Few novelists have taken films as seriously, or been closely involved in so many aspects of the film business all their lives, as Graham Greene. Even at University he was touching on it. His long-term experience of the evolving art included producing, performing, script-writing and adaptation. Not to mention the libel case against him brought by Miss Shirley Temple for some disobliging words. Mornings in the Dark gathers some of Greene's best film criticism with a mass of related material: his film articles, interviews, lectures and radio talks, stories for film, letters and film proposals. With appendices on Greene's own films and unfulfilled film projects, and David Parkinson's introduction, this is an essential collection for readers of fiction and film enthusiasts alike.

In recent years cosmologists have advanced from largely qualitative models of the Universe to precision modelling using Bayesian methods, in order to determine the properties of the Universe to high accuracy. This timely book is the only comprehensive introduction to the use of Bayesian methods in cosmological studies, and is an essential reference for graduate students and researchers in cosmology, astrophysics and applied statistics. The first part of the book focuses on methodology, setting the basic foundations and giving a detailed description of techniques. It covers topics including the estimation of parameters, Bayesian model comparison, and separation of signals. The second part explores a diverse range of applications, from the detection of astronomical sources (including through gravitational waves), to cosmic microwave background analysis and the quantification and classification of galaxy properties. Contributions from 24 highly regarded cosmologists and statisticians make this an authoritative guide to the subject.

This inspiring book chronicles the most influential ideas that have shaped film since its inception. Entertaining and intelligent, it provides a concise history as well as being a fascinating resource to dip into. Arranged in a broadly chronological order to show the development of film, the ideas include innovative concepts, technologies, techniques and movements. From the silent era's masterpieces to today's blockbusters and art house movies, these highly illustrated pages are a chance to discover or rediscover films from all around the world.

In this lively and up-to-date analysis of the history of film, David Parkinson traces the evolution of the moving image from the earliest shadow shows to the digital film-making of the 21st century. Engaging text is supplemented by 156 illustrations to give a stimulating account of both aesthetic and technical changes in film since its invention. A new final chapter maps developments in form and technology across the world from the mid-1990s to today, examining experiments in three-dimensionality, the revival of animation and the democratization of film-making following the digital revolution. Well-known films such as Slumdog Millionaire, House of Flying Daggers and the Lord of the Rings trilogy are considered alongside lesser-known releases, placing each film within the broader context of cinematic history. Alongside the film trends in the US, UK, France and Germany, Parkinson highlights the best work to have emerged globally, from Poland and the Czech Republic to Iran and Israel, from India and South Africa to China, Korea, Mexico and New Zealand. With a fully updated glossary and bibliography, History of Film continues to be the definitive survey of this most dynamic and popular art form.