The essays in this collection by the noted French philosopher Paul Ricoeur grew out of a series of invited lectures given in France on the question of the nature of justice and the law at the Institut des Hautes Etudes pour a Justice in Paris. Gathered under the title "The Just", the essays represent a sustained reflection on the relation between the concept of the juridical - as embedded in written laws, tribunals, judges and verdicts - and the philosophical concept of right, situated between moral theory and politics. In political philosophy, Ricoeur argues, the question of right is obscured by the haunting presence of historical evil. In a philosophy of right, on the other hand, the leading theme is peace. Building on the framework established in his earlier work, "Oneself as Another", Ricoeur shifts his focus from political considerations to those having to do with the juridical dimension of the problem of justice. Fleshing out this framework, Ricoeur revisits the work of Plato, Aristotle and Kant in his engagements with contemporary thinkers, particularly John Rawls, Michael Walzer, Hannah Arendt and Ronald Dworkin. His thought ranges from conceptual analysis, to the theory of law, and finally to the act of judging, exploring the ideas of sanction, rehabilitation, pardon and the status of conscience in relation to the demands of the law. A valuable work for understanding the development of Ricoeur's hermeneutic philosophy and the literary and religious dimensions of his thought, "The Just" should also be of interest to scholars interested in matters of ethics, law and justice.

Why do major historical events such as the Holocaust occupy the forefront of the collective consciousness, while profound moments such as the Armenian genocide, the McCarthy era, and France's role in North Africa stand distantly behind? Is it possible that history "overly remembers" some events at the expense of others? A landmark work in philosophy, Paul Ricoeur's "Memory, History, Forgetting" examines this reciprocal relationship between remembering and forgetting, showing how it affects both the perception of historical experience and the production of historical narrative.
"Memory, History, Forgetting," like its title, is divided into three major sections. Ricoeur first takes a phenomenological approach to memory and mnemonical devices. The underlying question here is how a memory of present can be of something absent, the past. The second section addresses recent work by historians by reopening the question of the nature and truth of historical knowledge. Ricoeur explores whether historians, who can write a history of memory, can truly break with all dependence on memory, including memories that resist representation. The third and final section is a profound meditation on the necessity of forgetting as a condition for the possibility of remembering, and whether there can be something like happy forgetting in parallel to happy memory. Throughout the book there are careful and close readings of the texts of Aristotle and Plato, of Descartes and Kant, and of Halbwachs and Pierre Nora.
A momentous achievement in the career of one of the most significant philosophers of our age, "Memory, History, Forgetting" provides the crucial link between Ricoeur's "Time and Narrative" and"Oneself as Another" and his recent reflections on ethics and the problems of responsibility and representation.

Unparalled in its poetry, richness, and religious and historical significance, the Hebrew Bible has been the site and center of countless commentaries, perhaps none as unique as "Thinking Biblically." This remarkable collaboration sets the words of a distinguished biblical scholar, Andre LaCocque, and those of a leading philosopher, Paul Ricoeur, in dialogue around six crucial passages from the Old Testament: the story of Adam and Eve; the commandment "thou shalt not kill"; the valley of dry bones passage from Ezekiel; Psalm 22; the Song of Songs; and the naming of God in Exodus 3:14. Commenting on these texts, LaCocque and Ricoeur provide a wealth of new insights into the meaning of the different genres of the Old Testament as these made their way into and were transformed by the New Testament.
LaCocque's commentaries employ a historical-critical method that takes into account archaeological, philological, and historical research. LaCocque includes in his essays historical information about the dynamic tradition of reading scripture, opening his exegesis to developments and enrichments subsequent to the production of the original literary text. Ricoeur also takes into account the relation between the texts and the historical communities that read and interpreted them, but he broadens his scope to include philosophical speculation. His commentaries highlight the metaphorical structure of the passages and how they have served as catalysts for philosophical thinking from the Greeks to the modern age.
This extraordinary literary and historical venture reads the Bible through two different but complementary lenses, revealing the familiar texts as vibrant, philosophically consequential, and unceasingly absorbing.

When do we interpret? That is the question at the heart of this important new work by Johann Michel. The human being does not spend his time interpreting in everyday life. We interpret when we are confronted with a blurred, confused, problematic sense. Such is the originality of the author's perspective which removes the anthropological interdict that has hampered hermeneutics since Heidegger. Michel proposes an anthropology of homo interpretans as the first and founding principle of fundamental ontology (relating to the meaning of being) as well as of the theory of knowledge (relating to interpretation in the human sciences). He argues that the root of hermeneutics lies in ordinary interpretative techniques (explication, clarification, unveiling), rather than as a set of learned technologies applied to specific fields (texts, symbols, actions).

When do we interpret? That is the question at the heart of this important new work by Johann Michel. The human being does not spend his time interpreting in everyday life. We interpret when we are confronted with a blurred, confused, problematic sense. Such is the originality of the author's perspective which removes the anthropological interdict that has hampered hermeneutics since Heidegger. Michel proposes an anthropology of homo interpretans as the first and founding principle of fundamental ontology (relating to the meaning of being) as well as of the theory of knowledge (relating to interpretation in the human sciences). He argues that the root of hermeneutics lies in ordinary interpretative techniques (explication, clarification, unveiling), rather than as a set of learned technologies applied to specific fields (texts, symbols, actions).

When French philosopher Paul Ricoeur died in 2005, he bequeathed to the world a highly regarded, widely influential body of work which established him as one of the greatest thinkers of our time. He also left behind a number of unfinished projects that are gathered here and translated into English for the first time.
"Living Up to Death" consists of one major essay and nine fragments. Composed in 1996, the essay is the kernel of an unrealized book on the subject of mortality. Likely inspired by his wife's approaching death, it examines not one's own passing but one's experience of others dying. Ricoeur notes that when thinking about death the imagination is paramount, since we cannot truly experience our own passing. But those we leave behind do, and Ricoeur posits that the idea of life after death originated in the awareness of our own end posthumously resonating with our survivors.
The fragments in this volume were written over the course of the last few months of Ricoeur's life as his health failed, and they represent his very last work. They cover a range of topics, touching on biblical scholarship, the philosophy of language, and the idea of selfhood he first addressed in "Oneself as Another." And while they contain numerous philosophical insights, these fragments are perhaps most significant for providing an invaluable look at Ricoeur's mind at work.
As poignant as it is perceptive, " Living Up to Death" is a moving testimony to Ricoeur's willingness to confront his own mortality with serious questions, a touching insouciance, and hope for the future.

Poetics, Praxis and Critique: Paul Ricoeur in the Age of Hermeneutical Reason addresses contemporary problems of justice, the recognition of disabled persons, the role of imagination in political judgment, the need for religious hospitality and carnal hermeneutics. The essays in this volume are a testament to the power of hermeneutical reason. Following Paul Ricoeur's style of philosophizing, they explore innovative solutions to pressing issues of our time. Individually, these essays advance new perspectives on the anthropological presuppositions behind the requirement of justice, the role played by convictions and beliefs in pluralistic contexts, and the place of a post-critical religious faith. Together, they demonstrate the value of a hermeneutical mode of reasoning in an age in which conflicts, tensions and violence abound. Their thoughtful engagement with current challenges attests to this volume's conviction that we, with others, have the ability to intervene in the course of the world to the benefit of all.

Recognition, though it figures profoundly in our understanding of objects and persons, identity and ideas, has never before been the subject of a single, sustained philosophical inquiry. This work, by one of contemporary philosophy's most distinguished voices, pursues recognition through its various philosophical guises and meanings--and, through the "course of recognition," seeks to develop nothing less than a proper hermeneutics of mutual recognition.

Originally delivered as lectures at the Institute for the Human Sciences at Vienna, the essays collected here consider recognition in three of its forms. The first chapter, focusing on knowledge of objects, points to the role of recognition in modern epistemology; the second, concerned with what might be called the recognition of responsibility, traces the understanding of agency and moral responsibility from the ancients up to the present day; and the third takes up the problem of recognition and identity, which extends from Hegel's discussion of the struggle for recognition through contemporary arguments about identity and multiculturalism. Throughout, Paul Ricoeur probes the significance of our capacity to recognize people and objects, and of self-recognition and self-identity in relation to the gift of mutual recognition. Drawing inspiration from such literary texts as "The Odyssey" and "Oedipus at Colonus," and engaging some of the classic writings of the Continental philosophical tradition--by Kant, Hobbes, Hegel, Augustine, Locke, and Bergson--"The Course of Recognition" ranges over vast expanses of time and subject matter and in the process suggests a number of highly insightful ways of thinking through the majorquestions of modern philosophy.

Paul Ricoeur was one of the giants of contemporary Continental philosophy. He also knew and drew upon the Analytic tradition. Over a long life, he pursued questions of philosophical anthropology as they relate to a good life, lived with and for others in just institutions. His work has been translated into numerous languages and widely discussed by legal theorists, historians, literary critics, and theologians as well as philosophers. Ricoeur: A Guide for the Perplexed is the ideal text to support anyone trying to reach a firm understanding of this important contemporary philosopher. The guide locates Ricoeur's output in its historical and intellectual context, provides an overview ofRicoeur's central ideas and defines carefully the key terms in his philosophical writing. Close attention is paid to each of Ricoeur's major works, including The Conflict of Interpretations and From Text to Action. Ricoeur's importance for particular disciplines - including literary criticism, social theory, political philosophy and theology - is explained and explored. Above all, this Guide for the Perplexed offers constructive and illuminating suggestions for how to read Ricoeur. A major contribution to Ricoeur scholarship in its own right, it is also an invaluable companion to be read alongside Ricoeur's own works.

At the time of his death in 2005, French philosopher Paul Ricoeur was regarded as one of the great thinkers of his generation. In more than half a century of writing about the essential questions of human life, Ricoeur's thought encompassed a vast range of wisdom and experience, and he made landmark contributions that would go on to influence later scholars in such areas as phenomenology, hermeneutics, structuralism, and theology.
Toward the end of his life, Ricoeur began to focus directly on ethical questions that he feared had been overshadowed by his other work; the result was a two-volume collection of essays on justice and the law. The University of Chicago Press published the English translation of the first volume, "The Just," to great acclaim in 2000. Now this translation of the second volume, "Reflections on the Just," completes the set and makes available to readers the whole of Ricoeur's meditations on the concept.
Consisting of fifteen thematically organized essays, "Reflections on the Just" continues and expands on the work Ricoeur began in with his "little ethics" in "Oneself as Another" and "The Just," In the preface, he considers what revisions he would make were he to start over and how that is reflected in these essays. The opening part brings phenomenology to bear on ethics; the second group of essays comprises shorter, occasional pieces considering the concept of justice in the works of other philosophers, including Max Weber and Charles Taylor. The final part turns to the specific domains of medicine and the law, examining how concepts of right and justice operate in those realms.
Cogent, deeply considered, and fully engaged with the realities of thecontemporary world, "Reflections on the Just" is an essential work for understanding the development of Ricoeur's thought in his final years.

"Without music, life would be an error"--Friedrich Nietzsche
In his youth, Friedrich Nietzsche yearned to become a great composer and wrote many pieces of music. He later claimed to be "the most musical of all philosophers." Yet most books on Nietzsche fail to explore the importance of music for his thought.
"Nietzsche and Music" provides the first in-depth examination of the fundamental significance of music for Nietzsche's life and work. Nietzsche's views on music are essential for understanding his philosophy as a whole. Part biography and part critical examination, Georges Liebert brilliantly demonstrates that despite failed attempts at a professional career as composer, Nietzsche never fully removed himself from the world of music, but instead, became a composer of philosophy, utilizing the musical form as a template for his own writings and creative thought. Liebert's study surveys Nietzsche's opinions about particular composers and compositions, as well as his more theoretical writings on music and its relation to the other arts. He also explores Nietzsche's listening habits, his playing and style of composition, and his many contacts in the musical world, including his controversial and contentious relationship with Richard Wagner. For Nietzsche, music gave access to a realm of wisdom that transcended thought. Music was Nietzsche's great solace; in his last years, it was his refuge from madness.
A virtuoso exploration of this little-known but crucial aspect of Nietzsche's life and work, this volume will be of enormous value to scholars of philosophy, music, aesthetics, and literature.