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The magnificent prehistoric art discovered in caves throughout
France and Spain raises many questions about early human culture.
What do these superbly rendered paintings of horses, bison, and
enigmatic human figures and symbols mean? How can we explain the
sudden flourishing of artistic creativity at such a high level? And
in what ways does this artwork reflect the underlying belief
system, worldview, and life of the people who created it? In this
fascinating discussion of ancient art and religion, Dr. David S.
Whitley—one of the world's leading experts on cave
paintings—guides the reader in an exploration of these intriguing
questions, while sharing his firsthand experiences in visiting
these exquisite, breathtaking sites. To grasp what drove these
ancient artists to create these masterpieces, and to understand the
origin of myth and religion, as Whitley explains, is to appreciate
what makes us human. Moreover, he broadens our understanding of the
genesis of creativity and myth by proposing a radically new and
original theory that weds two seemingly warring camps from separate
disciplines. On the one hand, archaeologists specializing in
prehistoric cave paintings have argued that the visionary rituals
of shamans led to the creation of this expressive art. They
consider shamanism to be the earliest known form of religion. By
contrast, evolutionary psychologists view the emergence of
religious beliefs as a normal expression of the human mind. In
their eyes, the wild and ecstatic trances of shamans were a form of
aberrant behavior. Far from being typical representatives of
ancient religion, shamans were exceptions to the normal rule of
early religion. Whitley resolves the controversy by interweaving
the archaeological evidence with the latest findings of
cutting-edge neuroscience. He thereby rewrites our understanding of
shamanism and its connection with artistic creativity, myth, and
religion. Combining a colorful narrative describing Whitley's
personal explorations at key archaeological sites with robust
scientific research, Cave Paintings and the Human Spirit makes for
engrossing reading. It provides a profound and poignant perspective
on what it means to be human.
This volume in gender archaeology presents 19 articles which
confront and illuminate issues of gender in prehistory. It
considers the question of gender difference and whether it is
natural or culturally constructed. The articles here, which draw on
evidence from a wide range of geographic areas, aim to demonstrate
how all archaeological investigation can benefit from an awareness
of issues of gender. They also show how the long-term nature of
archaeological research can inform the gender debate across the
disciplines.;The book organizes this complex area into seven
sections on key themes in gender archaeology: archaeological method
and theory, human origins, division of labour, the social
construction of gender, iconography and ideology, power and social
hierarchies and new forms of archaeological narrative. It includes
section introductions which outline the history of research on each
topic and present the key points of each article. A balance of
material which rewrites women into prehistory and articles which
show how the concept of gender informs our understanding and
interpretation of the past are also included.
This Reader in Archaeological Theory presents sixteen articles of key theoretical significance, in a format which makes this notoriously complex area easier for students to understand. This volume: * provides an intellectual history of different approaches to archaeology which contextualizes the complex traditions of cognitive archaeology and postprocessualism on which it focuses * organizes theories of archaeology, the meanings of things, the prehistoric mind and cognition, gender, ideology and social theory and archaeology's relationship to today's society and politics * includes lucid section introductions to each section which provide context, explain why the papers are so significant and summarize their key points * emphasizes research from the 'New World', making archaeological theory especially relevant and accessible to students in North America.
Human actions are often deeply intertwined with religion and can be
understood in a strictly religious context. Yet, many volumes and
articles pertaining to discussions of religion in the
archaeological past have focused primarily on the sociopolitical
implications of such remains. The authors in this volume argue that
while these interpretations certainly have a meaningful place in
understanding the human past, they provide only part of the
picture. Because strictly religious contexts have often been
ignored, this has resulted in an incomplete assessment of religious
behavior in the past. This volume considers exciting new directions
for considering an archaeology of religion, offering examples from
theory, tangible archaeological remains, and ethnography.
Human actions are often deeply intertwined with religion and can be
understood in a strictly religious context. Yet, many volumes and
articles pertaining to discussions of religion in the
archaeological past have focused primarily on the sociopolitical
implications of such remains. The authors in this volume argue that
while these interpretations certainly have a meaningful place in
understanding the human past, they provide only part of the
picture. Because strictly religious contexts have often been
ignored, this has resulted in an incomplete assessment of religious
behavior in the past. This volume considers exciting new directions
for considering an archaeology of religion, offering examples from
theory, tangible archaeological remains, and ethnography.
This Reader in Gender Archaeology presents nineteen current, controversial and highly influential articles which confront and illuminate issues of gender in prehistory. The question of gender difference and whether it is natural or culturally constructed is a compelling one. The articles here, which draw on evidence from a wide range of geographic areas, demonstrate how all archaeological investigation can benefit from an awareness of issues of gender. They also show how the long-term nature of archaeological research can inform the gender debate across the disciplines. The volume: * organizes this complex area into seven sections on key themes in gender archaeology: archaeological method and theory, human origins, division of labour, the social construction of gender, iconography and ideology, power and social hierarchies and new forms of archaeological narrative * includes section introductions which outline the history of research on each topic and present the key points of each article * presents a balance of material which rewrites women into prehistory, and articles which show how the concept of gender informs our understanding and interpretation of the past.
This Reader in Archaeological Theory presents sixteen articles of key theoretical significance, in a format which makes this notoriously complex area easier for students to understand. This volume: * provides an intellectual history of different approaches to archaeology which contextualizes the complex traditions of cognitive archaeology and postprocessualism on which it focuses * organizes theories of archaeology, the meanings of things, the prehistoric mind and cognition, gender, ideology and social theory and archaeology's relationship to today's society and politics * includes lucid section introductions to each section which provide context, explain why the papers are so significant and summarize their key points * emphasizes research from the 'New World', making archaeological theory especially relevant and accessible to students in North America.
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