After a survey of recent approaches to the study of Paul's use of Scripture, the four main chapters explore the use of Isa. 54:1 in Gal. 4:27, the catena of scriptural texts in 2 Cor. 6:16-18, Hos. 1:10 and 2:23 in Rom. 9:25-26 and Isa. 57:19 in Eph. 2:17. In each case, the ancienwriter seeks to place the letter in its historical context and rhetorical situation, identify the significance of any conflations or modifications that have taken place in the citation process, analyse the citation's function within its immediate context, compare its use by Paul with the various ways in which the text is interpreted and appropriated by other Second Temple writers, and evaluate the main proposals offered as explanations for the riddle posed by the citation. That done, he offers his own account of the hermeneutic at work, based on an analysis of the explicit and implicit hermeneutical pointers through which the letter guides its readers in their appropriation of Scripture. This book compares the hermeneutical approaches of the four letters and draws conclusionsconcerning the interplay of continuity and discontinuity between Scripture and gospel in Paul's letters and the relationship between grace and Gentile inclusion in his theology.

A Fresh Approach to the Art of Biblical Interpretation This book offers a fresh approach to the art of biblical interpretation, focusing on the ways Scripture itself forms its readers as wise and faithful interpreters. David Starling shows that apprenticing ourselves to the interpretive practices of the biblical writers and engaging closely with texts from all parts of the Bible help us to develop the habits and practices required to be good readers of Scripture. After introducing the principles, Starling works through the canon, providing inductive case studies in interpretive method and drawing out implications for contemporary readers. Offering a fresh contribution to hermeneutical discussions, this book will be an ideal supplement to traditional hermeneutics textbooks for seminarians. It includes a foreword by Peter O'Brien.