Review: ...a strong and engaged spectrum of essays by leading scholars that reflects the range and depth of Caravaggio scholarship today. It constitutes a milestone contribution to our understanding of this artist and his complex historical reception, as well as the range of approaches currently at work in the study of early modern European art.'- Genevieve Warwick, University of Edinburgh and Editor, Art History'This is a distinguished collection of original essays by well-established scholars of Italian Baroque art and Caravaggio in particular. It is remarkable for the diversity of questions asked and methodological resources deployed in answering them. Such is the sureness of scholarship that underpins each essay, however, that there is little to no contradiction among them. Each essay contributes to a fuller understanding of Caravaggio that is greater than the sum of its excellent parts.' - Charles DempseyProfessor of Italian Renaissance and Baroque Art EmeritusThe Johns Hopkins University.

As this collection of essays makes clear, the paths to grasping the complexity of Caravaggio's art are multiple and variable. Art historians from the UK and North America offer new or recently updated interpretations of the works of seventeenth-century Italian painter Michelangelo Merisi da Caravaggio and of his many followers known as the Caravaggisti. The volume deals with all the major aspects of Caravaggio's paintings: technique, creative process, religious context, innovations in pictorial genre and narrative, market strategies, biography, patronage, reception, and new hermeneutical trends. The concluding section tackles the essential question of Caravaggio's legacy and the production of his followers-not only in terms of style but from some highly innovative strategies: concettismo; art marketing and the price of pictures; self-fashioning and biography; and the concept of emulation.

Who is the intriguing man wearing a religious habit and a gold hoop earring in this portrait by Italian Baroque master Il Guercino? And why does he point to a stack of drawings? This fascinating book investigates The Ringling’s portrait of Fra Bonaventura Bisi, a Franciscan Minor Conventual friar whose work as an art dealer, printmaker, and celebrated painter of miniatures made him a major figure in the artistic culture of 17th-century Bologna. Beautifully illustrated, this volume offers new scholarship on both Guercino’s portrait and Fra Bisi’s life, including his extraordinary miniatures, his dogged pursuit of artworks for high-ranking collectors, his passionate efforts to promote the appreciation and collecting of drawings, and - not least - his incongruous gold hoop earring. Published to accompany an important exhibition of the same name at The Ringling (14 October 2023-07 January 2024), this book, based on years of research, provides a captivating glimpse into art making and art collecting in Baroque Italy.