Recognising that buildings are a major contributor to global warming and the critical role of embodied versus operational carbon, the book focuses on houses built from materials that either sequester carbon (plants), use materials with very low embodied carbon (earth and stone) or reuse substantial amounts of existing materials. Organised by those materials (wood, bamboo, straw, hemp, cork, earth, brick, stone and re-use), and incorporating life cycle diagrams demonstrating how the raw material is processed into building components, the book shows how the unique properties of each material can transform the ways architects conceive the sections of houses. The house was selected as the vehicle for these investigations due to its scale, its role as a site of architectural experimentation, and its ubiquity. Building on the techniques of the Manual of Section, the book is comprised of newly generated cross-sectional drawings of 55 recent, modestly sized houses from around the world, making legible the tectonics and materials used in their construction. Each house is also shown through exploded axonometric, construction photographs and colour photographs of the exterior and interior. Introductory essays set up the importance of embodied carbon, the role of vernacular plant-based construction and the problems of contemporary house construction. Drawing connections between the architecture of the house, environmental systems and material economies, the book seeks to change how we build now and for the future.

Insufficiences and inequities in food production and supply in poor countries need to be addressed as problems of both agricultural resource management and rural democratization. "Reluctant Partners?" combines comprehensive empirical insights into NGO's work in agriculture with wider considerations of their relations with the State and their contribution to democratic pluralism. This overview volume for the "Non-Governmental Organizations" series contextualizes the case study material in the three regional volumes on Africa, Asia and Latin America, where over 60 specially commissioned case studies of farmer participatory approaches to agricultural innovation are presented. Specific questions are raised. How good/bad are NGOs at promoting technological innovation and addressing contraints to change in peasant culture? How effective are NGOs at strengthening local organizations? How do/will donor pressures influence NGOs and their links to the state?.

Insufficiences and inequities in food production and supply in poor countries need to be addressed as problems of both agricultural resource management and rural democratization. "Reluctant Partners?" combines comprehensive empirical insights into NGO's work in agriculture with wider considerations of their relations with the State and their contribution to democratic pluralism. This overview volume for the "Non-Governmental Organizations" series contextualizes the case study material in the three regional volumes on Africa, Asia and Latin America, where over 60 specially commissioned case studies of farmer participatory approaches to agricultural innovation are presented. Specific questions are raised. How good/bad are NGOs at promoting technological innovation and addressing contraints to change in peasant culture? How effective are NGOs at strengthening local organizations? How do/will donor pressures influence NGOs and their links to the state?.

Presents twenty specially commissioned case studies of farmer participatory approaches to agricultural innovation initiated by NGOs in Asia with case material set within the context of NGOs' relations with the state.

"It has been a while since I devoured a book on architecture with as much pleasure. I love a good section and I love this book."-Aaron Betsky, Architect Magazine Award-winning architects Paul Lewis, Marc Tsurumaki, and David J. Lewis's essential guide to section. Section, along with plan and elevation, is one of the most important representational techniques of architectural design. Manual of Section is the first book to provide a framework to describe and evaluate this fundamental design process in architecture. Divided into seven categories of section based on extensive archival research: * Range is from simple one-story buildings to complex structures * Features stacked forms, fantastical shapes, internal holes, inclines, sheared planes, nested forms, or combinations of each * Includes sixty-three intricately detailed cross-section perspective drawings of many of the most significant structures in international architecture from the last one hundred years "A must-read for all designers associated with the built environment and should surely be on the library shelves of every architecture, urban design and interior design school...the intricate drawings provided by LTL are sure to inspire all those who have the privilege of cracking the spine of this amazing reference." -Spacing In addition to the incredible cross-section drawings, the book includes smart and accessible essays on the history and uses of section. Manual of Section has become a top architecture book for architecture students and professional architects.

At the intersection between western culture and Africa, we find the San people of the Kalahari desert. Once called Bushmen, the San have survived many characterizations_from pre-human animals by the early European colonials, to aboriginal conservationists in perfect harmony with nature by recent New Age adherents. Neither caricature does justice to the complex world view of the San. Eminent anthropologists David Lewis-Williams and David Pearce present instead a balanced view of the spiritual life of this much-studied people, examining the interplay of their cosmology, myth, ritual, and art. Integrating archaeological finds, historical accounts, ethnographic information, and interpretation of rock art, the authors discuss San cosmic geography, the role of shamans and mind-altering substances, the ritual of the trance dance, the legends reproduced on stone, and other intriguing accounts of other-worldly experiences. From this, Lewis-Williams and Pearce illuminate the world view of the San, how it plays out in their society, and how it has been challenged and altered by the modern world. For students of anthropology, archaeology, religion, and African studies, this volume will be essential and fascinating reading.

At the intersection between western culture and Africa, we find the San people of the Kalahari desert. Once called Bushmen, the San have survived many characterizations_from pre-human animals by the early European colonials, to aboriginal conservationists in perfect harmony with nature by recent New Age adherents. Neither caricature does justice to the complex world view of the San. Eminent anthropologists David Lewis-Williams and David Pearce present instead a balanced view of the spiritual life of this much-studied people, examining the interplay of their cosmology, myth, ritual, and art. Integrating archaeological finds, historical accounts, ethnographic information, and interpretation of rock art, the authors discuss San cosmic geography, the role of shamans and mind-altering substances, the ritual of the trance dance, the legends reproduced on stone, and other intriguing accounts of other-worldly experiences. From this, Lewis-Williams and Pearce illuminate the world view of the San, how it plays out in their society, and how it has been challenged and altered by the modern world. For students of anthropology, archaeology, religion, and African studies, this volume will be essential and fascinating reading.

J. David Lewis-Williams is world renowned for his work on the rock art of Southern Africa. In this volume, Lewis-Williams describes the key steps in his evolving journey to understand these images painted on stone. He describes the development of technical methods of interpreting rock paintings of the 1970s, shows how a growing understanding of San mythology, cosmology, and ethnography helped decode the complex paintings, and traces the development of neuropsychological models for understanding the relationship between belief systems and rock art. The author then applies his theories to the famous rock paintings of prehistoric Western Europe in an attempt to develop a comprehensive theory of rock art. For students of rock art, archaeology, ethnography, comparative religion, and art history, Lewis-Williams' book will be a provocative read and an important reference.