The second and final of Timothy Dalton's outings as James Bond sees 007 leave Her Majesty's Secret Sevice and branch out on his own. The trouble begins when drug baron Franz Sanchez (Robert Davi) makes an unexpected appearance at the wedding of Felix Leiter (David Hedison), Bond's good friend, leaving the groom maimed and the bride dead. Bond has no choice but to seek his revenge and, with a little help from the obligatory 'Bond girl' (Carey Lowell) and the ever-present Q (Desmond Llewellyn), sets out after the villainous Sanchez. Causing a storm on its release because of its violence and dark plot, the film was originally given an 18 certificate before studio cuts.

Out of print for over forty years, The 007 Diaries introduces Roger Moore's James Bond Diary to a new generation of fans. To tie in with the release of his first James Bond film, Live and Let Die, Roger Moore agreed to keep a day-by-day diary throughout the film's production, which would be published just ahead of the premiere in July 1973. From his unveiling as the new 007 in 1972 through to his first scenes on location in New Orleans and his final shot in New York, Moore describes his whirlwind journey as cinema's most famous secret agent. Taking in the sights of Jamaica before returning to Pinewood Studios, Moore's razor wit and unique brand of humour is ever present. With tales from every location, including his encounters with his co-stars and key crew members, Moore offers the reader an unusually candid, amusing and hugely insightful behind-the-scenes look into the world's most successful film franchise.

Roger Moore plays 007 for the first time, bringing a new camp sensibility to the series while presiding over the usual quota of eyebrow-raising action and unusual gadgets. The mission this time is to crack a voodoo-controlled drug smuggling racket in the Caribbean, and Bond sets about the task with his customary verve, finding time for speedboat chases and crocodile encounters along the way. Admirable support is offered by Clifton James, as an irate Southern-States Sheriff, and Jane Seymour, as a Voodoo Queen whose power disappears when she loses her virginity by sleeping with Bond.

Roger Moore makes his 007 debut, replacing Sean Connery as Britain's most celebrated secret agent. In the eighth instalment of the franchise, Bond is tasked with cracking a voodoo-controlled drug smuggling racket in the Caribbean, and sets about the task with his customary verve, finding time for speedboat chases and crocodile encounters along the way. Admirable support is offered by Clifton James, as an irate Southern Sheriff, and Jane Seymour, as tarot expert Solitaire but they face a formidable foe in drugs baron Kananga (Yaphet Kotto).

"Help me! Help me!" Andre Delambre is a devoted husband, a loving father and a brilliant scientist. When his body is found in his laboratory with his arm and head crushed by a hydraulic press, his wife Helene admits to having killed him. Believing Helene incapable of such a crime, Andre's brother slowly uncovers the truth - that an experiment with Andre's new teleportation device went horribly wrong and Andre persuaded Helene to assist him in suicide. When the American Film Institute distributed a ballot with 400 nominated movie quotes to a jury of over 1500 film industry figures, the abovequote came in 123rd. But this film's influence extends far beyond a simple quote. The movie's concept, ending and the quote have permeated pop culture from 1958 to The Simpsons to a 2008 opera based on a 1986 film remake by David Cronenberg. The original movie The Fly was the surprise hit on 1958. Shot in 18 days at a cost of $450,00 dollars, it brought in $6 million, which at time when Fox Studios was in desperate need of a hit. It was the biggest box office film of director Kurt Neumann but he would never know - he died one month after the premiere (a week before the movie was released nationally). This film made a star of David Hedison and cemented Vincent Price's place among the horror film immortals. It is more than a tale of science gone wrong and hideous mutants. It is a film classic, the rare perfect blending of story, cast and crew, with the fantastic elements in sync with the universality of Andre's struggle with what he had hoped to do with this technology and what actually happened to him. That struggle touches everyone who has ever watched this film and why, after 50 years, it remains aclassic. Complete with reminiscences from the film's star, David Hedison, this book covers the history and legacy of this seminal science fiction film.