In his debut collection of short stories, David Huebert brings us an assortment of wounded wanderers who remind us that we are all marooned on the shores of being, watching oceans rise. Veterinarians, prison guards, and prosthetic phallus designers develop various schemes to navigate the ruins of their capsizing lives and to confront the beauty of their bruised worlds.

Winner of the Alistair MacLeod Prize for Short Fiction * A Thomas Raddall Atlantic Fiction Award Finalist * A 2022 ReLit Award Finalist * A Siskiyou Prize Semi-Finalist * A Miramichi Reader Best Fiction Title of 2021 Oil-soaked and swamp-born, the bruised optimism of Huebert's stories offer sincere appreciation of the beauty of our wilted, wheezing world. From refinery operators to long term care nurses, dishwashers to preppers to hockey enforcers, Chemical Valley's compassionate and carefully wrought stories cultivate rich emotional worlds in and through the dankness of our bio-chemical animacy. Full-hearted, laced throughout with bruised optimism and sincere appreciation of the profound beauty of our wilted, wheezing world, Chemical Valley doesn't shy away from urgent modern questions-the distribution of toxicity, environmental racism, the place of technoculture in this ecological spasm-but grounds these anxieties in the vivid and often humorous intricacies of its characters' lives. Swamp-wrought and heartfelt, these stories run wild with vital energy, tilt and teeter into crazed and delirious loves.

This volume charts a new course in animal studies that re-examines Jacques Derrida's enduring thought on the visualization of the animal in his seminal Cerisy Conference from 1997, The Animal That Therefore I Am. Building new proximities with the animal in and through - and at times in spite of - the visual apparatus, Seeing Animals after Derrida investigates how the recent turn in animal studies toward new materialism, speculative realism, and object-oriented ontology prompts a renewed engagement with Derrida's animal philosophy. In taking up the matter of Derrida's treatment of animality for the current epoch, the contributors to this book each present a case for new philosophical approaches and aesthetic paradigms that challenge the ocularcentrism of Western culture.