From slice-of-life vignettes to narratives with suspense, the short stories in author David Luck's fiction collection stem from his observations of life around him. After moving from an isolated mountain cabin to a home near Sloan's Lake in Denver, Colorado, Luck was intrigued by the activity surrounding the lake. Luck used these situations as fodder for this book.

"Scraps'" first story, "Angelica and Carlos," introduces the young Angelica as she waits for her son to be returned from a weekend visit with his father, Carlos. When Carlos and Roberto are more than an hour late, Angelica wonders if she will ever see her son again. In "Balby, England," an American couple, married for forty-one years, travel to England for the first time and become the unwitting targets of a beautiful thief. "Going Postal" tells the tale of Maggie, a homeless woman; Jasper, a retired gentleman who has taken up in-line skating; and Merna, a cantankerous mail carrier; and how their lives intersect in an unusual way.

Infused with sensory images woven with beautiful language, the stories in the collection give a glimpse into situations, people, and places with which we can all identify.

Too Fat To Dance is a hilarious story about one young lady's struggle to follow her ultimate life goal. With the encouragement from her eccentric family, Taffy Johnson is proof that dreams really can come true when off-beat Southern hospitality, Spinach Madeleine, and Bloody Marys are all involved.

This book comprises ten essays on Shakespearean drama, the majority of which focus on the problem of language and more particularly on issues pertaining to names and their meanings. Four of these essays deal specifically with Romeo and Juliet, and examine the work in different sets of terms: as a reply to the aspersions against Shakespeare contained in Greene's Groatsworth of Wit, as a representative site for a kind of archaeology of meaning, as an experiment in the poetics of identity, and as a meditation on the inter-relation between rival conceptions of time. Other works subjected to extended analyses in independent essays are Richard II, Julius Caesar and Macbeth, all of which are interpreted as tragedies of language in which the paradoxes inherent in names and naming are enacted in the personal dilemmas of the protagonists. The final two essays in the volume, comparative rather than exegetical in approach, explore the intricate web of allusion linking The Tempest with Marlowe's Doctor Faustus and Jonson's The Alchemist, and consider the contribution that all three plays make to the Renaissance exploration of the role played by art and knowledge in human life.

From slice-of-life vignettes to narratives with suspense, the short stories in author David Luck's fiction collection stem from his observations of life around him. After moving from an isolated mountain cabin to a home near Sloan's Lake in Denver, Colorado, Luck was intrigued by the activity surrounding the lake. Luck used these situations as fodder for this book.

"Scraps'" first story, "Angelica and Carlos," introduces the young Angelica as she waits for her son to be returned from a weekend visit with his father, Carlos. When Carlos and Roberto are more than an hour late, Angelica wonders if she will ever see her son again. In "Balby, England," an American couple, married for forty-one years, travel to England for the first time and become the unwitting targets of a beautiful thief. "Going Postal" tells the tale of Maggie, a homeless woman; Jasper, a retired gentleman who has taken up in-line skating; and Merna, a cantankerous mail carrier; and how their lives intersect in an unusual way.

Infused with sensory images woven with beautiful language, the stories in the collection give a glimpse into situations, people, and places with which we can all identify.

Too Fat To Dance is a hilarious story about one young lady's struggle to follow her ultimate life goal. With the encouragement from her eccentric family, Taffy Johnson is proof that dreams really can come true when off-beat Southern hospitality, Spinach Madeleine, and Bloody Marys are all involved.

Researchers, psychologists, and other shaman lead us to believe that men never share their feelings. These experts would depict men as silent, sitting with a TV clicker in one hand and a beer in the other. Except for an occasional belch, no other form of communication occurs between this mythic man and those around him: wife, children, dogs, or a favorite horse.