Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

This book offers a remarkable insight into the humanitarian exchanges and communications between warring governments during the Second World War.Remarkably, throughout the Second World War, even when the violence was its height, the Allied and Axis governments remained in contact through third parties in order to achieve humanitarian ends such as the exchange of wounded prisoners-of-war, of 'protected' persons, such as medical personnel and priests, and of civilian internees. This involved detailed negotiations, careful planning and coordination, and the movement of protected ships and trains through war zones. Even after Pearl Harbour and the defeat of Singapore there were exchanges between both America and the UK with Japan.This book fills an important gap in Second World War and humanitarian literature, describing how the warring governments not only communicated with each other but also exchanged large numbers of people and goods, thus showing that, despite the bloodshed and killing, a spark of humanity still existed.

Imagine the excitement of coordinating every aspect of a church's life during the Advent season. Older children, youth and adults study coordinated Sunday School lessons. The Sunday morning worship experience continues the theme. Intergenerational activities further unpack the theme on Wednesday or Sunday evenings. Celebrate Advent offers this sort of comprehensive church-wide experience for a church. The emphasis draws from a wonderful old Christmas carol, "People, Look East." Here's the first of verse from this carol: People, look east. The time is near of the crowning of the year. Make your house fair as you are able. Trim the hearth and set the table. People, look east: Love the guest is on the way. Other verses play out other aspects of the season, each ending with a new variation: Love the rose is on the way. Love the bird is on the way. Love the star is on the way. Each Sunday, the theme is drawn from a verse in this carol. The included Sunday school lessons offer a Bible stu

As racist undercurrents in many western societies become manifestly entrenched, the prevalence of Islamophobia - and the need to understand what perpetuates it - has never been greater. Critiquing the arguments found in notionally left accounts and addressing the limitations of existing responses, What is Islamophobia? demonstrates that Islamophobia is not simply a product of abstract, or discursive, ideological processes, but of concrete social, political and cultural actions undertaken in the pursuit of certain interests. The book centres on what the editors refer to as the 'five pillars of Islamophobia': the institutions and machinery of the state; the far right, incorporating the counterjihad movement; the neoconservative movement; the transnational Zionist movement; and assorted liberal groupings including the pro-war left, and the new atheist movement. The book concludes with reflections on existing strategies for tackling Islamophobia, considering what their distinctive approaches mean for fighting back.

The world's most glamorous circus is haunted by a mysterious curse that has endured for decades and follows the show like a shadow. An unheralded performer seeks to break the spell. Someone else is displeased.

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Shortly before the dawn of the new millennium, a video arrives at the postbox of internationally acclaimed motorsport journalist, Trevor Banks. The startling images depict the elite driving talents of an intriguing racecar driver.

Banks is assigned to investigate the story. As he does so, he discovers that the talented performer also has attracted the attention of a psychopathic saboteur. From Northern California's legendary racetracks to multiple European venues, including the dazzling jewel that is the Monaco Grand Prix, the story takes the reader on a wild, unpredictable ride within the dangerous circus that is Formula One racing.

With an engaging style and a journalist's sharp eye for detail, David Miller has crafted a compelling drama that hurtles toward its shocking climax with the purposefulness and hair-raising excitement of a Formula One racecar as it rockets toward the chequered flag.

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A portion of the proceeds from the sale of Circus Before Dawn shall be donated to the Hole in The Wall Gang Camp for seriously ill children (www.holeinthewallgang.org) and to the Ayrton Senna Institute, the mission of which is to create opportunities for human development for children and young people (www.senna.globo.com/institutoayrtonsenna).

Jazan Wild's Funhouse Of Horrors: The House Of Horrors (Book One): Jacob Stone, while on a family picnic, stumbles upon an old abandoned house in the woods just a week before Halloween. The wretched dwelling is being prepared to be used as a one-night only Haunted House A strange worker, known only as Ole Scratch, sees Jacob and gives him a book with two tickets inside that change his life - or what's left of it after the ghosts are done with him Enter if you dare into Jazan Wild's Funhouse of Horrors "FUNHOUSE OF HORRORS" is a Registered Trademark by Jazan Wild and Carnival Comics.

This volume explores the fundamentals of intertextual methodology and summarizes recent scholarship on studies of intertextuality in the deuterocanonical books. The essays engage in comparison and analysis of text groups and motifs between canonical, deuterocanonical and non-biblical texts. Moreover, the book pays close attention to non-literary relationships between different traditions, a new feature of research in intertextuality.

A special reissue from Head of Zeus's bestselling anthology collection of the 100 finest short stories ever written. Profound, lyrical, shocking, wise: the short story is capable of almost anything. This collection of 100 of the finest stories ever written ranges from the essential to the unexpected, the traditional to the surreal. Wide in scope, both beautiful and vast, this is the perfect companion for any fiction lover. Here are childhood favourites and neglected masters, twenty-first century wits and national treasures, Man Booker Prize winners and Nobel Laureates. Featuring an all-star cast of authors, including Kate Atkinson, Julian Barnes, Angela Carter, Anton Chekhov, Richmal Crompton, Charles Dickens, Roald Dahl, Penelope Fitzgerald, Gustave Flaubert, Rudyard Kipling, Somerset Maugham, Ian McEwan, Alice Munro, V.S. Pritchett, Thomas Pynchon, Muriel Spark and Colm Toibin, That Glimpse of Truth is the biggest, most handsome collection of short fiction in print today.

A captivating and wonderfully illustrated chronicle of one of the most influential and legendary names in gunsmithing history. John M. Browning was born in Ogden, Utah, in 1855, into a world of gunsmithing. His father was a gunsmith who was already well known for a number of innovations in the field. As a young boy, John spent hours in his father's shop and allegedly knew the name of every part of a gun before he could read. It's hardly surprising that at age twenty-three, he was filing his first patent for the "J. M. Browning Single-Shot Rifle." Browning inherited his father's gun making shop, and with funds of less than a thousand dollars, developed it into a highly successful business that developed several iconic firearms including the Colt Peacemaker. Browning also cooperated with Winchester to develop a whole range of small arms including semi-automatic pistols, single-shot rifles, repeater rifles, and machine guns. His enthusiasm and creativity have led many to believe he is the greatest firearm designer of all time. This fascinating book describes the Browning history, and in addition to covering the full range of inventions and designs, also shows various gun-making artifacts, copies of designers' drawings, and interesting photographs of the weapons in the hands of users. The History of Browning Firearms makes a perfect addition to the libraries of Wild West buffs and firearms enthusiasts.

We are interested in subverting the notion of "type" when it comes to biblical characters. We prefer, instead, to see the characters in Ruth as complex people, not merely built around a single primary trait, like loyalty, altruism, or generosity.People may exhibit conflicting traits and are often different people. There is no reason why the same should not be true of literary characters. Accordingly we have tried not to define the "selves" of this narrative too tightly, and if we have over determined them, we recognize that as a fault. In short, the characters of this story have far more diverse possibilities of life in the minds of readers than we can ever give them. --from the Introduction

This edited collection calls for renewed attention to the concept of the sociological imagination, allowing social scientists to link private issues to public troubles. Inspired by the eminent Glasgow-based sociologist, John Eldridge, it re-engages with the concept and shows how it can be applied to analyzing society today.

Apart from Genesis, Tobit contains more information about marriage than any other biblical book. It reflects third-century beliefs and customs yet also serves a didactic function, teaching Diaspora Jews what they should value in their own marriages. This monograph elucidates these elements by asking four questions: 1) Whom should one marry? 2) How does one get married? 3) What role does God play in marriage? 4) What do actual marriages look like? By contextualizing Tobit in light of the Old Testament and relevant Ancient Near Eastern texts, one can appreciate the book's unique claims. Endogamy is defined more narrowly than in other Old Testament texts as Israelites are now enjoined to marry close relatives. Monetary matters such as the payment of the bride-price are downplayed, while adherence to the Mosaic Law is emphasized in the marriage contract and the wedding ceremony. Furthermore, intertextual links with Genesis 24 cast Tobiah and Sarah as founders of a "new Israel", showing that God becomes involved in their marriage so that the nation of Israel will not die out. Finally, the author's portrayal of three married couples in the book reveals much about gender roles and also creates a realistic portrait of the marital relationship in terms of communication, cooperation, and conflict.