Alois Derso (1888-1964) and Emery Kelen (1896-1978) were remarkable cartoonists who became internationally renowned, particularly for their depictions in the 1920s of efforts to build a better world following the establishment of the League of Nations; of the rise of fascism in the thirties; and of the world cooperation through the United Nations that emerged in the forties. Their sequence of cartoons, imbued with humour, wit, gentle satire, artistry and vision, captures the Zeitgeist of a period of history that resonates today. Surprisingly, no comprehensive account of their work and lives has been published before.  The authors analyse and discuss the extraordinary political insights revealed in the cartoons, which contribute to our understanding of those years. Drawing on original research, this overdue book delves into all aspects of Derso and Kelen’s careers, including the unusual, if not unique, technical nature of their artistic collaboration and Kelen’s additional gifts as a writer. It will inform the non-expert of the history of the time and the often overlooked role of cartoons as historical evidence. So memorable and informative are the images, it will also be a useful supplement to the literature on modern history, international relations and art.

This book shows how the first institution of global governance was conceived and operated. It provides a new assessment of its architect, Eric Drummond, the first Secretary-General of the League of Nations, appointed a century ago. The authors conclude that he stands in the front rank of the 12 men who have occupied the post of Secretary-General of the League or its successor, the UN. Part 1 describes his character and leadership. His influence in shaping the International Civil Service, the 'beating heart' of the League, is the subject of Part 2, which also shows how the young staff he appointed responded with imagination and creativity to the political, economic and social problems that followed World War I. Part 3 shows the influence of these early origins on today's global organizations and the large scale absorption of League policies, programmes, practices and staff into the UN and its Specialized Agencies.

Examining the role of dramatized narratives in Russian television, this book stresses the ways in which the Russian government under Putin use primetime television to express a new understanding of what it means to be Russian, answering key questions of national identity for modern Russians in dealing with their recent history: What really happened to us?' and, accordingly, Why?' The book covers important issues in Russian television today, including: * the reworking of new national' on-screen heroes * its relationship with classic literature * the revisionist portrayal of a romantic portrait of life in the Soviet era * the role of thematic elements such as love, fidelity, humour and irony * the particularly pressing problem of crime and its representation on screen as Mafia or police adventure, and its political usage by the Putin administration. This book provides a detailed account of the critical issues in contemporary Russian television, relating them to broader social and political developments in Russian society.

Recent political changes in Central Asia, where the United States is replacing Russia as the dominant power, are having a profound effect on Russian speakers in the region. These people, formerly perceived as progressive and engaging with Europe, are now confronted by the erasure of their literary, musical, cinematic and journalistic culture, as local ethnic and American cultures become much stronger.

This book examines the predicament of Russian culture in Central Asia, looking at literature, language, cinema, music, and religion. It argues that the Soviet past was much more complex than the simplified, polarised rhetoric of the Cold War period and also that the present situation, in which politicians from the former Soviet regime often continue in power, is equally complex.

Examining the role of dramatized narratives in Russian television, this book stresses the ways in which the Russian government under Putin use primetime television to express a new understanding of what it means to be Russian, answering key questions of national identity for modern Russians in dealing with their recent history: 'What really happened to us?' and, accordingly, 'Why?'

The book covers important issues in Russian television today, including:

• the reworking of new 'national' on-screen heroes
• its relationship with classic literature
• the revisionist portrayal of a romantic portrait of life in the Soviet era
• the role of thematic elements such as love, fidelity, humour and irony
• the particularly pressing problem of crime and its representation on screen as Mafia or police adventure, and its political usage by the Putin administration.

This book provides a detailed account ofthe critical issues in contemporary Russian television, relating them to broader social and political developments in Russian society.

Recent political changes in Central Asia, whereby the United States is replacing Russia as the dominant power, are having a profound effect on Russian speakers in the region. These people, formerly perceived as progressive and engaging with Europe, are now confronted by the erasure of their literary, musical, cinematic and journalistic culture, as local ethnic and American cultures become much stronger. This book examines the predicament of Russian culture in Central Asia, looking at literature, language, cinema, music, and religion. It argues that in fact the Soviet past was much more complex than the simplified, polarised rhetoric of the Cold War period allows; and also that the present situation, in which politicians from the former Soviet regime often continue in power, is equally complex.

This book examines the worldwide growth of elderly populations and its consequences for future care, and the associated costs for this sector of the population. Living a longer life does not necessarily imply an improvement in the quality of life. Important issues concerning the overall quality of additional years gained through increase in life expectancy are addressed in this book. Progress in specific dimensions of wellbeing are described. Recent gains in knowledge are reviewed, together with advances in our understanding of falls, sensory disorders, mental health in old age, osteoporosis, incontinence, drug therapy and iatrogenic disorders. The book extends outside medical care to encompass the family, which is the key issue in developing countries, community care, nursing home and hospice care; health care services that are particularly appreciated by older people are described. It will provide readers with a knowledge base for developing policies and programs that will advance the wellbeing of the elderly people of the world.

David MacFadyen delves into influential and widely disseminated songs that had a profound social significance in the Soviet Union. He discusses each singer's life, showing what it was that made them famous while placing the differences in their careers and fame in the context of Soviet culture as a whole. MacFadyen's multi-layered study considers national identity, gender, and the development of individual celebrity in a socialist state. He also looks at whether it is possible for artists to achieve genuine self-expression in a public arena under continuous political scrutiny. Both bold and penetrating, MacFadyen reveals a part of the Soviet Union that, while touching millions of people, has remained almost completely unexamined.