Fantasy adventure directed by Sam Raimi. Acting as a prequel to the much-loved classic 'The Wizard of Oz' (1939), the film explores how the titular hero, Oscar Diggs (James Franco), a largely unsuccessful circus magician in Kansas, may have found his way to the Land of Oz and his early days in the magical realm. Seeing his new home as a world of opportunity, Oz firmly believes his luck has changed for the better when he is introduced to three witches, Theodora (Mila Kunis), Evanora (Rachel Weisz) and Glinda (Michelle Williams), who suggest that he is destined for greatness beyond his imagination. However, before Oscar can realise his true potential, he must journey through Oz and come face-to-face with the problems that haunt the fantastic land.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

The Haunted Woman (1922) is a fantasy novel by David Lindsay. Following the commercial failure of his critically acclaimed novel A Voyage to Arcturus (1920), Lindsay hoped to achieve financial stability with a more conventional tale of suspense and the occult. Although he once more failed to reach a popular audience, Lindsay produced a powerful story of alternate worlds, the burden of convention, and the nature of human desire. "Never self-conscious, never embarrassed, always quiet and rather ennuye, she fascinated by the very strength of her silence, which, it was abundantly clear, had nothing in common with stupidity. She had already declined three offers of marriage, before Marshall had appeared on her horizon." Isbel Loment has always cherished her independence, never consenting to tie her fate to that of a man, especially not for love. Now engaged to successful underwriter Marshall Stokes, she finds herself nearing the end of the rootless lifestyle she has led since the age of sixteen, when the death of her father left her a ward of an eccentric aunt. While on vacation at an ancient estate in the hills of Sussex, Isbel discovers a mysterious staircase leading to three identical doors. Choosing one, she is transported to a mirror world where, though the details are lost upon leaving, she seems to be encountering her host Henry Judge. With a beautifully designed cover and professionally typeset manuscript, this edition of David Lindsay's The Haunted Woman is a classic of British literature reimagined for modern readers.

The Haunted Woman (1922) is a fantasy novel by David Lindsay. Following the commercial failure of his critically acclaimed novel A Voyage to Arcturus (1920), Lindsay hoped to achieve financial stability with a more conventional tale of suspense and the occult. Although he once more failed to reach a popular audience, Lindsay produced a powerful story of alternate worlds, the burden of convention, and the nature of human desire. "Never self-conscious, never embarrassed, always quiet and rather ennuye, she fascinated by the very strength of her silence, which, it was abundantly clear, had nothing in common with stupidity. She had already declined three offers of marriage, before Marshall had appeared on her horizon." Isbel Loment has always cherished her independence, never consenting to tie her fate to that of a man, especially not for love. Now engaged to successful underwriter Marshall Stokes, she finds herself nearing the end of the rootless lifestyle she has led since the age of sixteen, when the death of her father left her a ward of an eccentric aunt. While on vacation at an ancient estate in the hills of Sussex, Isbel discovers a mysterious staircase leading to three identical doors. Choosing one, she is transported to a mirror world where, though the details are lost upon leaving, she seems to be encountering her host Henry Judge. With a beautifully designed cover and professionally typeset manuscript, this edition of David Lindsay's The Haunted Woman is a classic of British literature reimagined for modern readers.

With a critically acclaimed Broadway premiere, 'Rabbit Hole' has been hailed as an artistic breakthrough for the highly regarded Lindsay-Abaire. A drama of what comes after tragedy, it captures 'the awkwardness and pain of thinking people faced with an unthinkable situation, and eventually, their capacity for survival'.

David Lindsay (1874-1945) was a successful British businessman who turned to writing after the first World War. Unfortunately, his most famous work, A Voyage to Arcturus, proved to be a commercial disaster at the time of its release, and he spent the rest of his writing career struggling to achieve commercial success, with little result. A Voyage to Arcturus is a remarkable book on many levels. The Encyclopedia of Fantasy calls it "dazzlingly brilliant" and a "masterpiece." Without doubt, it is the one work for which Lindsay will be remembered. It is an allegorical fantasy, an adventure novel, an interplanetary romance, and an exploration of humanity and sexuality from a time when such topics were largely taboo in the popular press. It provides more than a few fascinating insights into human nature through social Darwinism. And, although Philip Jose Farmer is largely credited with the introduction of sex into science fiction with his groundbreaking 1940s pulp SF story, "The Lovers," Lindsay navigated these waters decades earlier.

This fascinating narrative history of math in America introduces readers to the diverse and vibrant people behind pivotal moments in the nation's mathematical maturation. Once upon a time in America, few knew or cared about math. In Republic of Numbers, David Lindsay Roberts tells the story of how all that changed, as America transformed into a powerhouse of mathematical thinkers. Covering more than 200 years of American history, Roberts recounts the life stories of twenty-three Americans integral to the evolution of mathematics in this country. Beginning with self-taught Salem mathematician Nathaniel Bowditch's unexpected breakthroughs in ocean navigation and closing with the astounding work Nobel laureate John Nash did on game theory, this book is meant to be read cover to cover. Revealing the marvelous ways in which America became mathematically sophisticated, the book introduces readers to Kelly Miller, the first black man to attend Johns Hopkins, who brilliantly melded mathematics and civil rights activism; Izaak Wirszup, a Polish immigrant who survived the Holocaust and proceeded to change the face of American mathematical education; Grace Hopper, the "Machine Whisperer," who pioneered computer programming; and many other relatively unknown but vital figures. As he brings American history and culture to life, Roberts also explains key mathematical concepts, from the method of least squares, propositional logic, quaternions, and the mean-value theorem to differential equations, non-Euclidean geometry, group theory, statistical mechanics, and Fourier analysis. Republic of Numbers will appeal to anyone who is interested in learning how mathematics has intertwined with American history.

Telling people about research is just as important as doing it. But many competent researchers are wary of scientific writing, despite its importance for sharpening scientific thinking, advancing their career, obtaining funding for their work and growing the prestige of their institution. This second edition of David Lindsay's popular book Scientific Writing = Thinking in Words presents a way of thinking about writing that builds on the way good scientists think about research. The simple principles in this book will help you to clarify the objectives of your work and present your results with impact. Fully updated throughout, with practical examples of good and bad writing, an expanded chapter on writing for non-scientists and a new chapter on writing grant applications, this book makes communicating research easier and encourages researchers to write confidently. It is an ideal reference for researchers preparing journal articles, posters, conference presentations, reviews and popular articles; for students preparing theses; and for researchers whose first language is not English. Features Makes it easy to understand what goes where in scientific publications and, equally importantly, why Reinforces principles with examples of good and bad writing Addresses new issues for publishing, including open access and predatory journals Emphasises writing effectively in other media that scientists must use, including conference papers, posters, theses, reviews, popular articles and grant applications Explains the principles behind writing and how it affects readers rather than proposing recipes for good writing

The Thrie Estaitis was first performed in the mid-sixteenth century to an audience of royalty and commoners alike. With its high style and penetrating political satire, it pressed for reform in Church and State and even in kingship itself with a hilarious masque of vice and corruption in high places. Sir David Lindsay's great play is a milestone in world drama. After almost 400 years it was revived by Tyrone Guthrie in a famous production for the Edinburgh Festival of 1948. Ever since then this masterpiece has been recognized as a key text in the resurgance of political theatre in modern Scotland and it appears as irreverent today as it was in Lindsay's troubled times. This new editon has been fully edited and annotated by Professor Roderick Lyall.

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++<sourceLibrary>National Library of Scotland<ESTCID>T179671<Notes><imprintFull>Edinburgh: printed by the heirs and successors of Andrew Anderson, anno Dom., 1716. <collation>264p.; 12

The Scottish writer David Lindsay first published this novel in 1920. The hero travels through several imaginary lands, each representing a state of mind. In each land he meets one or two people and learns something before the people he meets die. He realizes his death is near. Good and evil are developed through fantasy and the author uses each land to critique a philosophical system. After reading this work C S Lewis wrote his famous space trilogy.

David Lindsay, researching old records to learn details of the life of his ancestor, Richard More, soon found himself in the position of the Sorcerer's Apprentice-wherever he looked for one item, ten more appeared. What he found illuminated not only More's own life but painted a clear and satisfying picture of the way the First Comers, Saints and Strangers alike, set off for the new land, suffered the voyage on the Mayflower, and put down their roots to thrive on our continent's northeastern shore. From the story, Richard emerges as a man of questionable morals, much enterprise, and a good deal of old-fashioned pluck, a combination that could get him into trouble-and often did. He lived to father several children, to see, near the end of his life, a friend executed as a witch in Salem, and to be read out of the church for unseemly behavior. " Mayflower Bastard" lets readers see history in a new light by turning an important episode into a personal experience.

"A lyrical and understanding chronicler of people who somehow become displaced within their own lives. . . . Mr. Lindsay-Abaire has shown a special affinity for female characters suddenly forced to re-evaluate the roles by which they define themselves."--"The New York Times"

With his latest play "Good People," David Lindsay-Abaire returns to Manhattan Theatre Club where four of his previous works were produced, including his 2007 Pulitzer Prize-winning "Rabbit Hole." The play premiered there in winter 2011 in a production directed by Daniel Sullivan (who also directed "Rabbit Hole"), and featuring Frances McDormand in the role of protagonist Margie Walsh. "Good People" is set in South Boston, the blue-collar neighborhood where Lindsay-Abaire himself grew up: Margie Walsh, let go from yet another job and facing eviction, decides to appeal to an old flame who has made good and left his Southie past behind. Lindsay-Abaire offers us both his "quiet three-dimensional depth" ("Los Angeles Times") and his carefully observed humor in this exploration of life in America when you're on your last dollar.

David Lindsay-Abaire is the author of "Fuddy Meers," "Kimberly Akimbo," "A Devil Inside," "Wonder of the World," and "Rabbit Hole," in addition to the book for the musicals "High Fidelity" and "Shrek." His plays have been produced throughout the United States and around the world.

Becca and Howie Corbett are a happy suburban couple whose lives are changed forever when their young son Danny is killed in an accident. Eight months on, they are drifting perilously apart. Becca wants to start afresh in a new home and give away their son's possessions, but Howie wants to keep the memory of Danny alive. Can they ever find their way back to each other? David Lindsay-Abaire's Pulitzer Prize-winning drama, filled with distinctive wit and grace, charts the path from grief to its antidotes - love and hope. Rabbit Hole premiered on Broadway at the Biltmore Theatre in a Manhattan Theatre Club production in January 2006. The play was originally commissioned by South Coast Repertory, Costa Mesa, California, and first presented at its Pacific Playwrights Festival reading series in 2005. It won the Pulitzer Prize for Drama in 2007. Rabbit Hole was made into a film starring Nicole Kidman in 2010, and the play had its UK premiere at Hampstead Theatre, London, in January 2016.

Web applications are used every day by millions of users, which is why they are one of the most popular vectors for attackers. Obfuscation of code has allowed hackers to take one attack and create hundreds-if not millions-of variants that can evade your security measures. "Web Application Obfuscation "takes a look at common Web infrastructure and security controls from an attacker's perspective, allowing the reader to understand the shortcomings of their security systems. Find out how an attacker would bypass different types of security controls, how these very security controls introduce new types of vulnerabilities, and how to avoid common pitfalls in order to strengthen your defenses.
Named a 2011 Best Hacking and Pen Testing Book by "InfoSec Reviews"Looks at security tools like IDS/IPS that are often the only defense in protecting sensitive data and assetsEvaluates Web application vulnerabilties from the attacker's perspective and explains how these very systems introduce new types of vulnerabilitiesTeaches how to secure your data, including info on browser quirks, new attacks and syntax tricks to add to your defenses against XSS, SQL injection, and more

A comprehensive update on parasitology for the small animal practitioner! Topics will include fleas and ticks; mites and lice; giardia and tritrichomonas; toxoplasma gondii and intestinal coccidia; babesia, cytoxzoan, and hepatozoan; heartworms; intestinal nematodes; flukes and tapeworms; lungworms and other extraintestinal nematodes, and much more!