive and regenerate for over 125 years.