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The Death of Drawing explores the causes and effects of the epochal
shift from drawing to computation as the chief design and
communication medium in architecture. Drawing both framed the
thinking of architects and organized the design and construction
process to place architects at its center. Its displacement by
building information modeling (BIM) and computational design
recasts both the terms in which architects think and their role in
building production. Author David Ross Scheer explains that,
whereas drawing allowed architects to represent ideas in form, BIM
and computational design simulate experience, making building
behavior or performance the primary object of design. The author
explores many ways in which this displacement is affecting
architecture: the dominance of performance criteria in the
evaluation of design decisions; the blurring of the separation of
design and construction; the undermining of architects' authority
over their projects by automated information sharing; the
elimination of the human body as the common foundation of design
and experience; the transformation of the meaning of geometry when
it is performed by computers; the changing nature of design when it
requires computation or is done by a digitally-enabled
collaboration. Throughout the book, Scheer examines both the
theoretical bases and the practical consequences of these changes.
The Death of Drawing is a clear-eyed account of the reasons for and
consequences of the displacement of drawing by computational media
in architecture. Its aim is to give architects the ability to
assess the impact of digital media on their own work and to see
both the challenges and opportunities of this historic moment in
the history of their discipline.
The Death of Drawing explores the causes and effects of the epochal
shift from drawing to computation as the chief design and
communication medium in architecture. Drawing both framed the
thinking of architects and organized the design and construction
process to place architects at its center. Its displacement by
building information modeling (BIM) and computational design
recasts both the terms in which architects think and their role in
building production. Author David Ross Scheer explains that,
whereas drawing allowed architects to represent ideas in form, BIM
and computational design simulate experience, making building
behavior or performance the primary object of design. The author
explores many ways in which this displacement is affecting
architecture: the dominance of performance criteria in the
evaluation of design decisions; the blurring of the separation of
design and construction; the undermining of architects' authority
over their projects by automated information sharing; the
elimination of the human body as the common foundation of design
and experience; the transformation of the meaning of geometry when
it is performed by computers; the changing nature of design when it
requires computation or is done by a digitally-enabled
collaboration. Throughout the book, Scheer examines both the
theoretical bases and the practical consequences of these changes.
The Death of Drawing is a clear-eyed account of the reasons for and
consequences of the displacement of drawing by computational media
in architecture. Its aim is to give architects the ability to
assess the impact of digital media on their own work and to see
both the challenges and opportunities of this historic moment in
the history of their discipline.
David Scheer zeigt, dass sich die formal gegebenen Aufgaben der
Schulleitung durch den erweiterten padagogischen Auftrag
schulischer Inklusion nicht grundlegend andern, gleichwohl sich
Zeitaufwand und Komplexitat von einzelnen Aufgabenbereichen
erhoehen. Aus den Einzelbefunden seiner Untersuchung entwickelt der
Autor ein Modell der Schulleiterrolle, das die Einbettung der
Schulleitung in den Kontext der Systemsteuerung insgesamt
berucksichtigt und praktische Implikationen fur Schulpraxis und
Bildungspolitik liefert.
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