At the intersection between western culture and Africa, we find the San people of the Kalahari desert. Once called Bushmen, the San have survived many characterizations_from pre-human animals by the early European colonials, to aboriginal conservationists in perfect harmony with nature by recent New Age adherents. Neither caricature does justice to the complex world view of the San. Eminent anthropologists David Lewis-Williams and David Pearce present instead a balanced view of the spiritual life of this much-studied people, examining the interplay of their cosmology, myth, ritual, and art. Integrating archaeological finds, historical accounts, ethnographic information, and interpretation of rock art, the authors discuss San cosmic geography, the role of shamans and mind-altering substances, the ritual of the trance dance, the legends reproduced on stone, and other intriguing accounts of other-worldly experiences. From this, Lewis-Williams and Pearce illuminate the world view of the San, how it plays out in their society, and how it has been challenged and altered by the modern world. For students of anthropology, archaeology, religion, and African studies, this volume will be essential and fascinating reading.

At the intersection between western culture and Africa, we find the San people of the Kalahari desert. Once called Bushmen, the San have survived many characterizations_from pre-human animals by the early European colonials, to aboriginal conservationists in perfect harmony with nature by recent New Age adherents. Neither caricature does justice to the complex world view of the San. Eminent anthropologists David Lewis-Williams and David Pearce present instead a balanced view of the spiritual life of this much-studied people, examining the interplay of their cosmology, myth, ritual, and art. Integrating archaeological finds, historical accounts, ethnographic information, and interpretation of rock art, the authors discuss San cosmic geography, the role of shamans and mind-altering substances, the ritual of the trance dance, the legends reproduced on stone, and other intriguing accounts of other-worldly experiences. From this, Lewis-Williams and Pearce illuminate the world view of the San, how it plays out in their society, and how it has been challenged and altered by the modern world. For students of anthropology, archaeology, religion, and African studies, this volume will be essential and fascinating reading.

J. David Lewis-Williams is world renowned for his work on the rock art of Southern Africa. In this volume, Lewis-Williams describes the key steps in his evolving journey to understand these images painted on stone. He describes the development of technical methods of interpreting rock paintings of the 1970s, shows how a growing understanding of San mythology, cosmology, and ethnography helped decode the complex paintings, and traces the development of neuropsychological models for understanding the relationship between belief systems and rock art. The author then applies his theories to the famous rock paintings of prehistoric Western Europe in an attempt to develop a comprehensive theory of rock art. For students of rock art, archaeology, ethnography, comparative religion, and art history, Lewis-Williams' book will be a provocative read and an important reference.