Evidence Found: An Approach to Crime Scene Investigation is not another analysis of forensic errors using an "After the Fact" or "Lessons Learned" approach but a "Before the Fact" guide that examines the thought processes that can lead to those mistakes. Plus a few extras tips and tricks from the author's experience of over 25 years. Many high-profile crime scene investigations (and routine ones, for that matter) have suffered errors that have had negative impact on the investigation result and in the courtroom. Typically, we examine what happened and develop a useful list of what to do and what not to do, fixing the symptoms but potentially leaving ourselves open to the same error type on the next scene. The reason? Many crime scene mistakes are the result of systemic issues that are repeated due to a failure to include an evaluation of the decision-making process, including our own foundations of knowledge. Through case study and logical argument, this book attempts to provide a framework to recognize, evaluate, and alter negative decision-making patterns, including evaluating our own experience, before they negatively impact an investigation or the overall operation of a forensic unit.

This book looks at New York City's recurrent role as a symbol of modernization in early twentieth-century Spanish narrative. It explores the connections between the contradictory reactions to modernization and the crisis of Spanish national identity triggered by the so-called 'Desastre del 98'.

In the early decades of the twentieth century, New York caught the attention of Spanish writers. Many of them visited the city and returned to tell their experience in the form of a literary text. That is the case of Pruebas de Nueva York (1927) by Jose Moreno Villa (1887-1955), El crisol de las razas (1929) by Teresa de Escoriaza (1891-1968), Anticipolis (1931) by Luis de Oteyza (1883-1961) and La ciudad automatica (1932) by Julio Camba (1882-1962). In tune with similar representations in other European works, the image of New York given in these texts reflects the tensions and anxieties generated by the modernisation embodied by the United States. These authors project onto New York their concerns and expectations about issues of class, gender and ethnicity that were debated at the time, in the context of the crisis of Spanish national identity triggered by the end of the empire in 1898.