Throughout its ten related essays, Imagining the Real contrasts our abstract imaginings about the human world with the imaginative insights provided by art and experience. It questions, variously, the relevance of game theory and sociobiology to politics; the supposed intrinsic values of liberal freedom, cultural change, and democratic action; and the claims of Marxism, deconstruction and "Theory" generally to be non-ideological. More positively, it reinterprets fiction as a specific invitation to imagine, and celebrates Shakespeare, L.H. Myers and Beckett as truly critical, because truly imaginative, exponents of ideas.

Bonjour Mr Inshaw is a homage by the award-winning poet Peter Robinson to David Inshaw, the celebrated painter, whom he first met during the artist's years as Creative Arts Fellow at Trinity College, Cambridge, in the mid-1970s. Largely produced in an unexpected burst of inspiration after a visit to the painter's studio early in 2019, these poems combine memories of Inshaw's paintings, or characteristic landscapes, with experiences of his company and conversation. Showing a formal flexibility and deftness characteristic of this poet's work, they reflect on the role of art in a time of political and cultural division. Presented in an en face format, Bonjour Mr Inshaw beautifully illustrates its ekphrastic encounters and allows us to reflect in turn on this contemporary example of the centuries-old dialogue between the arts of poetry and painting. `Following the visionary traditions of such quintessentially English predecessors as Samuel Palmer ... or Stanley Spencer ... Inshaw's paintings discover the mystical in what could just as easily be overlooked as the mundane.' - Rachel Campbell-Johnston, art critic for The Times `Robinson is the finest poet alive when it comes to the probing of shifts in atmosphere, momentary changes in the weather of the mind, each poem an astonishingly fine-tuned gauge for recording the pressures and processes that generate lived occasions' - Adam Piette in The Reader

Jocelyn Brooke's love affair with wild flowers and home-made fireworks began when he was growing up in Kent and exploring the countryside of the the Elham Valley. But there was one particular flower, especially rare and beautiful which became an obsession. Over three decades and through two world wars, in the deserts of Libya and the woodlands of Italy, in the chalk downs of Kent, Sussex and Hampshire, he searched continually for his most beloved and elusive Orchis militaris, the military orchid.Against the backdrop of his quintessentially English upbringing and his army career, with ts wonderful cast of snobbish neighbours, eccentric public school teachers and bullish staff sergeants, Jocelyn Brooke blends memoir, botany and satire to recall his lifelong quest. The Military Orchid is a comic masterpiece and became widely revered: Kingsley Amis decribed Brooke as "brilliant and exciting", John Betjeman called him "as subtle as the devil", and to Anthony Powell he was "one of the most interesting and talented" writers to emerge after the Second World War.

Edward Thomas's death in the Second World War robbed the world of a great poet, a fine writer, and a pioneering environmentalist. Published in 1909, The South Country is the happiest of all his books. Lyrical, passionate, acutely sensitive to life in the countryside and the rhythms of the seasons, it brilliantly merges landscape, folk culture and natural history into a record of what Edward Thomas saw and felt as he wandered the old ways of southern England.