Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Conquering The Power Of Death details the journey of one Marine radioman through 1970-71 Vietnam in the face of ubiquitous death. Whether using radio skills to call in air strikes and artillery or to help Marines contact their loved ones through the Military Affiliate Radio System (MARS), the young Marine's encounter with death as a seemingly unstoppable force provides a glimpse into the horrors of war. Ambushes, daring rescues, poignant relationships, and civilian deaths compete with survival, maturity, and rites of passage to reveal life and death in a combat zone and afterwards.

The intricacies of a Tactical Recovery of Aircraft Personnel (TRAP) unit's day to day efforts to rescue downed pilots and the sometimes mundane routine of MARS personnel plying their skills to keep Marines in touch with the "world" only highlight death's ever present threat to mind, body, and soul. Death's presence on the battlefield, in the "rear," and in the ongoing lives of the Marines long after the war, however, begins to identity death's "Achilles' Heel"; unwavering faith, love, and humility prove potent antidotes to death's destructive prowess.

Enmeshed within the obvious need for the warrior Marine's physical survival lies the need of the Marine war veteran to cope with a life scarred by trauma and loss; a timeless quest for any veteran and one examined in depth by Conquering The Power Of Death. Death, mythological death, romantic death, and death defined by the artist's keen insight into the human condition provide the yardstick for the author's measurement of death's power while faith, scripture, discipline and love afford the author invaluable insights into the human ability to deal with a preordained force.

A highly personal plumbing of the depths where death resides and reigns in war provides a unique context for Conquering The Power of Death as well as an opportunity to unpack the emotions which travel with every combat warrior. It also provides a glimpse into Death stripped of its mystique, its presumed power, and its claimed finality.

The Carnegie Project on the Education Doctorate (CPED)-an inter-institutional action project of the Carnegie Foundation-is a consortium of universities pursuing the goals of instituting a clear distinction between the professional doctorate in education and the research doctorate; and improving reliably and across contexts the efficacy of programs leading the professional doctorate in education. To this end, the aim is to advance the Education Doctorate (EdD) as the highest qualitydegree for the professional preparation of educational practitioners. With this book, the editors offer multiple perspectives of graduates from several CPED-influenced programs and allow these graduates to describe how they have experienced innovative professional practice preparation. The chapters in this book tell the reader a story of transformation providing several narratives that describe each graduate's progression through their doctoral studies. Authors specifically chronicle how individual EdD programs prepared them to be scholarly practitioners, and how their doctoral studies changed who they have become as people and practitioners. The primary market for this project would be scholars, professors, and students interested in higher education and doctoral education. In particular, those that are interested in understanding the purpose of the Education Doctorate (EdD) and its role in preparing Stewards of the Practice.

This book is the first authoritative account of the UK's independent television production sector, following the creation of Channel 4 in 1982. It examines the rise of a global industry, increasingly interconnected through format development, distribution, ancillary sales and rights. Drawing on case studies, interviews and policy analysis; the author considers the cultural politics behind the growth of the 'indies', the labour conditions for workers in this sector, and some of the key television programmes that have been created within it. Filling an important gap in our understanding, this book constitutes a comprehensive account of this vital cultural industry for students, academics and researchers working in the areas of the cultural and creative industries, media and cultural policy and television studies.