Animated children's feature about the bears with the mission to care for others. Tenderheart Bear (voiced by David Lodge), Wonderheart Bear (Michaela Dean), Harmony Bear (Nayo Wallace) and Funshine Bear (Michael Sinterniklaas) along with the rest of the gang set out to ride the colourful rainbow to the town of Care-a-lot where they go on magical adventures to help bears in need.

Richard Rich directs this animated children's sequel featuring the vocal talents of Elle Deets, Yuri Lowenthal and Joseph Medrano. When Odette (voice of Deets), the Swan Princess, is the target of an assassination attempt by the mysterious power known as the Forbidden Arts, she uses her special capabilities to deflect the attack, inadvertently causing a nearby house to catch fire. As a result, young Alise (Carly G. Fogelson) becomes an orphan and Odette takes her into her care. When Alise is kidnapped by scullions as part of another plot to unseat the Swan Princess, Odette and her friends set out on an adventure to rescue the girl.

To celebrate the acquisition of the Tom Phillips archive, the Bodleian Library has asked the artist to assemble and design a series of books drawing on his themed collection of over 50,000 photographic postcards. These encompass the first half of the twentieth century, a period in which, thanks to the ever cheaper medium of photography, 'ordinary' people could afford to own their portraits. Readers shows people reading (or pretending to read) a wide variety of material from the Bible to Film Fun, either in the photographer's studio, in their own home or holidaying on the beach. Each book contains 200 images chosen with the eye of a leading artist from a visually rich vein of social history. Their covers will also feature a thematically linked painting, especially created for each title, from Tom Phillips' signature work, A Humument.

'Perhaps because he is a good novelist himself, Mr Lodge's subjection of various writers to detailed linguistic analysis is illuminating and exciting.' - Daily Telegraph

'Something of a milestone in English criticism. an important addition to English critical writing about the genre of the novel' - Tony Tanner, The Modern Language Review

This third edition of Modern Criticism and Theory represents a major expansion on its previous incarnations with some twenty five new pieces or essays included. This expansion has two principal purposes. Firstly, in keeping with the collection's aim to reflect contemporary preoccupations, the reader has expanded forward to include such newly emergent considerations as ecocriticism and post-theory. Secondly, with the aim of presenting as broad an account of modern theory as possible, the reader expands backwards to to take in exemplary pieces by formative writers and thinkers of the late nineteenth and early twentieth centuries such as Marx, Freud and Virginia Woolf.. This radical expansion of content is prefaced by a wide-ranging introduction, which provides a rationale for the collection and demonstrates how connections can be made between competing theories and critical schools. The purpose of the collection remains that of introducing the reader to the guiding concepts of contemporary literary and cultural debate. It does so by presenting substantial extracts from seminal thinkers and surrounding them with the contextual materials necessary to a full understanding. Each selection has a headnote, which gives biographical details of the author and provides suggestions for further reading, and footnotes that help explain difficult references. The collection is ordered both historically and thematically and readers are encouraged to draw for themselves connections between essays and theories. Modern Criticism and Theory has long been regarded as a necessary collection. Now revised for the twenty first century it goes further and provides students and the general reader with a wide-ranging survey of the complex landscape of modern theory and a critical assessment of the way we think - and live - in the world today.

Twentieth Century Literary Criticism is a major anthology of key representative works by fifty leading modern literary critics writing before the structuralist revolution. It is a companion volume to Modern Criticism and Theory (Longman 1988), also edited by David Lodge, which anthologises contemporary criticism as it has developed through structuralism and post-structuralist theory. Together these volumes provide the most comprehensive survey available of traditional and radical literary theory in action. The critics collected together in this volume have been drawn from England, America and Europe, and each essay has been prefaced by an editor's introduction which suggests the historical and methodological significance of the piece and gives bibliographical and biographical information. This writers collected are: M. H. Abrams, W. B. Yeats, Sigmund Freud,Henry James, Ezra Pound, T. S Eliot, Virginia Woolf, T.E. Hulme, I. A. Richards, D. H. Lawrence, E. M. Forster, William Empson, G. Wilson Hight, C. G. Jung, Maud Bodkin, Christopher Caudwell, L. C. Knights, John Crowe Ransom, Edmund Wilson, Paul Valery, D. W. Harding, Lionel Trilling, Cleanth Brooks, Yvor Wiinters, Erich Auerbach, W. K. Wimsatt and Monroe C. Beardsley, George Orwell, Jean-Paul Sartre, Mark Schorer, Francis Fergusson, Northrop Frye, C. S. Lewis, Leslie Fielder, Alain Robbe-Grillet, George Lukacs, Richard Hoggart, Walter J. Ong, Norman O. Brown, Ian Watt, Claude Levi-Strauss, Rene Welleck, Wayne Booth, Raymond Williams, R. S. Crane, Marshall McLuhan, George Steiner, Susan Sontag, W. H. Auden, Frank Kermode.

Language of Fiction was the first book of criticism by the renowned novelist and critic David Lodge. His uniquely informed perspective - he was already the author of three successful novels at the time of its first publication in 1966 - and lucid exposition meant that the work proved a landmark of literary criticism, not least because it succeeded in communicating a radically new vision of English literature to a readership that reached well beyond the bounds of the academy. Now reissued with a new foreword, this major work from the pen of one of England's finest living writers is essential reading for all those who care about the creation and appreciation of literature.

'One of the very best English comic novelists of the post-war era' Time Out The plot lines of The Campus Trilogy, radiating from its hub at the redbrick University of Rummidge, trace the comic adventures of academics who move outside familiar territory. Beginning in the late 60s Changing Places follows the undistinguished English lecturer Philip Swallow and hotshot American professor Morris Zapp as they exchange jobs, habitats and eventually wives. Small World sees Swallow, Zapp, Persse McGarrigle and the beautiful Angelica Pabst jet-set about the international conference scene, combining academic infighting and tourism, esoteric chat and romance. And finally, the feminist lecturer Robyn Penrose swaps the industrial novel for a hard hat in Nice Work as she shadows the factory boss Victor Wilcox. Sparks fly when their beliefs and lifestyles collide.

Twentieth Century Literary Criticism is a major anthology of key representative works by fifty leading modern literary critics writing before the structuralist revolution. It is a companion volume to Modern Criticism and Theory (Longman 1988), also edited by David Lodge, which anthologises contemporary criticism as it has developed through structuralism and post-structuralist theory. Together these volumes provide the most comprehensive survey available of traditional and radical literary theory in action. The critics collected together in this volume have been drawn from England, America and Europe, and each essay has been prefaced by an editor's introduction which suggests the historical and methodological significance of the piece and gives bibliographical and biographical information. This writers collected are: M. H. Abrams, W. B. Yeats, Sigmund Freud,Henry James, Ezra Pound, T. S Eliot, Virginia Woolf, T.E. Hulme, I. A. Richards, D. H. Lawrence, E. M. Forster, William Empson, G. Wilson Hight, C. G. Jung, Maud Bodkin, Christopher Caudwell, L. C. Knights, John Crowe Ransom, Edmund Wilson, Paul Valery, D. W. Harding, Lionel Trilling, Cleanth Brooks, Yvor Wiinters, Erich Auerbach, W. K. Wimsatt and Monroe C. Beardsley, George Orwell, Jean-Paul Sartre, Mark Schorer, Francis Fergusson, Northrop Frye, C. S. Lewis, Leslie Fielder, Alain Robbe-Grillet, George Lukacs, Richard Hoggart, Walter J. Ong, Norman O. Brown, Ian Watt, Claude Levi-Strauss, Rene Welleck, Wayne Booth, Raymond Williams, R. S. Crane, Marshall McLuhan, George Steiner, Susan Sontag, W. H. Auden, Frank Kermode.

A box set of 12 Norman Wisdom classics. In 'On the Beat' Wisdom stars as a bumbling Scotland Yard car park attendant who gets his chance to be a real policeman after he accidentally catches some crooks. His advantage lies in the fact that he physically resembles one of the ringleaders. In 'Man of the Moment' the bumbling Norman (Wisdom) accidentally becomes the British delegate to an important international conference in Geneva. Hilarious chaos and amusing misunderstandings ensue. In 'Trouble in Store' Wisdom is taken on as a shop assistant in a department store. His ambition is to become a window dresser, and he falls in love at first sight with his dream-girl, Sally. After a disastrous start (chasing a bus on roller skates, entering a shop girl's hostel, the usual sort of thing), events conspire to make Norman an unlikely hero. In 'Up in the World' Wisdom stars as the bumbling window cleaner to Lady Banderville. He has to cope with the pranks of her son, Sir Reggie, but cleans up when he confounds a gang of kidnappers. In 'The Square Peg' Norman Pitkin (Wisdom) is keen to help the war effort, and turns out to be a dead ringer for an enemy general. Joining up with his colleague, Mr Grimsdale, he is posted to France as part of a team repairing the damaged roads. Captured by the enemy, he turns his uncanny resemblance to his own advantage and comes home a hero. In 'Follow a Star' Wisdom plays a shop worker (imaginatively also named Norman, as indeed is every character he has ever portrayed) who dreams of becoming a famous singer. His attempts are, of course, disastrous, until he is encouraged by music teacher Miss Dobson, and a crippled girl named Judy. In 'The Bulldog Breed' Norman Puckle (Wisdom) is a grocer who joins the Navy and finds himself chosen to man a rocket flight into outer space. After Norman brings his own brand of madcap mayhem to the training process, his superiors begin to suspect that they might have picked the wrong person for the mission. Also starring Ian Hunter and Edward Chapman. Whilst in 'One Good Turn' Norman (Wisdom) works at the orphanage, and promises that he will buy one of its charges a model car. But how can he get the money? Proving himself equally incompetent at all jobs, he manages to raise a few laughs along the way in his attempts to earn the cash and not disappoint the little sprite. In 'A Stitch in Time' Star Wisdom plays an apprentice butcher trying to help a sick child. His bumbling efforts end up with him being banned from visiting little orphan Lindy, but Norman will go to any lengths to keep in touch with his young charge. Whilst in 'Just My Tuck', determined to win the heart of his beautiful neighbour, Norman (Wisdom) decides he wants to buy her a diamond necklace - but how can he possibly afford it? A solution offers itself when he goes to a bookmaker's, learns the intricacies of the accumulator bet, and sets out on a major winning streak. However, whenever Norman is involved things are never quite that simple, and soon enough our hapless hero finds himself in deep trouble, creating havoc at the local racetrack. In 'The Early Bird' Wisdom plays a milkman caught up in a feud between the small, traditional company that employs him and a large, modern dairy planning a hostile takeover. Will Norman, in his typically inept fashion, manage to save his company from the onset of modernity? Finally in 'Press For Time' Norman Shields (Wisdom) is an accident-prone young reporter, who only got the job because his grandfather (also played by Wisdom) happens to be the Prime Minister. Hilarious chaos ensues when Norman is sent to cover a beauty contest. Wisdom also appears in drag as a Suffragette called Emily.

The Pink Panther diamond has been stolen again and Inspector Clouseau (Peter Sellers) is called in to find the thief. Christopher Plummer has taken over David Niven's role as number one suspect, but this time he is innocent and decides he'll have to find the culprit himself if he wants to avoid a life behind bars. Clouseau, meanwhile, conducts the police investigation in his idosyncratic style.

This third edition of Modern Criticism and Theory represents a major expansion on its previous incarnations with some twenty five new pieces or essays included. This expansion has two principal purposes. Firstly, in keeping with the collection's aim to reflect contemporary preoccupations, the reader has expanded forward to include such newly emergent considerations as ecocriticism and post-theory. Secondly, with the aim of presenting as broad an account of modern theory as possible, the reader expands backwards to to take in exemplary pieces by formative writers and thinkers of the late nineteenth and early twentieth centuries such as Marx, Freud and Virginia Woolf.. This radical expansion of content is prefaced by a wide-ranging introduction, which provides a rationale for the collection and demonstrates how connections can be made between competing theories and critical schools. The purpose of the collection remains that of introducing the reader to the guiding concepts of contemporary literary and cultural debate. It does so by presenting substantial extracts from seminal thinkers and surrounding them with the contextual materials necessary to a full understanding. Each selection has a headnote, which gives biographical details of the author and provides suggestions for further reading, and footnotes that help explain difficult references. The collection is ordered both historically and thematically and readers are encouraged to draw for themselves connections between essays and theories. Modern Criticism and Theory has long been regarded as a necessary collection. Now revised for the twenty first century it goes further and provides students and the general reader with a wide-ranging survey of the complex landscape of modern theory and a critical assessment of the way we think - and live - in the world today.

Pnin is a professor of Russian at an American college who takes the wrong train to deliver a lecture in a language he cannot master. Pnin is a tireless lover who writes to his treacherous Liza: "A genius needs to keep so much in store, and thus cannot offer you the whole of himself as I do." Pnin is the focal point of subtle academic conspiracies he cannot begin to comprehend, yet he stages a faculty party to end all faculty parties forever.


From the Trade Paperback edition.

'Perhaps because he is a good novelist himself, Mr Lodge's sujection of various writers to detailed linguistic analysis is illuminating and exciting.' - Daily Telegraph

'Something of a milestone in English criticism ... an important addition to English critical writing about the genre of the novel' - Tony Tanner, The Modern Language Review

'in many ways the most interesting of recent books on the novel, knowledgeable and closely argued.' - William Righter, The Listener

'readable, sensitive, perceptive' - Robert Scholes, Contemporary Literature

In this entertaining and enlightening collection, David Lodge considers the art of fiction under a wide range of headings, drawing on writers as diverse as Henry James, Martin Amis, Jane Austen and James Joyce. Looking at ideas such as the Intrusive Author, Suspense, the Epistolary Novel, Magic Realism and Symbolism, and illustrating each topic with a passage taken from a classic or modern novel, David Lodge makes the richness and variety of British and American fiction accessible to the general reader. He provides essential reading for students, aspiring writers and anyone who wants to understand how fiction works.

Jim Dixon has accidentally fallen into a job at one of Britain's new red brick universities. A moderately successful future in the History Department beckons. As long as Jim can survive a madrigal-singing weekend at Professor Welch's, deliver a lecture on 'Merrie England' and resist Christine, the hopelessly desirable girlfriend of Welch's awful son Bertrand.

When Philip Swallow and Professor Morris Zapp participate in their universities' Anglo-American exchange scheme, the Fates play a hand, and each academic finds himself enmeshed in the life of his counterpart on the opposite side of the Atlantic. Nobody is immune to the exchange: students, colleagues, even wives are swapped as events spiral out of control. And soon both sundrenched Euphoric State university and rain-kissed university of Rummidge are a hotbed of intrigue, lawlessness and broken vows...

The Pink Panther diamond has been stolen again and Inspector Clouseau (Peter Sellers) is called in to find the thief. Christopher Plummer has taken over David Niven's role as number one suspect, but this time he is innocent and decides he'll have to find the culprit himself if he wants to avoid a life behind bars. Clouseau, meanwhile, conducts the police investigation in his idosyncratic style.

The articles with which David Lodge entertained and enlightened readers of the Independent on Sunday and the Washington Post are now revised, expanded and collected together in book form.

The art of fiction is considered under a wide range of headings, such as the Intrusive Author, Suspense, the Epistolary Novel, Time-shift, Magic Realism and Symbolism, and each topic is illustrated by a passage or two taken from classic or modern fiction. Drawing on writers as diverse as Henry James and Martin Amis, Jane Austen and Fay Weldon and Henry Fielding and James Joyce, David Lodge makes accessible to the general reader the richness and variety of British and American fiction.

Orphaned at an early age, Artie Kipps is stunned to discover upon reading a newspaper that he is the grandson of a wealthy gentleman?and the inheritor of his fortune. Thrown dramatically into the upper classes, he struggles to learn the etiquette and rules of polite society. But, as he soon discovers, becoming a ?true gentleman? is neither as easy nor as desirable as it first appears. "Kipps" is a hilarious tale of one man's struggle for selfimprovement and a witty satire of pretension.

The British Museum is Falling Down is a brilliant comic satire of academia, religion and human entanglements. First published in 1965, it tells the story of hapless, scooter-riding young research student Adam Appleby, who is trying to write his thesis but is constantly distracted -- not least by the fact that, as Catholics in the late 1960s, he and his wife must rely on 'Vatican roulette' to avoid a fourth child.

In a career spanning six decades, David Lodge has been one of Britain's best-loved and most versatile writers. With Varying Degrees of Success he completes a trilogy of memoirs which describe his life from birth in 1935 to the present day, and together form a remarkable autobiography. He describes the highs and lows of being a professional creative writer in several different genres, his extensive travels around the world, and the hope and desire of writers to make a significant and positive impression on their readers and audiences. Varying Degrees of Success provides the reader with a privileged insight into the working practices and the creative life of a major British novelist. 'Continuously engaging... Glimpses of the ambition and energy required to fuel the final stretch of his near 60-year career as the most dependable of novelist-critics' New Statesman 'Lodge is the best British novelist never to have won the Man Booker prize' The Times

A successful sitcom writer with plenty of money, a stable marraige, a platonic mistress and a flash car, Laurence 'Tubby' Passmore has more reason than most to be happy. Yet neither physiotherapy nor aromatherapy, cognitive-behaviour therapy or acupuncture can cure his puzzling knee pain or his equally inexplicable mid-life angst. As Tubby's life fragments under the weight of his self-obsession, he embarks - via Kierkegaard, strange beds from Rummidge to Tenerife to Beverly Hills, a fit of literary integrity and memories of his 1950s South London boyhood - on a picaresque quest for his lost contentment.

In Howard's End, E.M. Forster unveils the English character as never before, exploring the underlying class warfare involving three distinct groups--a wealthy family bound by the rules of tradition and property, two independent, cultured sisters, and a young man living on the edge of poverty. The source of their conflict--Howards End, a house in the countryside which ultimately becomes a symbol of conflict within British society.

When Vic Wilcox (MD of Pringle's engineering works) meets English lecturer Dr. Robyn Penrose, sparks fly as their lifestyles and ideologies collide head on. What, after all, are they supposed to learn from each other? But in time both parties make some surprising discoveries about each other's worlds -- and about themselves.