This inspirational guide for advanced acting students brings together multiple ways of creating excellence in performance. David Krasner provides tried and tested exercises, a history of actor training and explores the complex relationships between acting theories and teachers. Drawing on examples from personal experience as an actor, director and teacher, An Actor's Craft begins with the building blocks of mind, body and voice, moving through emotional triggers and improvisation, to a final section bringing these techniques together in approaching a role. Each chapter contains accompanying exercises that the actor should practice daily. Combining theory and practice, this thought-provoking and challenging study of acting techniques and theories is for actors who have grasped the basics and now want to develop their knowledge and training further.

This inspirational guide for advanced acting students brings together multiple ways of creating excellence in performance. David Krasner provides tried and tested exercises, a history of actor training and explores the complex relationships between acting theories and teachers. Drawing on examples from personal experience as an actor, director and teacher, An Actor's Craft begins with the building blocks of mind, body and voice, moving through emotional triggers and improvisation, to a final section bringing these techniques together in approaching a role. Each chapter contains accompanying exercises that the actor should practice daily. Combining theory and practice, this thought-provoking and challenging study of acting techniques and theories is for actors who have grasped the basics and now want to develop their knowledge and training further.

As the field of African American studies has gathered strength over the last decade, black theatre and performance has become a field unto itself. For literature scholars who study drama, and for playwrights, directors, and actors, the cultural heritage of black theatre has become too important to dismiss. Elam and Krasner's collection answers the need for a one-volume guide to the history and criticism of black theater and performance. Assembled by two of the most respected and prolific scholars in black theatre and composed of essays from acknowledged authorities in the field (Joe Roach and Genevieve Fabre, among others), the volume is likely to become the central reference for those studying black theatre and a vital tool for literature and African-American Scholars.

As the field of African American studies has gathered strength over the last decade, black theatre and performance has become a field unto itself. For literature scholars who study drama, and for playwrights, directors, and actors, the cultural heritage of black theatre has become too important to dismiss. Elam and Krasner's collection answers the need for a one-volume guide to the history and criticism of black theatre and performance. Assembled by two of the most respected and prolific scholars in black theatre and composed of essays from acknowledged authorities in the field (Joe Roach and Genevieve Fabre, among others), the volume is likely to become the central reference for those studying black theatre and a vital tool for literature and African-American scholars.