In Print the Legend: Politics, Culture, and Civic Virtue in the Films of John Ford, a collection of writers explore Ford's view of politics, popular culture, and civic virtue in some of his best films: Drums Along the Mohawk, The Searchers, The Man Who Shot Liberty Valance, Stagecoach, How Green Was My Valley, and The Last Hurrah. John Ford, more than most motion picture directors, invites his viewers into a serious discussion of these themes. For instance, one can consider Plato's timeless question 'What is justice?' in The Man Who Shot Liberty Valance, vengeance as classical Greek tragedy in The Searchers, or ethnic politics in The Last Hurrah. Ford's films never grow stale or seem dated because he continually probes the most important questions of our civic culture: what must we do to survive, prosper, pursue happiness, and retain our common decency as a regime? Further, viewing them from a distance of time, we are subtly invited to ask whether anything has been lost or gained since Ford celebrated the civic virtues of an earlier America. Is Ford's America an idealized America or a lost America?

In Print the Legend: Politics, Culture, and Civic Virtue in the Films of John Ford, a collection of writers explore Ford's view of politics, popular culture, and civic virtue in some of his best films: Drums Along the Mohawk, The Searchers, The Man Who Shot Liberty Valance, Stagecoach, How Green Was My Valley, and The Last Hurrah. John Ford, more than most motion picture directors, invites his viewers into a serious discussion of these themes. For instance, one can consider Plato's timeless question "What is justice?" in The Man Who Shot Liberty Valance, vengeance as classical Greek tragedy in The Searchers, or ethnic politics in The Last Hurrah. Ford's films never grow stale or seem dated because he continually probes the most important questions of our civic culture: what must we do to survive, prosper, pursue happiness, and retain our common decency as a regime? Further, viewing them from a distance of time, we are subtly invited to ask whether anything has been lost or gained since Ford celebrated the civic virtues of an earlier America. Is Ford's America an idealized America or a lost America?

Political science is becoming ever more reliant on abstract statistical models and almost divorced from human judgment, hope, and idealism. William Shakespeare offers the political scientist an antidote to this methodological alienation, this self-imposed exile from the political concerns of citizens and politicians. Shakespeare, the most quoted author in the English-speaking world, presents his characters as rulers, citizens, and statesmen of the most famous regimes, governed by their respective laws and shaped by their respective political and social institutions. The actions, deliberations, mistakes, and successes of his characters reveal the limitations and strengths of their regimes, whether they be Athens, Rome, or England. The contributors to this volume, esteemed scholars of political science, show us that Shakespeare's poetic imagination displays the very essence of politics and inspires valuable reflection on the fundamental questions of statesmanship and political leadership. Perspectives on Shakespeare's Politics explores such themes as classical republicanism and liberty, the rule of law and morality, the nature and limits of statesmanship, and the character of democracy.

Political science is becoming ever more reliant on abstract statistical models and almost divorced from human judgment, hope, and idealism. William Shakespeare offers the political scientist an antidote to this methodological alienation, this self-imposed exile from the political concerns of citizens and politicians. Shakespeare, the most quoted author in the English-speaking world, presents his characters as rulers, citizens, and statesmen of the most famous regimes, governed by their respective laws and shaped by their respective political and social institutions. The actions, deliberations, mistakes, and successes of his characters reveal the limitations and strengths of their regimes, whether they be Athens, Rome, or England. The contributors to this volume, esteemed scholars of political science, show us that Shakespeare's poetic imagination displays the very essence of politics and inspires valuable reflection on the fundamental questions of statesmanship and political leadership. Perspectives on Shakespeare's Politics explores such themes as classical republicanism and liberty, the rule of law and morality, the nature and limits of statesmanship, and the character of democracy.

Casablanca is a movie about love and loss, virtue and vice, good and evil, duty and treachery, courage and weakness, friendship and hate. It is a story that ends well, but only because the main characters make a heartbreaking choice. Casablanca is perhaps the most widely viewed motion picture ever made, often finishing on critics' lists second only to Citizen Kane. What accounts for its continuing popularity? What chord does it strike with audiences? What lesson does Casablanca teach Americans about themselves? What influence does popular culture have on public mores? The contributors to Political Philosophy Comes to Rick's take up these questions, finding that Casablanca raises many of the most important issues of political philosophy. Perhaps Casablanca has an enduring quality because it, like political philosophy, raises questions of human life - the nature of love, friendship, courage, honor, responsibility, and justice.

Casablanca is a movie about love and loss, virtue and vice, good and evil, duty and treachery, courage and weakness, friendship and hate. It is a story that ends well, but only because the main characters make a heartbreaking choice. Casablanca is perhaps the most widely viewed motion picture ever made, often finishing on critics' lists second only to Citizen Kane. What accounts for its continuing popularity? What chord does it strike with audiences? What lesson does Casablanca teach Americans about themselves? What influence does popular culture have on public mores? The contributors to Political Philosophy Comes to Rick's take up these questions, finding that Casablanca raises many of the most important issues of political philosophy. Perhaps Casablanca has an enduring quality because it, like political philosophy, raises questions of human life - the nature of love, friendship, courage, honor, responsibility, and justice.

In this edited collection, Peter Lawler presents a lucid and comprehensive introduction to a diverse set of political issues according to Tocqueville. Democracy and Its Friendly Critics addresses a variety of modern political and social concerns, such as the moral dimension of democracy, the theoretical challenges to democracy in our time, the religious dimension of liberty, and the meaning of work in contemporary American Life. Taking innovative and unexpected approaches toward familiar topics, the essays present engaging insights into a democratic society, and the contributors include some of today's leading figures in political philosophy. No other collection on Tocqueville addresses contemporary American political issues in such a direct and accessible fashion, making this book a valuable resource for the study of political theory in America.

In this edited collection, Peter Lawler presents a lucid and comprehensive introduction to a diverse set of political issues according to Tocqueville. Democracy and Its Friendly Critics addresses a variety of modern political and social concerns, such as the moral dimension of democracy, the theoretical challenges to democracy in our time, the religious dimension of liberty, and the meaning of work in contemporary American Life. Taking innovative and unexpected approaches toward familiar topics, the essays present engaging insights into a democratic society, and the contributors include some of today's leading figures in political philosophy. No other collection on Tocqueville addresses contemporary American political issues in such a direct and accessible fashion, making this book a valuable resource for the study of political theory in America.

The idea that a radical transformation of the Presidency took place during the FDR administration has become one of the most widely accepted tenets of contemporary scholarship. According to this view, the Constitutional Presidency was a product of the Founders' fear of arbitrary power. Only with the development of a popular extra-Constitutional Presidency did the powerful "modern Presidency" emerge.

David K. Nichols argues to the contrary that the "modern Presidency" was not created by FDR. What happened during FDR's administration was a transformation in the size and scope of the national government, rather than a transformation of the Presidency in its relations to the Constitution or the other branches of government. Nichols demonstrates that the essential elements of the modern Presidency have been found throughout our history, although often less obvious in an era where the functions of the national government as a whole were restricted.

Claiming that we have failed to fully appreciate the character of the Constitutional Presidency, Nichols shows that the potential for the modern Presidency was created in the Constitution itself. He analyzes three essential aspects of the modern Presidency--the President's role in the budgetary process, the President's role as chief executive, and the War Powers Act--that are logical outgrowths of the decisions made at the Constitutional Convention. Nichols concludes that it is the authors of the American Constitution, not the English or European philosophers, who provide the most satisfactory reconciliation of executive power and limited popular government. It is the authors of the Constitution who created the modern Presidency.