Examines how the body - its organs, limbs, viscera - was represented in the literature and culture of early modern Europe. Why did 16th and 17th century medical, religious, and literary texts portray the body part by part, rather than as an entity? And what does this view of the human body tell us about society's view of part and whole, of individual and universal in the early modern period? As this volume demonstrates, the symbolics of body parts challenges our assumptions about "the body" as a fundamental Renaissance image of self, society, and nation. The book presents work by: Nancy Vickers on corporeal fragments; Peter Stallybrass on the foot; Marjorie Garber on joints; Stephen Greenblatt on bodily marking and mutilation; Gail Kern Paster on the nervous system; Michael Schoenfeldt on the belly; Jeffrey Masten on the anus; Katherine Park on the clitoris; Kathryn Schwartz on the breast; Sergei Lobanov-Rostovsky on the eye; Katherine Rowe on the hands; Scott Stevens on the heart and brain; Carla Mazzio on the tongue; and David Hillman on the entrails.

Following on from Terence Donovan: 100 Fashion Photos, this new compact edition of collected photographs features over 100 of Terence Donovan's best portraits. Terence Donovan (1936–1996) was one of the foremost photographers of his generation, with a career spanning four decades. He came to prominence as part of a post-war cultural renaissance in Britain, representing a new force in photography. Donovan had an eye for taking captivating portraits, and this book is a collection of one hundred of his best, from royalty to musicians, politicians, actors and more. Gifted with an unerring eye for the iconic as well as the transformative, Donovan was a master of his craft and was an acclaimed portrait photographer. Featuring some of his most striking and memorable portraits from a vast array of people, including iconic images of Sophia Loren, Jimi Hendrix, Jazzy B, Bryan Ferry and Mary Quant, this small edition is an affordable yet luxurious introduction to Donovan's work, perfect for lovers of photography.

Terence Donovan (1936-1996) was one of the foremost photographers of his generation, with a career spanning almost 40 years. He came to prominence in London as part of a post-war renaissance in art, design and music, representing a new force in fashion and, later, advertising and portrait photography. He operated at the heart of London's Swinging Sixties, both as participant in, and observer of, the world he so brilliantly and incisively captured with his camera. Born into a working-class family in East London, Donovan was fascinated by photography and printmaking from an early age. He opened his own studio in 1959 at the age of twenty-two and was immediately sought after by a range of clients, including leading advertising agencies and fashion and lifestyle magazines of the time, including Vogue, Harper's Bazaar and Elle. Terence Donovan: 100 Fashion Photos brings together the very best of his fashion photography, from his ground-breaking work in the sixties to the superlative glamour of the supermodels of the nineties. Gifted with an unerring eye for the iconic as well as the transformative, Donovan was a master of his craft, a technical genius who pushed the limits of what was possible with a camera. This stylish book contains some of his most famous shots, as well as previously unseen images, and is a perfect gift for lovers of both fashion and photography.

This Companion offers the first systematic analysis of the representation of the body in literature. It historicizes embodiment by charting our evolving understanding of the body from the Middle Ages to the present day, and addresses such questions as sensory perception, technology, language and affect; maternal bodies, disability and the representation of ageing; eating and obesity, pain, death and dying; and racialized and posthuman bodies. This Companion also considers science and its construction of the body through disciplines such as obstetrics, sexology and neurology. Leading scholars in the field devote special attention to poetry, prose, drama and film, and chart a variety of theoretical understandings of the body.

This Companion offers the first systematic analysis of the representation of the body in literature. It historicizes embodiment by charting our evolving understanding of the body from the Middle Ages to the present day, and addresses such questions as sensory perception, technology, language and affect; maternal bodies, disability and the representation of ageing; eating and obesity, pain, death and dying; and racialized and posthuman bodies. This Companion also considers science and its construction of the body through disciplines such as obstetrics, sexology and neurology. Leading scholars in the field devote special attention to poetry, prose, drama and film, and chart a variety of theoretical understandings of the body.

A reissue of a cult design book about Nova, the groundbreaking British magazine of the 60s and 70s. A reissue of a cult design book, Nova 1965-1975 celebrates one of the most influential magazines in history. Known as 'the thinking woman's magazine' Nova was a British publication that set itself apart from its contemporaries by creating a magazine that was not just about fashion but was also politically, socially and sexually aware. The magazine covered issues that were controversial at the time, such as abortion, lesbianism and The Pill, and featured writers such as Susan Sontag, Christopher Booker and Germaine Greer.The book is compiled by David Hillman and Harri Pecconotti, who worked as Deputy Editor and Art Director on the magazine. The design and layout of the magazine were as groundbreaking as the content, and borrowed ideas from the psychedelic subculture and underground press of the day. Nova was one of the first magazines to include black models in their photoshoots, and regular photographers for the magazine included Helmut Newton and Don McCullin.The book selects the very best covers and articles from the magazine's decade long output and looks at them in detail, featuring many of the iconic magazine covers.

This volume looks at Marx and Freud, who, though not 'Shakespeareans' in the usual academic or theatrical sense, were both deeply informed by Shakespeare's writings, and have both had enormous influence on the understanding and reception of Shakespeare. The first section of this volume consists of a discussion of Marx's use of Shakespeare by Crystal Bartolovich followed by an essay on Shakespeareans' recent uses of Marx by Jean E. Howard. The volume's second half, written by David Hillman, juxtaposes a discussion of Freud's use of Shakespeare with a meditation on Shakespeare's 'use' of Freud. Each part can be read fruitfully independently of the others, but the sum is greater than the parts, offering an engagement with two of the most influential thinkers in Western modernity and their interchanges with, arguably, the most influential figure of early modernity: Shakespeare.