With the publication of her first book of criticism, Against Interpretation, in 1966, Susan Sontag placed herself at the forefront of an era of cultural and political transformation. "What is important now," she wrote, "is to recover our senses . . . . In place of a hermeneutics we need an erotics of art." She would remain a catalyzing presence, whether writing about camp sensibility, the films of Jean-Luc Godard and Alain Resnais, her experiences as a traveler to Hanoi at the height of the Vietnam War, the aesthetics of science-fiction and pornography, or a range of modern thinkers from Simone Weil to E. M. Cioran. She opened dazzling new perspectives on any subject she addressed, whether the nature of photography or cultural attitudes toward illness. This volume, edited by Sontag's son David Rieff, presents the full texts of four essential books: Against Interpretation, Styles of Radical Will (1969), On Photography (1977), and Illness as Metaphor (1978). Also here as a special feature are six previously uncollected essays including studies of William S. Burroughs and the painter Francis Bacon and a series of reflections on beauty, aging, and the emerging feminist movement. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Both a memoir and an investigation, "Swimming in a Sea of Death" is David Rieff's loving tribute to his mother, the writer Susan Sontag, and her final battle with cancer. Rieff's brave, passionate, and unsparing witness of the last nine months of her life, from her initial diagnosis to her death, is both an intensely personal portrait of the relationship between a mother and a son, and a reflection on what it is like to try to help someone gravely ill in her fight to go on living and, when the time comes, to die with dignity.

Rieff offers no easy answers. Instead, his intensely personal book is a meditation on what it means to confront death in our culture. In his most profound work, this brilliant writer confronts the blunt feelings of the survivor -- the guilt, the self-questioning, the sense of not having done enough.

And he tries to understand what it means to desire so desperately, as his mother did to the end of her life, to try almost anything in order to go on living.

Drawing on his mother's heroic struggle, paying tribute to her doctors' ingenuity and faithfulness, and determined to tell what happened to them all, "Swimming in a Sea of Death" subtly draws wider lessons that will be of value to others when they find themselves in the same situation.

The articles in this volume cover a wide range of intellectually exciting issues, written by people who were considered at the summit of their fields of enquiry. Though the individual topics addressed are diverse, each article can be taken as representative of 'humanistic understanding' of its stated subject. The volume is the first of a series based upon lectures given under the auspices of the New York Institute for the Humanities.

'In the journal I do not just express myself more openly than I could do to any person; I create myself.' Intimate, vulnerable and unsparing, Reborn bears witness to the evolution of Susan Sontag. With entries dating from 1947-1963, the first instalment from Susan Sontag's diaries charts her ascension from early adolescence to her early thirties. Unabashed, though thoroughly self-reflective, Sontag's diaries reveal the inner workings of her mind, her insecurities and her passions. This compelling account of the evolution of America's greatest post-war intellectual allows us to behold the moral and political awakening of the artist and critic. 'An exceptionally vivid, and often moving, account of a young woman's painful journey towards acceptance of her own nature.' Sunday Telegraph 'Moving on several levels . . . thrilling . . . fascinating . . . often reads like a brilliant postmodern bildungsroman' New York Magazine 'One can feel Sontag's mind beginning to ripen and bloom, and the full force of the intellectual originality that would be her hallmark emerging' The Guardian

At the Same Time contains sixteen illuminating essays by Susan Sontag. With a preface by David Rieff. The sixteen essays gathered here represent the last pieces written by Susan Sontag in the years before her ddath in 2004. Reflecting on literature, photography and art, post 9/11 America and political activism, these essays encompass the themes that dominated Sontag's life and work, revealing why she remains one of the twentieth century's preeminent writers and thinkers. 'These sixteen pieces brim over with vitality . . . every one of them opening up fresh lines of thought' John Gray, New Statesman 'One of America's greatest public intellectuals' Observer 'Excellent and essential' Financial Times 'Reads like a greatest-hits album - a little politics, something on photography, some lit. crit. - of Sontag's passions' Daily Telegraph 'Sontag's clear thinking . . . shines like a spotlight in dark places' The Times One of America's best-known and most admired writers, Susan Sontag was also a leading commentator on contemporary culture until her death in December 2004. Her books include four novels and numerous works of non-fiction, among them Regarding the Pain of Others, On Photography, Illness as Metaphor, At the Same Time, Against Interpretation and Other Essays and Reborn: Early Diaries 1947-1963, all of which are published by Penguin. A further eight books, including the collections of essays Under the Sign of Saturn and Where the Stress Falls, and the novels The Volcano Lover and The Benefactor, are available from Penguin Modern Classics.

""In the journal I do not just express myself more openly than I could to any person; I create myself."

"The first of three volumes of Susan Sontag's journals and notebooks, "Reborn" (1947-1963) reveals one of the most important thinkers and writers of the twentieth century, fully engaged in the act of self-invention. Beginning with a voracious and prodigious fourteen-year-old, "Reborn" ends as Sontag, age thirty, is finally living in New York as a published writer.

Both a memoir and an investigation, "Swimming in a Sea of Death" is David Rieff's loving tribute to his mother, the writer Susan Sontag, and her final battle with cancer. Rieff's brave, passionate, and unsparing witness of the last nine months of her life, from her initial diagnosis to her death, is both an intensely personal portrait of the relationship between a mother and a son, and a reflection on what it is like to try to help someone gravely ill in her fight to go on living and, when the time comes, to die with dignity.

Rieff offers no easy answers. Instead, his intensely personal book is a meditation on what it means to confront death in our culture. In his most profound work, this brilliant writer confronts the blunt feelings of the survivor -- the guilt, the self-questioning, the sense of not having done enough.

And he tries to understand what it means to desire so desperately, as his mother did to the end of her life, to try almost anything in order to go on living.

Drawing on his mother's heroic struggle, paying tribute to her doctors' ingenuity and faithfulness, and determined to tell what happened to them all, "Swimming in a Sea of Death" subtly draws wider lessons that will be of value to others when they find themselves in the same situation.

Originally published in 1999, this A-to-Z guidebook of wartime atrocities has received worldwide acclaim and has been translated into eleven languages. Now substantially updated, with sixteen new entries, this concise guide to the broken rules of war remains unique and essential. More than 140 distinguished experts from the media, military, law, and human rights groups examine recent conflicts in light of international humanitarian law, including: Afghanistan (Patricia Gossman), the Congo (Gerard Prunier), terrorism (Anthony Dworkin), Guantanamo (Mark Huband), Darfur (John Prendergast and Colin Thomas-Jensen), occupation (George Packer), independent contractors (Peter Singer), war and insurgency (John Burns), and detention and interrogation (Dana Priest). Christiane Amanpour writes on Bosnian paramilitaries, Jeremy Bowen on Chechnya, and Gwynne Roberts on Saddam Hussein. Through case studies, definitions of key terms, and explanations of what is legal and what is not illuminated by 150 stunning duotone photographs Crimes of War reveals what every citizen should know about war and the law."

A "Financial Times" Best Book of 2012
From the turbulent years of her trip to Hanoi at the peak of the Vietnam War to her time making films in Sweden and up to the eve of the 1980 election, "As Consciousness Is Harnessed to Flesh" documents the evolution of an extraordinary mind. The 1966 publication of Against Interpretation propelled Susan Sontag from the periphery of New York City's artistic and intellectual milieu into the international spotlight, solidifying her place as a dominant force in the world of ideas. These entries are an invaluable record of the inner workings of one of the most inquisitive and analytical thinkers of the twentieth century.

Writing from the front lines of the hot wars of the post-Cold War world -- the Balkans, Africa, the Middle East, and most recently Afghanistan and Iraq for The New York Times Magazine -- David Rieff witnessed firsthand most of the armed interventions waged by the West or the United Nations in the name of human rights and democratization. His report is anything but reassuring. In this timely collection of his most illuminating articles, Rieff, one of our leading experts on the subject, reassesses some of his own judgments about the use of military might to solve the world's most pressing humanitarian problems and curb the world's cruelest human rights abusers, presenting what, taken as a whole, is a thoughtful and impassioned argument against armed intervention in all but the most extreme cases. At the Point of a Gun raises critical questions we cannot ignore in this era of gunboat democracy. When, if ever, is it appropriate to intervene militarily in the domestic affairs of other nations? Are human rights and humanitarian concerns legitimate reasons for intervening, or is the assault on sovereignty -- sovereignty that is as much an article of faith at the UN as it is in Washington -- a flag of convenience for the recolonization of part of the world? What role should the United Nations play in alleviating humanitarian crises? And, above all, can democracy be imposed through the barrel of an M16? Collected here for the first time, Rieff's essays draw a searing portrait of what happens when the grandiose schemes of policymakers and the grandiose ethical ambitions of human rights activists go horribly wrong in the field. Again and again, they ask the question: Do these moral ambitions of ours to protect people from massacre and want match either our means or our wisdom? Rieff's articles appear as they were written. Some, however, are accompanied by brief reconsiderations in which the author describes how and why his thinking has changed both as he has reflected on what it means, as in Iraq, to impose democracy by force, and as he has witnessed, firsthand, what that redemptive project actually looks like in practice. This is not an optimistic report. To the contrary, it is the chastened conclusion of a writer who was once one of the leading advocates of such interventions. But the questions Rieff raises are of the essence as the United States grapples with the harsh consequences of what it has wrought on the ground in Afghanistan and Iraq.

"The Exile" is a fascinating portrait of Miami's Cuban population, the most successful group of immigrants to settle in the United States since the Jews of the nineteenth century. David Rieff, whom the San Diego Tribune called our "modern Alexis de Tocqueville", has provided an engrossing look at a group exiled from its homeland, showing how America has affected these immigrants, and what it means to become an American in the late twentieth century.

A leading contrarian thinker explores the ethical paradox at the heart of history's wounds The conventional wisdom about historical memory is summed up in George Santayana's celebrated phrase, "Those who cannot remember the past are condemned to repeat it." Today, the consensus that it is moral to remember, immoral to forget, is nearly absolute. And yet is this right? David Rieff, an independent writer who has reported on bloody conflicts in Africa, the Balkans, and Central Asia, insists that things are not so simple. He poses hard questions about whether remembrance ever truly has, or indeed ever could, "inoculate" the present against repeating the crimes of the past. He argues that rubbing raw historical wounds-whether self-inflicted or imposed by outside forces-neither remedies injustice nor confers reconciliation. If he is right, then historical memory is not a moral imperative but rather a moral option-sometimes called for, sometimes not. Collective remembrance can be toxic. Sometimes, Rieff concludes, it may be more moral to forget. Ranging widely across some of the defining conflicts of modern times-the Irish Troubles and the Easter Uprising of 1916, the white settlement of Australia, the American Civil War, the Balkan wars, the Holocaust, and 9/11-Rieff presents a pellucid examination of the uses and abuses of historical memory. His contentious, brilliant, and elegant essay is an indispensable work of moral philosophy.

Timely and controversial, A Bed for the Night reveals how humanitarian organizations trying to bring relief in an ever more violent and dangerous world are often betrayed and misused, and have increasingly lost sight of their purpose. Drawing on first-hand reporting from hot war zones around the world - Bosnia, Rwanda, Congo, Kosovo, Sudan and, most recently, Afghanistan - David Rieff shows us what humanitarian aid workers do in the field and the growing gap between their noble ambitions and their actual capabilities for alleviating suffering.

Tracing the origins of major humanitarian organizations such as the International Committee of the Red Cross, Doctors Without Borders, and CARE, he describes how many of them have moved from their founding principle of neutrality, which gave them access to victims, to encouraging the international community to take action to stop civil wars and ethnic cleansing. Rieff demonstrates how this advocacy has come at a high price. By overreaching, the humanitarian movement has allowed itself to be hijacked by the major powers, sometimes to become a fig leaf for actions that major powers take in their own national interests, as in Afghanistan, sometimes for their inaction, as in Bosnia and Rwanda. With the exception of cases of genocide, where the moral imperative to act overrides all other considerations,

In a shocking and deeply disturbing tour de force, David Rieff, reporting from the Bosnia war zone and from Western capitals and United Nations headquarters, indicts the West and the United Nations for standing by and doing nothing to stop the genocide of the Bosnian Muslims. Slaughterhouse is the definitive explanation of a war that will be remembered as the greatest failure of Western diplomacy since the 1930s.

Bosnia was more than a human tragedy. It was the emblem of the international community's failure and confusion in the post-Cold War era. In Bosnia, genocide and ethnic fascism reappeared in Europe for the first time in fifty years. But there was no will to confront them, either on the part of the United States, Western Europe, or the United Nations, for which the Bosnian experience was as catastrophic and demoralizing as Vietnam was for the United States. It is the failure and its implications that Rieff anatomizes in this unforgiving account of a war that might have been prevented and could have been stopped.

In "Los Angeles: Capital of the Third World," David Rieff looks at a city that was long the epitome of the American Dream and is now, for many, the emblem of the American urban nightmare. Writing before the riots of 1992, Rieff found not a city of dreams but a city of bitter contradictions. A city that, like the United States itself, was being transformed by immigrants and refugees from Latin America and East Asia from an extension of Europe to a diverse patchwork of the peoples of the world. This is an L.A. that has never been described before, "a brilliant and disturbing examination," as Joan Didion called it, "of the America we have not yet faced.

In the late 1930s, Graham Greene was commissioned to visit Mexico to report on how the inhabitants had reacted to the brutal anticlerical purges of President Calles. The Lawless Roads is his spellbinding record of that journey. Taking him through the tropical states of Chiapas and Tabasco, where all the churches had been destroyed or closed and the priests driven out or shot, that provided him with the setting and theme for one of his greatest novels, The Power and the Glory. This Penguin Classics edition features an introduction by David Rieff.