An absolute classic of pure physique photography. Enthused with strong gay feeling these are photos of the most beautifully proportioned and body-sculpted males of 50s and 60s Western America, many posed with or without pouches on Rocky Mountain slopes.

Over the last one hundred years, the image of the physically strong, confident, muscular woman has been the object of derision, fascination, and erotic fantasy; she is often portrayed, in both photography and illustration, as a sexy dominatrix, sexless mannequin, or sideshow freak. In this fascinating collection of rare archival images from the late-nineteenth to the mid-twentieth century, authors David L. Chapman and Patricia Vertinsky trace the peculiar yet fascinating history of muscular women in popular culture.

One of the battlefields in this cultural conflict appeared in popular imagery: posters, advertisements, comic books, magazine illustrations, and (most particularly) photography all offered outlets of expression for many muscular women. Until quite recently, however, such females were packaged for the general public as physical monstrosities, lesbian man-haters, kinky sex objects, or beautiful living statues. At the same time, many women, including those in the emerging female bodybuilder community, have had to fight hard to reclaim the image of female muscularity as their own.

Featuring some two hundred full-color and black-and-white illustrations, many never before published, "Venus with Biceps" is a beautiful and historically significant book about gender, image, social expectations, and female power.

David L. Chapman has written extensively on gay erotic photography and male bodybuilders.

Patricia Vertinsky is a professor at the School of Human Kinetics at the University of British Columbia who has written four previous books on sports and gender.

More than a century ago, the barrel-chested strongman clad in leopard skins, Roman sandals and carrying an oversized barbell was a common performer in fairs, circuses and vaudeville theaters. In 1911, before this phenomenon had disappeared, French gym owner, journalist and athlete Edmond Desbonnet published a colorful history of these mighty performers. Since he knew and interviewed many of these men (and women), Desbonnet was able to put a human face on the strongmen and strongwomen who made their livings by performing spectacular strength stunts for the entertainment of the public. Among these were super-strong athlete Louis Uni, known as Apollon; Eugen Sandow, the mighty Adonis of the stage; the great strongwoman Kati Sandwina Brumbach and many others who entertained audiences by lifting barbells, automobiles, horses and even elephants. Now translated to English and extensively annotated, The Kings of Strength records and preserves the biographies of more than 200 strength performers and bodybuilders from ancient times up to the early 1900s. The book provides a vital contribution to both theatrical and athletic history, while exploring the universal fascination with strength and muscular physiques.

John Fair and David Chapman tell the story of how film-makers use and manipulate the appearance and performances of muscular men and women to enhance the appeal of their productions. The authors show how this practice, deeply rooted in western epistemological traditions, evolved from the art of photography through magic lantern and stage shows into the motion picture industry, arguing that the sight of muscles in action induced a higher degree of viewer entertainment. From Eugen Sandow to Dwayne 'The Rock' Johnson, muscular actors appear capable of performing the miraculous, and with the aid of stuntmen and filming contrivances, they do. By such means, muscles are used to perfect the art of illusion, inherent in movie-making from its earliest days.