With this groundbreaking collection, translated and edited by the renowned poet and translator David Hinton, a new generation will be introduced to the work that riveted Ezra Pound and transformed modern poetry. The Chinese poetic tradition is the largest and longest continuous tradition in world literature, and this rich and far-reaching anthology of nearly five hundred poems provides a comprehensive account of its first three millennia (1500 BCE to 1200 CE), the period during which virtually all its landmark developments took place. Unlike earlier anthologies of Chinese poetry, Hinton's book focuses on a relatively small number of poets, providing selections that are large enough to re-create each as a fully realized and unique voice. New introductions to each poet's work provide a readable history, told for the first time as a series of poetic innovations forged by a series of master poeets. From the classic texts of Chinese philosophy to intensely personal lyrics, from love poems to startling and strange perspectives on nature, Hinton has collected an entire world of beauty and insight. And in his eye-opening translations, these ancient poems feel remarkably fresh and contemporary, presenting a literature both radically new and entirely resonant.

Lao Tzu's Tao Te Ching is the source of Zen Buddhism, and is probably the most broadly influential spiritual text in human history. Complete & Unabridged. Part of the Macmillan Collector's Library; a series of stunning, cloth-bound, pocket-sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition is translated and introduced by David Hinton. Fluent in ancient Chinese and an acclaimed poet, he skilfully reveals how remarkably current and even innovative this text is after 2500 years. According to legend, Lao Tzu left China at the age of eighty, saddened that men would not follow the path to natural goodness. At the border with Tibet, a guard asked him to record his teachings and the Tao Te Ching is what he wrote down before leaving. Lao Tzu's spirituality describes the Cosmos as a harmonious and generative organism, and it shows how the human is an integral part of that cosmos.

Formed in a time of great unrest in ancient China, The Analects is vital to an understanding of Chinese history and thought, and, 2,500 years on, it remains startlingly relevant to contemporary life. Complete and unabridged. Part of the Macmillan Collector's Library; a series of stunning, cloth-bound, pocket-sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. Highly regarded for the poetic fluency he brings to his award-winning work, David Hinton's translation is inviting and immensely readable. Confucius, the 'great sage' of China, believed that an ideal society is based on humanity, benevolence and goodness. His profoundly influential philosophy is encapsulated in The Analects, a collection of sayings which were written down by his followers. Confucius advocates an ethical social order, woven together by selfless and supportive relationships between friends, families and communities. He taught that living by a moral code based on education, ritual, respect and integrity will bring peace to human society.

Poetry. THE SELECTED POEMS OF TAO CHIN brings into English some of the most important poetry in all of Chinese literature. As David Hinton writes in his introduction, Tao Chien "stands at the head of the great Chinese tradition like a revered grandfather: profoundly wise, self-possessed, quiet, comforting." Tao was the first writer to make a poetry of his natural voice and immediate experience, thereby creating the personal lyricism which distinguishes ancient Chinese poetry and makes it seem so contemporary. While maintaining a scholar's attention to the complexities of the original, Hinton here recreates Tao Chien as a compelling poetic voice in English.

There is a set-phrase in Chinese referring to the phenomenon of Li Po: "Winds of the immortals, bones of the Tao." He moved through this world with an unearthly freedom from attachment, and at the same time belonged profoundly to the earth and its process of change. However ethereal in spirit, his poems remain grounded in the everyday experience we all share. He wrote 1200 years ago, half a world away, but in his poems we see our world transformed. Legendary friends in eighth-century T'ang China, Li Po and Tu Fu are traditionally celebrated as the two greatest poets in the Chinese canon. David Hinton's translation of Li Po's poems is no less an achievement than his critically acclaimed The Selected Poems of Tu Fu, also published by New Directions. By reflecting the ambiguity and density of the original, Hinton continues to create compelling English poems that alter our conception of Chinese poetry.

Wang Wei (701-761 C.E.) is often spoken of, with his contemporaries Li Po and Tu Fu, as one of the three greatest poets in China's 3,000-year poetic tradition. Of the three, Wang was the consummate master of the short imagistic landscape poem that came to typify classical Chinese poetry. He developed a nature poetry of resounding tranquility wherein deep understanding goes far beyond the words on the page a poetics that can be traced to his assiduous practice of Ch'an (Zen) Buddhism. But in spite of this philosophical depth, Wang is not a difficult poet. Indeed, he may be the most immediately appealing of China's great poets, and in Hinton's masterful translations he sounds utterly contemporary. Many of his best poems are incredibly concise, composed of only twenty words, and they often turn on the tiniest details: a bird's cry, a splinter of light on moss, an egret's wingbeat. Such imagistic clarity is not surprising since Wang was also one of China's greatest landscape painters. This is a breathtaking poetry, one that in true Zen fashion renders the ten thousand things of this world in such a way that they empty the self even as they shimmer with the clarity of their own self-sufficient identity."

The books collected in this volume represent the first time since the mid-nineteenth century that the four seminal masterworks of ancient Chinese thought have been translated as a unified series by a single translator. Hinton's award-winning experience translating a wide range of ancient Chinese poets makes these books sing in English as never before. But these new versions are not only inviting and immensely readable, they also apply much-needed consistency to key philosophical terms in these texts, lending structural links and philosophical rigor heretofore unavailable in English. Breathing new life into these originary classics, Hinton's new translations will stand as the definitive texts for our era. Perhaps the most broadly influential spiritual text in human history, Lao Tzu's Tao Te Ching is the source of Taoist philosophy, which eventually developed into Ch'an (Zen) Buddhism. Equally influential in the social sphere, Confucious' Analects is the source of social wisdom in China. The Chuang Tzu is the wild and wacky prose complement to the Tao Te Ching. And with its philosophical story-telling, the Menicius adds depth and complexity to Confucius' vision.

The earliest and most extensive literary engagement with wilderness in human history, Mountain Home is vital poetry that feels utterly contemporary. China's tradition of "rivers-and-mountains" poetry stretches across millennia. This is a plain-spoken poetry of immediate day-to-day experience, and yet seems most akin to China's grand landscape paintings. Although its wisdom is ancient, rooted in Taoist and Zen thought, the work feels utterly contemporary, especially as rendered here in Hinton's rich and accessible translations. Mountain Home collects poems from 5th- through 13th-century China and includes the poets Li Po, Po Chu-i and Tu Fu. The "rivers-and-mountains" tradition covers a remarkable range of topics: comic domestic scenes, social protest, travel, sage recluses, and mountain landscapes shaped into forms of enlightenment. And within this range, the poems articulate the experience of living as an organic part of the natural world and its processes. In an age of global ecological disruption and mass extinction, this tradition grows more urgently important every day. Mountain Home offers poems that will charm and inform not just readers of poetry, but also the large community of readers who are interested in environmental awareness.

Tu Fu (712-770 C.E.) has for a millennium been widely considered the greatest poet in the Chinese tradition, and Hinton's original translation played a key role in developing that reputation in America. Most of Tu Fu's best poems were written in the last decade of his life, as an impoverished refugee fleeing the devastation of civil war. In the midst of these challenges, his always personal poems manage to combine a remarkable range of possibilities: elegant simplicity and great complexity, everyday life and grand historical drama, private philosophical depth and social engagement in a world consumed by war. Through it all, his is a wisdom that can only be called elemental, and his poems sound remarkably contemporary.

Join renowned author David Hinton on two walks into the wild beauty and archaeological ruins of the desert Southwest, where he maps the edges of consciousness and our place in the Cosmos.

Walks in the desert and journeys through Ch’an (Zen) enlightenment. Meditations on the nature of perception and on the nature of ruins. Topographies of mind and of space-time. Poetry and prose. This talismanic book is all of these and more.

In this poetic odyssey of nature writing that blurs the line between observer and landscape, Hinton’s project is nothing less than to map our place in the cosmos and awaken to our interconnectedness with the wild spontaneity of the natural world. It is the culmination of Hinton’s philosophical adventure, deeply informed by his nearly forty years of translating and contemplating China’s ancient poets, Taoist sages, and Ch’an masters. Like Henry David Thoreau and other great literary walkers, Hinton joins philosophical meditations with a keen eye for the slightest of nature’s details. In following these walks, we journey into wondrous and even ecstatic clarities about the nature of mind and existence itself.

Revered for millennia in the Chinese spiritual tradition, " Chuang Tzu " stands alongside the " Tao Te Ching " as a founding classic of Taoism. The Inner Chapters are the only sustained section of this text widely believed to be the work of Chuang Tzu himself, dating to the fourth century B.C.E. Witty and engaging, spiced with the lyricism of poetry, Chuang Tzu's Taoist insights are timely and eternal, profoundly concerned with spiritual ecology. Indeed, the Tao of Chuang Tzu was a wholesale rejection of a human-centered approach. Zen traces its sources back to these Taoist roots -- roots at least as deep as those provided by Buddhism.
But this is an ancient text that yields a surprisingly modern effect. In bold and startling prose, David Hinton's translation captures the "zany texture and philosophical abandon" of the original. The Inner Chapters' fantastical passages -- in which even birds and trees teach us what they know -- offer up a wild menagerie of characters, freewheeling play with language, and surreal humor. And interwoven with Chuang Tzu's sharp instruction on the Tao are short-short stories that are often rough and ribald, rich with satire and paradox.
On their deepest level, the Inner Chapters are a meditation on the mysteries of knowledge itself. "Chuang Tzu's propositions," the translator's introduction reminds us, "seem to be in constant transformation, for he deploys words and concepts only to free us of words and concepts." Hinton's vital new translation makes this ancient text from the golden age of Chinese philosophy come alive for contemporary readers.

Wang An-shih (1021-1086 C.E.) was a remarkable figure not only one of the great Sung Dynasty poets, but also the most influential and controversial statesman of his time. Although he had little interest in the grandeur of high office and political power, Wang rose to no less a position than Prime Minister. As Prime Minister, he instituted a controversial system of radically egalitarian social reforms in an effort to improve the lives of China s dispossessed peasants. Wang then left politics and followed his true interest retiring to a reclusive life of artistic and spiritual self-cultivation. It was after his retirement that Wang An-shih wrote the poems on which his reputation is based. Wang spent those later years practicing Ch an (Zen) Buddhism and wandering the mountains around his home, and that Taoist/Ch an cultivation of the rivers-and-mountains realm shapes his poems. These late poems are short and plain-spoken, but always with profound resonances. They won him wide acclaim across the centuries in China and beyond; and here he enters English for the first time, feeling like a major contemporary poet who is especially interesting for the deeply ecological approach of his poetic thinking."

Late in life, Meng Chiao (A.D. 751--814) developed an experimental poetry of virtuosic beauty, a poetry that anticipated landmark developments in the modern Western tradition by a millennium. With the T'ang Dynasty crumbling, Meng's later work employed surrealist and symbolist techniques as it turned to a deep introspection. This is truly major work-- work that may be the most radical in the Chinese tradition. And though written more than a thousand years ago, it is remarkably fresh and contemporary. But, in spite of Meng's significance, this is the first volume of his poetry to appear in English.

Until the age of forty, Meng Chiao lived as a poet-recluse associated with Ch'an (Zen) poet-monks in south China. He then embarked on a rather unsuccessful career as a government official. Throughout this time, his poetry was decidedly mediocre, conventional verse inevitably undone by his penchant for the strange and surprising. After his retirement, Meng developed the innovative poetry translated in this book. His late work is singular not only for its bleak introspection and "avant-garde" methods, but also for its dimensions: in a tradition typified by the short lyric poem, this work is made up entirely of large poetic sequences.

This ancient text records the teachings of Mencius (4th c. B.C.E.), the second originary sage in the Confucian tradition which has shaped Chinese civilization for over two thousand years. In a culture that makes no distinction between those realms we call the heart and the mind, Mencius was the great thinker of the heart, and it was he who added the profound inner dimensions to the Confucian vision. Given his emphasis on the heart, it isn't surprising that his philosophical method is very literary in nature: story and anecdote full of human drama and poetic turns of thought. Indeed, the text is considered a paragon of literary eloquence and style.Mencius' strikingly contemporary empiricism represented a complete secularization of the spiritualist concepts of governance that had dominated China for over a millenia. He invested the humanist Confucian vision with its inner dimensions by recognizing that the individual is an integral part of a self-generating and harmonious cosmos. He saw all the spiritual depths of that cosmology inside us, and this led to a mystical faith in the inherent nobility of human beings. In his chaotic and war-ravaged times, he was therefore passionate in his defense of the people. Indeed, he advocated a virtual democracy in which a government's legitimacy depended upon the assent of the people. Such is the enduring magic of the Mencian heart full of compassionate and practical concern for the human condition, and yet so empty that it contains the ten thousand transformations of the entire cosmos.

In the 1970s and 1980s the Texas wildcatter was a recognizable figure in popular culture. Since then, the wildcatter's role is less celebrated but still important, as shown in the new introduction to this edition of a book originally published in 1984 by Texas Monthly Press. Drawing heavily on oral histories, this book tells the story of the West Texas independents as a group, looking at their business strategies in the context of their national, regional, and local conditions. The focus is on the Permian Basin and southeastern New Mexico over the sixty-year period in which the region rose to prominence on the American oil scene, producing about one-fifth of the nation's output. It is a story that covers vast technological change, governmental regulation, and economic fluctuation with profound implications for the oil and gas community. The new introduction brings the story up-to-date by addressing not only the subsequent careers of the wildcatters described in the book but also the role of independents in the current economy. ROGER M. OLIEN, who holds a Ph.D. from Brown University, lives in Austin and is a member of the TSHA Speakers Bureau.DIANA DAVIDS HINTON holds the J. Conrad Dunagan Chair in regional and business history at the University of Texas-Permian Basin. Her Ph.D. is from Yale University.

As the twentieth century began, oil in Texas was easy to find, but the quantities were too small to attract industrial capital and production. Then, on January 10, 1901, the Spindletop gusher blew in. Over the next fifty years, oil transformed Texas, creating a booming economy that built cities, attracted out-of-state workers and companies, funded schools and universities, and generated wealth that raised the overall standard of living-even for blue-collar workers. No other twentieth-century development had a more profound effect upon the state. In this book, Roger M. Olien and Diana Davids Hinton chronicle the explosive growth of the Texas oil industry from the first commercial production at Corsicana in the 1890s through the vital role of Texas oil in World War II. Using both archival records and oral histories, they follow the wildcatters and the gushers as the oil industry spread into almost every region of the state. The authors trace the development of many branches of the petroleum industry-pipelines, refining, petrochemicals, and natural gas. They also explore how overproduction and volatile prices led to increasing regulation and gave broad regulatory powers to the Texas Railroad Commission.

*David Hinton's account of a series of walks up and around a mountain near his home in Vermont is nature writing of a profound sort: as we accompany him with his observations of the terrain, vegetation, and wildlife, we gain access to the view of someone who has, through his translation work, become intimate with the mind of the ancient Chinese sages. Taking on the mind of the sages ourselves, we begin to get a clear vision of our place in the landscape, the planet, and ultimately the cosmos.

During the great oil speculations in the 1920s, both promoters and investors became victims of their common greed. Outlining the activities of several different promoters and drawing on business papers, federal court records, and local land records, the Oliens describe the legal and regulatory responses to fraud. Their fascinating story breaks new ground in American social and business history and offers new insight into the culture of American capitalism.