This book documents how Israel emerged as one of the world's leading centers of high technology over the last three decades and the impact that it has had, or failed to have, on the wider economy and politics. Based on the study of start-up companies, the project attributes the rise of Israel's tech economy to its unique history, political system, and culture, and shows how those same factors have failed it in the quest to diversify its economy to make it more inclusive and equitable. This work will interest economists, political scientists, Israeli studies academics, investors, policy makers, journalists, and business readers.

This book documents how Israel emerged as one of the world's leading centers of high technology over the last three decades and the impact that it has had, or failed to have, on the wider economy and politics. Based on the study of start-up companies, the project attributes the rise of Israel's tech economy to its unique history, political system, and culture, and shows how those same factors have failed it in the quest to diversify its economy to make it more inclusive and equitable. This work will interest economists, political scientists, Israeli studies academics, investors, policy makers, journalists, and business readers.

This volume is dedicated to the international artist Kata Legrady's graphic work, through a selection of drawings, sketches and preparatory studies published on the occasion of the exhibition at Fondazione Mudima in Milan. Through the graphic work gathered in this volume, we discover her creative praxis which, according to Arturo Schwarz, "is determined, to a great extent, by her unconscious; the work has a playful dimension; she observes the world with a gaze that has conserved the innocence, curiosity and inventiveness of childhood". Finally, an essay by Bazon Brock brings a deep insight on the importance of drawing in the practice of contemporary art.

The radical response to conservative heritage tours and banal day-tripper guides, Rebel Footprints brings to life the history of social movements in the capital. Transporting readers from well-known landmarks to history-making hidden corners, David Rosenberg tells the story of protest and struggle in London from the early nineteenth to the mid-twentieth century. From the suffragettes to the socialists, from the Chartists to the trade unionists, the book invites us to step into the footprints of a diverse cast of dedicated fighters for social justice. Self-directed walks pair with narratives that seamlessly blend history, politics and geography, and beautifully illustrated maps immerse the reader in the story of the city. Whether you are visiting it for the first time, or born and raised in it, Rosenberg invites you to see London as you never have before: the nation's capital as its radical centre.

J is the title that scholars ascribe to the nameless writer they believe is responsible for the text, written between 950 and 900 BCE, on which Genesis, Exodus and Numbers is based. In The Book of J, Bloom and Rosenberg draw the J text out of the surrounding material and present it as the seminal classic that it is. In addition to Rosenberg's original translations, Bloom argues in several essays that J was not a religious writer but a fierce ironist and a woman living in the court of King Solomon. He also argues that J is a writer on par with Homer, Shakespeare and Tolstoy. Bloom also offers historical context, a discussion of the theory of how the different texts came together to create the Bible, and translation notes. Rosenberg's translations from the Hebrew bring J's stories to life and reveal her towering originality and grasp of humanity.

Whether rendering the Bible as wondrous or as strangely familiar, David Rosenberg's magisterial translation forces us to ask again--and at last in literary terms--why the Bible remains a crucial foundation of our culture. Until today, translators have presented a homogeneous Bible in uniform style--even as the various books within it were written by different authors, in diverse genres and periods, stretching over many centuries. Now, Rosenberg's artful translation restores what has been left aside: the essence of imaginative creation in the Bible. In A Literary Bible, Rosenberg presents for the first time a synthesis of the literary aspects of the Hebrew Bible--restoring a sense of the original authors and providing a literary revelation for the contemporary reader. Rosenberg himself brings a finely tuned ear to the original text. His penetrating scholarship allows the reader to encounter inspired biblical prose and verse, and to experience each book as if it were written for our time.

These composite landscapes are recreated places from an estranged homeland. Visible and obscured parts of the landscape suggest the interplay of effects between man and nature, as well as the imperfections of memory. The discontinuity induces the viewer to draw on their own experiences to complete the work. The textures of human fingerprints in the work evokes the uniqueness of our connection with nature and our impressions upon it.

In 1990, the international bestseller, The Book of J (1990), co-authored by David Rosenberg and Harold Bloom (Grove; Faber in the U.K.) was followed by several books of poetry and prose (A Poet's Bible is the first biblical translation to win a major literary award), and then, in 2013, A Life in a Poem began as a Guggenheim Fellowship project. Now, in this trailblazing narrative about where we are going as a species, Rosenberg shows us how he became a writer both ancient and contemporary. The crucial Jewish poet of his time, rooted in the Hebrew of the Bible and the existential sublime of the New York School, Rosenberg has been read so far, by Jews and non-Jews, mainly for his experimental vision. Donald Hall described him as "an ancient Hebrew biblical poet as if writing today in the rhythms of the United States". Among critics, Harold Bloom states that "the play of languages emerges in Rosenberg as it does not in King James," while Frank Kermode wrote in the New York Times Book Review, "he must somehow be modern as well as faithful to the past, reproducing an ancient, strange, uncanny vigor, bearing in mind American poetry's struggle with natural speech". More recently, Adam Kirsch writes that Rosenberg is "replacing the doubtful miracle of divine inspiration with the genuine miracle of poetic inspiration", and Oxford's John Barton describes his work in the New York Review of Books as "neither epic nor romance nor tragedy nor comedy yet all these at once". These words may now apply as well to Rosenberg's innovative new memoir, A Life in a Poem.

The radical response to conservative heritage tours and banal day-tripper guides, Rebel Footprints brings to life the history of social movements in the capital. Transporting readers from well-known landmarks to history-making hidden corners, David Rosenberg tells the story of protest and struggle in London from the early nineteenth to the mid-twentieth century. From the suffragettes to the socialists, from the Chartists to the trade unionists, the book invites us to step into the footprints of a diverse cast of dedicated fighters for social justice. Self-directed walks pair with narratives that seamlessly blend history, politics and geography, and beautifully illustrated maps immerse the reader in the story of the city. Whether you are visiting it for the first time, or born and raised in it, Rosenberg invites you to see London as you never have before: the nation's capital as its radical centre.

With the Practice of Lectio Divina we seek to deepen our interpersonal relationship with God through reflection, prayer and contemplation. We are called regularly to an "experience of desert" to seek silence and solitude, as our Desert Fathers did in the Early Church. It is here that we come to recognize more clearly and truly who God is, who we are, who others are, what the world is, and the reality of grace versus evil. We try to clarify God's view of us - creatures with such a special destiny. We come to more perfectly view ourselves as persons made in the image of God. Through this discovery, we come to appreciate the extent to which the likeness has been lost, but can be recovered in Jesus Christ. We are ultimately called to respond in action to what has been gained through our practice of Lectio Divina.