Celebrated artist and writer Rose O'Neill created the Kewpie in 1909, fashioning a roly-poly elf with a fat child's body, small wings, and a turnip-top head. Beloved by children and adults alike since then, the charming Kewpie image quickly spread to dolls, tableware, lamps, candlesticks, inkwells, clocks, jewelry and trinket boxes, hatpins, salt and pepper shakers, picture frames, and many other items all highly collectible today. With over 540 color photos, this extensive price guide features a wonderful assortment of early Kewpies in bisque, chinaware, and metal, Kewpidoodle (the Kewpies' dog), Scootles (the Baby Tourist who visited Kewpieville), and many other Rose O'Neill related items. Measurements and values for all pieces are included in the captions. An invaluable reference for collectors, dealers, and all who treasure Rose O'Neill's delightful Kewpies.

Audio journals that document Wojnarowicz's turbulent attempts to understand his anxieties and passions, and tracking his thoughts as they develop in real time. In these moments I hate language. I hate what words are like, I hate the idea of putting these preformed gestures on the tip of my tongue, or through my lips, or through the inside of my mouth, forming sounds to approximate something that's like a cyclone, or something that's like a flood, or something that's like a weather system that's out of control, that's dangerous, or alarming.... It just seems like sounds that have been uttered back and forth maybe now over centuries. And it always boils down to the same meaning within those sounds, unless you're more intense uttering them, or you precede them or accompany them with certain forms of violence. -from The Weight of the Earth Artist, writer, and activist David Wojnarowicz (1954-1992) was an important figure in the downtown New York art scene. His art was preoccupied with sex, death, violence, and the limitations of language. At the height of the AIDS epidemic, Wojnarowicz began keeping audio journals, returning to a practice he'd begun in his youth.The Weight of the Earth presents transcripts of these tapes, documenting Wojnarowicz's turbulent attempts to understand his anxieties and passions, and tracking his thoughts as they develop in real time. In these taped diaries, Wojnarowicz talks about his frustrations with the art world, recounts his dreams, and describes his rage, fear, and confusion about his HIV diagnosis. Primarily spanning the years 1987 and 1989, recorded as Wojnarowicz took solitary road trips around the United States or ruminated in his New York loft, the audio journals are an intimate and affecting record of an artist facing death. By turns despairing, funny, exalted, and angry, this volume covers a period largely missing from Wojnarowicz's written journals, providing us with an essential new record of a singular American voice.

The truth in this book is essentially the truth of nonduality. Nonduality means that everything is one and the same. There is not self and other; there is only oneness. There is not and bad; only perfection. There is not past and future, only now. Nonduality is the essence of spirituality. Accepting this nonduality is what the path is all about. That is what this book aims to help the reader do.