Patrick White's brilliant 1961 novel, set in an Australian suburb, intertwines four deeply different lives. An Aborigine artist, a Holocaust survivor, a beatific washerwoman, and a childlike heiress are each blessed--and stricken--with visionary experiences that may or may not allow them to transcend the machinations of their fellow men. Tender and lacerating, pure and profane, subtle and sweeping, "Riders in the Chariot" is one of the Nobel Prize winner's boldest books.

Through the crumbling ruins of the once splendid Xanadu Miss Hare wanders, half-mad, yet seeming less alien among the encroaching wildlife than among the inhabitants of Saraparilla. In the wilderness she stumbles firstly upon a half-caste aborigine and then a Jewish refugee. They each place themselves in the care of a local washerwoman. Existing in a world of pervasive evil, all four have been independently damaged and discarded. Now in one shared vision they find themselves bound together, understanding the possibility of redemption.

Winner of the IMPAC Award and Booker Prize nominee

In this rich and compelling novel, written in language of astonishing poise and resonance, one of Australia's greatest living writers gives and immensely powerful vision of human differences and eternal divisions.  In the mid-1840s a thirteen-year-old British cabin boy, Gemmy Fairley, is cast ashore in the far north of Australia and taken in by aborigines. Sixteen years later he moves back into the world of Europeans, among hopeful yet terrified settlers who are staking out their small patch of home in an alien place. To them, Gemmy stands as a different kind of challenge: he is a force that at once fascinates and repels. His own identity in this new world is as unsettling to him as the knowledge he brings to others of the savage, the aboriginal.



"Breathtaking...To read this remarkable book is to remember Babylon well, whether you think you've been there or not."
--The New York Times Book Review

A searing and magnificent picture of Australia at the moment of its foundation, with early settlers staking out their small patch of land and terrified by the harsh and alien continent. Focussing on the hostility between the early British inhabitants and the native Aborigines, Remembering Bablyon tells the tragic and compelling story of a boy who finds himself caught between the two worlds. Shot through with humour, and poetic intensity, Malouf's epic novel of epic scope is simple, compassionate and universal.

'Silence was a deeply established tradition. Men used it as a form of self-protection; it saved those who had experienced the horrors of war from the emotional trauma of experiencing it all over again in the telling. And it saved women and children, back home, from the terrible knowledge of what they had seen and walked away from ...One result of this was that the men who had actually lived through Gallipoli and the trenches did not write about it.' In the century since the Gallipoli landing, Anzac Day has taken on a different tenor for each succeeding generation. Perceptively and evocatively, David Malouf traces the meaning of this 'one day' when Australians stop to reflect on endurance, service and the folly of war. He shows how what was once history has now passed into legend, and how we have found in Anzac Day 'a truly national occasion.'

In his first novel in more than a decade, award-winning author David Malouf reimagines the pivotal narrative of Homer's "Iliad"--one of the most famous passages in all of literature.
This is the story of the relationship between two grieving men at war: fierce Achilles, who has lost his beloved Patroclus in the siege of Troy; and woeful Priam, whose son Hector killed Patroclus and was in turn savaged by Achilles. A moving tale of suffering, sorrow, and redemption, "Ransom "is incandescent in its delicate and powerful lyricism and its unstated imperative that we imagine our lives in the glow of fellow feeling.

In the fourth Quarterly Essay of 2003, David Malouf looks at Australia's bond with Britain and wonders whether it wasn't the Mother Country which did most of the giving. This is an essay which presents British civilisation, the civilisation of Shakespeare and the Enlightenment and the Westminster system, as the irreducible ground on which any Australian achievement is based. Britain has always been the tolerant parent, and an older Australia could be both intensely patriotic and see itself as what it was, a transplantation of Britain. This relationship did not exclude America but it made for a sometimes complicated threesome of nations. This is a brilliant, deeply meditated essay by one of our finest writers about the traditions that shaped Australia and which connect it to one of the mightier traditions in world history. '...Made in England is ...a case of one of Australia's most eminent novelists allowing himself to imagine, and by imagining to analyse, the hopes and glories, once and future, that were part of this new Britannia.' - Peter Craven, Introduction 'Any argument for the republic based on the need to make a final break with Britain will fail.' - David Malouf, Made In England

In a sunlit piazza on an April morning, women throw buckets of water over the cobbles and men deliver trays of pastry to trattorie. In a barren room above, a fanatic watches, engaged in the details of his life's most important project: the assassination of one of Italy's most beloved men of letters.

In this penetrating novella, David Malouf, the highly acclaimed Australian author and finalist for the Booker Prize, plumbs the darker uses of our passions. Weaving a dense tapestry of sensual observation and personal events of mythic importance, he re-creates the frighteningly fascinating mind of a madman poised at his moment of truth. Dazzling in its beauty, intensely enigmatic, Child's Play conjures the mystical rising and falling of fear and pathos, where human idiosyncrasy and the incantatory rhythms of life give way to mania.

A new work of fiction by the author of Remembering Babylon. It is 1827, and, in a remote hut high on the plains of New South Wales, two strangers spend the night in talk. One, an illiterate Irishman, and ex-convict and bushranger, is to be hanged at dawn. The other is the police officer who has been sent to supervise the hanging. As the night wears on, the two men share memories and uncover unlikely connections between their lives. 240 pp. Author tour. 20,000 print.


From the Hardcover edition.

The destinies of artist Frank Harland and young Phil Vernon intertwine in a haunting, evocative portrait of the life and work of the artist, childhood, family bonds, and the dark dimensions of vision, creativity, and passion that become the roots of all art. Reprint. 10,000 first printing. Tour.

By the author of 'Remembering Babylon', 'The Great World' is a remarkable novel of self-knowledge and of fall from innocence, of survival and witness.

In the first century A.D., Publius Ovidius Naso, the most urbane and irreverant poet of imperial Rome, was banished to a remote village on the edge of the Black Sea. From these sparse facts, one of out most distinguished novelists has fashioned an audacious and supremely moving work of fiction. Marooned on the edge of the known world, exiled from his native tongue, Ovid depends on the kindness of barbarians who impate their dead and converse with the spirit world. But then he becomes the guardian of a still more savage creature, a feral child who has grown up among deer. What ensues is a luminous encounter between civilization and nature, as enacted by a poet who once cataloged the treacheries of love and a boy who slowly learns how to give it.

Every city, town and village has its memorial to war. Nowhere are these more eloquent than in Australia, generations of whose young men have enlisted to fight other people's battles - from Gallipoli and theSomme to Malaya and Vietnam. In THE GREAT WORLD, his finest novel yet,David Malouf gives a voice to that experience. But THE GREAT WORLD is more than a novel of war. Ranging over seventy years of Australian life, from Sydney's teeming King's Cross to the tranquil backwaters ofthe Hawkesbury River, it is a remarkable novel of self-knowledge and lost innocence, of survival and witness.

A picture of Australia at the time of its foundation, focused on the hostility between early British settlers and native Aboriginals. It is essentially the story of a boy caught between both worlds. David Malouf, himself an Australian, is the prize-winning author of "The Great World".

In this exquisite gem of a novel, David Malouf shines new light on Homer's Iliad, adding twists and reflections, as well as flashes of earthy humour, to surprise and enchant. Lyrical, immediate and heartbreaking, Malouf's fable engraves the epic themes of the Trojan war onto a perfect miniature - themes of war and heroics, hubris and humanity, chance and fate, the bonds between soldiers, fathers and sons, all brilliantly recast for our times.

During World War II two Australian soldiers, Digger Kean and Vic Curran, meet in a Japanese war camp. Kean is a stubborn and attentive man who leads a quiet life in a small town near Sydney. Curran is an honest man who, after a childhood of extreme poverty, develops a successful entrepreneurial career. The peculiar friendship that develops between the two men during the war will continue after their release and will affect them for the rest of their lives. "Durante la segunda guerra mundial, dos soldados australianos, Digger Kean y Vic Curran, se conocen en un campo japones para prisioneros de guerra. Kean es un hombre taciturno y atento, que lleva una existencia tranquila en una pequena aldea cercana a Sidney. Curran es un hombre expansivo que despues de una infancia de extrema pobreza desarrolla una brillante carrera empresarial. La peculiar amistad que se forja entre ambos durante la guerra continuara una vez liberados y terminara marcando sus vidas. "

For three very different people brought together by their love for birds, life on the Queensland coast in 1914 is the timeless and idyllic world of sandpipers, ibises and kingfishers. In another hemisphere civilization rushes headlong into a brutal conflict. Life there is lived from moment to moment. Inevitably, the two young men - sanctuary owner and employee - are drawn to the war, and into the mud and horror of the trenches of Armentieres. Alone on the beach, their friend Imogen, the middle-aged wildlife photographer, must acknowledgefor all three of them that the past cannot be held.

The year is 1827, and in a remote hut on the high plains of New South Wales, two strangers spend the night in talk. One, Carney, an illiterate Irishman, ex-convict and bushranger, is to be hanged at dawn. The other, Adair, also Irish, is an officer of the police who has been sent to supervise the hanging. As the night wears on, the two discover unexpected connections between their lives,and learn new truths. Outside the hut, Adair's troopers sit uneasily, reflecting on their own pasts and futures, waiting for the morning to come. With ironic humour and in prose of starkly evocative power, the novel moves between Australia and Ireland to explore questions of nature and justice, reason and un-reason., the workings of fate, and the small measure of freedom a man may claim in the face of death.