American Mobbing, 1828-1861 is a comprehensive history of mob violence in antebellum America. David Grimsted argues that, though the issue of slavery provoked riots in both the North and the South, the riots produced two different reactions. In the South anti-slavery rioting was widely tolerated and effectively encouraged Southern support for slavery. In the North, both pro-slavery and anti-slavery riots were put down, often violently, by the authorities, resulting usually in a public reaction against slavery. Grimsted thus demonstrates that mob violence was a major cause of the social split that led to the Civil War.

American Mobbing, 1828-1861: Toward Civil War is a comprehensive history of mob violence related to sectional issues in antebellum America. David Grimsted argues that, though the issue of slavery provoked riots in both the North and the South, the riots produced two different reactions from authorities. In the South, riots against suspected abolitionists and slave insurrectionists were widely tolerated as a means of quelling anti-slavery sentiment. In the North, both pro-slavery riots attacking abolitionists and anti-slavery riots in support of fugitive slaves provoked reluctant but often effective riot suppression. Hundreds died in riots in both regions, but in the North, most deaths were caused by authorities, while in the South more than 90 percent of deaths were caused by the mobs themselves.
These two divergent systems of violence led to two distinct public responses. In the South, widespread rioting quelled public and private questioning of slavery; in the North, the milder, more controlled riots generally encouraged sympathy for the anti-slavery movement. Grimsted demonstrates that in these two distinct reactions to mob violence, we can see major origins of the social split that infiltrated politics and political rioting and that ultimately led to the Civil War.

This collection of 17 biographies provides a unique opportunity for the reader to go beyond the popular heroes of the American Revolution and discover the diverse populace that inhabited the colonies during this pivotal point in history.

David Grimsted's "Melodrama Unveiled" explores early American drama to try to understand why such severely limited plays were so popular for so long. Concerned with both the plays and the dramatic settings that gave them life, Grimsted offers us rich descriptions of the interaction of performers, audiences, critics, managers, and stage mechanics. Because these plays had to appeal immediately and directly to diverse audiences, they provide dramatic clues to the least common denominator of social values and concerns. In considering both the context and content of popular culture, Grimsted's book suggests how theater reflected the rapidly changing society of antebellum America.