The internationally distinguished scientists contributing to this volume approach the subject from an ecological rather than taxonomic standpoint and present the basic biology of insects associated with streams, ponds, lakes, and marine habitats.

This book documents how Israel emerged as one of the world's leading centers of high technology over the last three decades and the impact that it has had, or failed to have, on the wider economy and politics. Based on the study of start-up companies, the project attributes the rise of Israel's tech economy to its unique history, political system, and culture, and shows how those same factors have failed it in the quest to diversify its economy to make it more inclusive and equitable. This work will interest economists, political scientists, Israeli studies academics, investors, policy makers, journalists, and business readers.

The radical response to conservative heritage tours and banal day-tripper guides, Rebel Footprints brings to life the history of social movements in the capital. Transporting readers from well-known landmarks to history-making hidden corners, David Rosenberg tells the story of protest and struggle in London from the early nineteenth to the mid-twentieth century. From the suffragettes to the socialists, from the Chartists to the trade unionists, the book invites us to step into the footprints of a diverse cast of dedicated fighters for social justice. Self-directed walks pair with narratives that seamlessly blend history, politics and geography, and beautifully illustrated maps immerse the reader in the story of the city. Whether you are visiting it for the first time, or born and raised in it, Rosenberg invites you to see London as you never have before: the nation's capital as its radical centre.

This volume is dedicated to the international artist Kata Legrady's graphic work, through a selection of drawings, sketches and preparatory studies published on the occasion of the exhibition at Fondazione Mudima in Milan. Through the graphic work gathered in this volume, we discover her creative praxis which, according to Arturo Schwarz, "is determined, to a great extent, by her unconscious; the work has a playful dimension; she observes the world with a gaze that has conserved the innocence, curiosity and inventiveness of childhood". Finally, an essay by Bazon Brock brings a deep insight on the importance of drawing in the practice of contemporary art.

The radical response to conservative heritage tours and banal day-tripper guides, Rebel Footprints brings to life the history of social movements in the capital. Transporting readers from well-known landmarks to history-making hidden corners, David Rosenberg tells the story of protest and struggle in London from the early nineteenth to the mid-twentieth century. From the suffragettes to the socialists, from the Chartists to the trade unionists, the book invites us to step into the footprints of a diverse cast of dedicated fighters for social justice. Self-directed walks pair with narratives that seamlessly blend history, politics and geography, and beautifully illustrated maps immerse the reader in the story of the city. Whether you are visiting it for the first time, or born and raised in it, Rosenberg invites you to see London as you never have before: the nation's capital as its radical centre.

Kata Legrady (Hungary 1974) belongs to that long line of artists for whom an object offers the stimulus for artistic thought. Her approach takes the form of a symbolic encounter between objects associated with childhood with those associated with violence. In her work, an artillery shell, a bomb, a pistol, a Kalashnikov can be transformed from devices of death to works of art. The book gathers the work exhibited at Mudima foundation of the artist from the Guns and Candies of 2008, to the Gasmasks of 2009, Little Boy in 2009 and 2010, and the more recent works, from 2011: Mickey, Pearl Harbor; Government Balancoir; CatWoman; Cheval a Bascule, all the way to the Disney series. At first sight there is no precise message, no hidden aspect. We are not dealing with complex and stratified arrangements of images or objects but with restrained, frontal and simplified compositions. They are carriers that, as Jeff Koons put it so well, are there "to stimulate and activate the viewer's mental and physical state".

These essays and articles, written in the 70s and early 80s, contain thousands of little tidbits that can contribute to a total understanding of both U.S. and world history and culture. The author draws on his unique experience to think about the serious problems we face, and, in very direct and clear language, shares his view of the world. Whether you are just beginning to understand politics and history, or a veteran who's seen it all, "All I Know " can be a great basis for helping to shape your world view.

The first monograph on Kata Legrady's works presenting a collection of drawings, photographs, sculptures, and video installations. Kata Legrady belongs to that long and bountiful line of artists for whom an object offers the stimulus for artistic thought and action. Her work takes the form of a symbolic encounter between two distinct universes: on the one side, weapons of war, and on the other, confectionary. In other words, there is a short-circuit between the lethal and the inoffensive; a tension between childhood and destruction, between carefree and suffering.
The use of Smarties--those famous multicolored 'pills'--cannot but evoke the "colored dots" used by Roy Lichtenstein to create his enlarged and framed comic strip images. With the difference, however, that these Smarties are not used to create images but to decorate weapons, covering them systematically, although this is not enough to make them unusable or unrecognizable. In the hands of the artist, machine guns, grenades and knives become strange and colorful, almost beautiful and appealing.
There are also bombs of various formats and size, varying from a few centimeters to several meters. This time, they are not recovered objects, however, but sculptures of essential form covered in metallic industrial paint.