Admirers of the work of Sylvia Plath will welcome this new paperback edition of a study, first published by The Athlone Press in 1976, which provides coherent and persuasive readings of her poetry. Drawing upon the traditional skills of the literary critic, David Holbrook also deploys the illumination of both psychoanalysis and phenomenology in a pioneering work of literary, individual and cultural interpretation.

Never before published in the United States, David Holbrook's study offers the sort of common sense all too uncommon in this area of study. His essential premise is that sex has become converted from an instrument for the expression of happiness and affection into an end unto itself. In the search for sexual liberation, all that has been accomplished is the mechanization of sexuality and the destruction of the full range of emotions that nourish the human search for social and biological meaning. Sex and Dehumanization is one of those rare books that will immediately strike the reader as part of the common wisdom that has somehow been lost in a search for the pleasure principle unhinged from other values and goals.During the past quarter century, Holbrook argues, not only has the concept of sex become increasingly separated from the rest of existence, but sex casualties have increased disastrously. The spread of AIDS has brought an ominous and deadly manifestation of this thesis into the human equation, yet at the same tune the response to this menace has been nothing short of manic denial. A similar picture emerges in less deadly forms. Whatever statistics one examines, whether those of sexual activity among young children, abortion, or sexual disease, one finds a grim antidote to any hopes of progress in the sphere of human dealings with the sexual. Holbrook locates many of the problems involved in this separation of sex and affection in the emergence of the idea that our lives are governed by impersonal forces beyond human control.Sex and Dehumanization is in the great tradition of social history and psychiatric analysis. Robert Nye, writing in the Scotsman, says that "Holbrook's diagnosis of our unease should be attentively studied by all who really care about sex and love and the responsibility of freedom." Gabriel Pearson, in the Guardian echoes this sentiment, adding that "never has such a secular ethic been so firmly and urgently and usefully stated." And John Rex sees the book "as containing the germs of important and central moral discussion."

Never before published in the United States, David Holbrook's study offers the sort of common sense all too uncommon in this area of study. His essential premise is that sex has become converted from an instrument for the expression of happiness and affection into an end unto itself. In the search for sexual liberation, all that has been accomplished is the mechanization of sexuality and the destruction of the full range of emotions that nourish the human search for social and biological meaning. "Sex and Dehumanization "is one of those rare books that will immediately strike the reader as part of the common wisdom that has somehow been lost in a search for the pleasure principle unhinged from other values and goals.

During the past quarter century, Holbrook argues, not only has the concept of sex become increasingly separated from the rest of existence, but sex casualties have increased disastrously. The spread of AIDS has brought an ominous and deadly manifestation of this thesis into the human equation, yet at the same tune the response to this menace has been nothing short of manic denial. A similar picture emerges in less deadly forms. Whatever statistics one examines, whether those of sexual activity among young children, abortion, or sexual disease, one finds a grim antidote to any hopes of progress in the sphere of human dealings with the sexual. Holbrook locates many of the problems involved in this separation of sex and affection in the emergence of the idea that our lives are governed by impersonal forces beyond human control.

"Sex and Dehumanization "is in the great tradition of social history and psychiatric analysis. Robert Nye, writing in the "Scotsman, "says that "Holbrook's diagnosis of our unease should be attentively studied by all who really care about sex and love and the responsibility of freedom." Gabriel Pearson, in the "Guardian "echoes this sentiment, adding that "never has such a secular ethic been so firmly and urgently and usefully stated." And John Rex sees the book "as containing the germs of important and central moral discussion."

Mr Holbrook here offers a new interpretation of Dylan Thomas which seeks, by uncovering the roots of his predicament as man and artist, to show what is of lasting value in his achievement. This undertaking involves the consideration of some profound questions of human personality and of human creativity and its denial.

As the Air France 737 landed on the worn runway of the Tan Sun Nhut airport in a western suburb of Saigon and approached the rundown terminal building, I knew we were not going to be welcomed with open arms. As we passed through the arrival room, the customs officers were not disagreeable. I did wonder how they could sit in the heat and humidity in the large dingy room with one antique ceiling fan whining above them, pushing down the hot air. There were no smiles but no delays either.

'A plucky, gutsy memoir of a doctor's life well-lived, helping refugees set adrift by war and disaster. Holbrook's humility, gentle humour and unflagging kindness, along with his insatiable delight in people and their worlds, carries him through the toughest times and illuminates every page of this amazing story."
-Sarah Sheard, author of "The Hypnotist"

'Whether he is describing the misery of an Indonesian refugee camp or a peculiar egg sandwich in Trinidad, David Holbrook paints each scene with a discerning and compassionate eye. The good doctor makes us laugh on one page and brings us to tears on the next."
-Helen McLean, author of "Significant Things"