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In recent years, Mexican films have received high acclaim and impressive box-office returns. Moreover, Mexico has the most advanced movie industry in the Spanish-speaking world, and its impact on Mexican culture and society cannot be overstated. Mexico's Cinema: A Century of Film and Filmmakers is a collection of fourteen essays that encompass the first 100 years of the cinema of Mexico. Included are original contributions written specifically for this title, plus a few classic pieces in the field of Mexican cinema studies never before available in English. These essays explore a variety of themes including race and ethnicity, gender issues, personalities, and the historical development of a national cinematic style. Each of the book's three sections-The Silent Cinema, The Golden Age, and The Contemporary Era-is preceded by a short introduction to the period and a presentation of the major themes addressed in the section. This insightful anthology is the first published study that includes pieces by Mexican and North American scholars, including a piece by the internationally acclaimed essayist Carlos Monsivais. Contributors include other acclaimed scholars and critics as well as young scholars who are currently making their mark in the area of film studies of Mexico. These authors represent various fields-community studies, film studies, cultural history, ethnic studies, and gender studies-making this volume an interdisciplinary resource, important for courses in Latin America and Third World cinema, Mexican history and culture, and Chicana/o and ethnic studies.
In recent years, Mexican films have received high acclaim and impressive box-office returns. Moreover, Mexico has the most advanced movie industry in the Spanish-speaking world, and its impact on Mexican culture and society cannot be overstated. Mexico's Cinema: A Century of Film and Filmmakers is a collection of fourteen essays that encompass the first 100 years of the cinema of Mexico. Included are original contributions written specifically for this title, plus a few classic pieces in the field of Mexican cinema studies never before available in English. These essays explore a variety of themes including race and ethnicity, gender issues, personalities, and the historical development of a national cinematic style. Each of the book's three sections-The Silent Cinema, The Golden Age, and The Contemporary Era-is preceded by a short introduction to the period and a presentation of the major themes addressed in the section. This insightful anthology is the first published study that includes pieces by Mexican and North American scholars, including a piece by the internationally acclaimed essayist Carlos Monsivais. Contributors include other acclaimed scholars and critics as well as young scholars who are currently making their mark in the area of film studies of Mexico. These authors represent various fields-community studies, film studies, cultural history, ethnic studies, and gender studies-making this volume an interdisciplinary resource, important for courses in Latin America and Third World cinema, Mexican history and culture, and Chicana/o and ethnic studies.
Many books deal with New Mexico's past, but the twelve original essays here reinterpret that history for the first time from a Chicano perspective. Self-determination, resistance, and cultural maintenance are the recurring themes in the lives and struggles of Nuevomexicanos from 1848 to the present. On a more fundamental level, the clash has been over modernisation -- how the Spanish language, folk traditions, and land grants can survive as a heritage for future generations amid English, new and secular values, and real estate booms and speculation. Nuevomexicanos have confronted colonialism, ethnocentrism, and racism throughout their history. But as these essays make clear, pride in Spanish descent runs deep in New Mexico and has led to a vibrancy unmatched in any other region in the United States. Nuevomexicanos have not simply survived or endured. They have secured their influence through the highest level of education among all Chicanos in the United States, through greater political representation at the local and national level-and in both major parties-than in any other state, and through a culture that has simultaneously resisted and adapted to change.
Dubbed the "decade of the Hispanic," the 1980s was instead a period
of retrenchment for Chicanas/os as they continued to confront many
of the problems and issues of earlier years in the face of a more
conservative political environment. Following a substantial
increase in activism in the early 1990s, Chicana/o scholars are now
prepared to take stock of the Chicano Movement's accomplishments
and shortcomings--and the challenges it yet faces--on the eve of a
new millennium. "Chicanas/Chicanos at the Crossroads" is a
state-of-the-art assessment of the most significant developments in
the conditions, fortunes, and experiences of Chicanas/os since the
late seventies, with an emphasis on the years after 1980, which
have thus far received little scholarly attention. Ten essays by
leading Chicana and Chicano scholars on economic, social,
educational, and political trends in Chicana/o life examine such
issues as the rapid population growth of Chicanas/os and other
Latinos; the ascendancy of Reaganomics and the turn to the right of
American politics; the rise of anti-immigrant sentiment; the
launching of new initiatives by the Mexican government toward the
Chicano community; and the emergence of a new generation of
political activists. The authors have been drawn from a broad array
of disciplines, ranging from economics to women's studies, in order
to offer a multidisciplinary perspective on Chicana/o developments
in the contemporary era. The inclusion of authors from different
regions of the United States and from divergent backgrounds
enhances the broad perspective of the volume. The editors offer
this anthology with the intent of providing timely and useful
insights and stimulating reflectionand scholarship on a diverse and
complex population. A testament to three decades of intense social
struggle, Chicanas/Chicanos at the Crossroads is ample evidence
that the legacy of the Movimiento is alive and well.
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