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This praxis-based book explores how an improvisational, creative
and embodied practice such as the derive works to defamiliarise our
experience of the late modern built environment, fostering new
insight into routinised cultural behaviours. In addition to
detailing the key contexts of modernity, this book includes case
studies on the work of Viktor Shklovsky, Craig Raine, Georges
Perec, plus rare scholarly attention to the postcards of Jim
Henson's Uncle Traveling Matt. Tertiary students and early career
researchers in the humanities, particularly cultural theory and the
creative arts, will read about the work of internationally
recognised artists who have responded creatively to the urban
landscape in view of its habituation under advanced capitalism. The
research aims to provide sufficient detail for the reader to
recognise a range of cultural conditions pertaining to the
historical period that frames contemporary quotidian experience and
that, in turn, informs a wide range of reflexive, creative
practices. The book's hybridity (complimenting a traditional
scholarly style with auto-ethnographic and journalistic writing)
offers the reader an authorial honesty, transparency and humanity
in its intellectual, practical, and emotional negotiation of
psychogeographic ideas.
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