Contemporary philosophy and science strive to give a complete account of the world and our position in it. In this original and provocative book, David Gamez engages the reader in a series of colourful thought experiments that illustrate the limits of this mission. Although we commonly believe that science will give a final description of everything, What We Can Never Know reveals blindspots in many of our theories that completely undermine their ability to explain reality. Each chapter explores these problems using a popular question or topic in philosophy, such as our perception of space, the nature of time, scepticism or the relationship between reason and madness. In this series of lively studies, Gamez pushes our everyday assumptions to their limits and opens up fresh perspectives on philosophy and science. By leading the reader progressively through key areas of our knowledge, this book will leave you questioning everything that you think you know.

What do we mean when we talk about philosophy today? How does philosophy relate to science, to politics, to literature? What methods does the modern philosopher use, and how does philosophy progress? Does philosophy differ from place to place? What can philosophy do for us? And what can it not do? This book, with contributions from such exciting and influential contemporary philosophers as Simon Blackburn, Michael Friedman, Simon Critchley and Manuel DeLanda, offers us a fascinating picture of the character and methods of philosophy; its possibilities and its limitations. And of course, it is itself a piece of philosophy in action, not merely offering us answers but also prompting us to ask further questions and to philosophise for ourselves.>

The first full-length account of D.H. Lawrence's rich engagement with a country he found both fascinating and frustrating, D.H. Lawrence's Australia focuses on the philosophical, anthropological and literary influences that informed the utopian and regenerative visions that characterise so much of Lawrence's work. David Game gives particular attention to the four novels and one novella published between 1920 and 1925, what Game calls Lawrence's 'Australian period,' shedding new light on Lawrence's attitudes towards Australia in general and, more specifically, towards Australian Aborigines, women and colonialism. He revisits key aspects of Lawrence's development as a novelist and thinker, including the influence of Darwin and Lawrence's rejection of eugenics, Christianity, psychoanalysis and science. While Game concentrates on the Australian novels such as Kangaroo and The Boy in the Bush, he also uncovers the Australian elements in a range of other works, including Lawrence's last novel, Lady Chatterley's Lover. Lawrence lived in Australia for just three months, but as Game shows, it played a significant role in his quest for a way of life that would enable regeneration of the individual in the face of what Lawrence saw as the moral collapse of modern industrial civilisation after the outbreak of World War I.

The first full-length account of D.H. Lawrence's rich engagement with a country he found both fascinating and frustrating, D.H. Lawrence's Australia focuses on the philosophical, anthropological and literary influences that informed the utopian and regenerative visions that characterise so much of Lawrence's work. David Game gives particular attention to the four novels and one novella published between 1920 and 1925, what Game calls Lawrence's 'Australian period,' shedding new light on Lawrence's attitudes towards Australia in general and, more specifically, towards Australian Aborigines, women and colonialism. He revisits key aspects of Lawrence's development as a novelist and thinker, including the influence of Darwin and Lawrence's rejection of eugenics, Christianity, psychoanalysis and science. While Game concentrates on the Australian novels such as Kangaroo and The Boy in the Bush, he also uncovers the Australian elements in a range of other works, including Lawrence's last novel, Lady Chatterley's Lover. Lawrence lived in Australia for just three months, but as Game shows, it played a significant role in his quest for a way of life that would enable regeneration of the individual in the face of what Lawrence saw as the moral collapse of modern industrial civilisation after the outbreak of World War I.

Contemporary philosophy and science strive to give a complete account of the world and our position in it. In this original and provocative book, David Gamez engages the reader in a series of colourful thought experiments that illustrate the limits of this mission. Although we commonly believe that science will give a final description of everything, "What We Can Never Know" reveals blindspots in many of our theories that completely undermine their ability to explain reality. Each chapter explores these problems using a popular question or topic in philosophy, such as our perception of space, the nature of time, scepticism or the relationship between reason and madness. In this series of lively studies, Gamez pushes our everyday assumptions to their limits and opens up fresh perspectives on philosophy and science. By leading the reader progressively through key areas of our knowledge, this book will leave you questioning everything that you think you know.

What do we mean when we talk about philosophy today? How does philosophy relate to science, to politics, to literature? What methods does the modern philosopher use, and how does philosophy progress? Does philosophy differ from place to place? What can philosophy do for us? And what can it not do? This book, with contributions from such exciting and influential contemporary philosophers as Simon Blackburn, Michael Friedman, Simon Critchley and Manuel DeLanda, offers us a fascinating picture of the character and methods of philosophy; its possibilities and its limitations. And of course, it is itself a piece of philosophy in action, not merely offering us answers but also prompting us to ask further questions and to philosophise for ourselves.>