"On Weather Signs," traditionally ascribed to Theophrastus, contains the most complete list of such signs in antiquity and it was, in this or some very similar form, consulted by Aratus, Vergil (in "Georgics" I), and Pliny the Elder, as well as by many other authors throughout the Byzantine period. This edition is the first to take account of all the manuscripts and the commentary, the first in over a century, is on a far grander scale than earlier ones by Schneider (1818-21) and Wood (1894), listing almost all parallel texts for each sign. The introduction places the work in the context of its genre and for the first time lays out the details of its manuscript tradition.

Boedecker and Sider's edited volume gathers the best of the recent research on Simonides' newly expanded oeuvre into a single collection which will be an important reference for scholars of Greek poetry.

This is the first separate edition and commentary on Philodemos of Gadara (110-40 BC) since 1885, containing an introduction on Philodemos' life, poetic theory, metrical practice, and the place of the epigrams within the Greek Anthology. Thirty-six genuine and two spurious epigrams are printed with full critical apparatus, translation, and commentary. Also included is the text of a recently published papyrus containing traces of many known and previously unknown epigrams by Philodemos.

Pythagoras and Heraclitus developed theories of the universe and mankind's place in it which were taken seriously by all later Greek thinkers. None of their works remains, however, except in later paraphrases that all too often are misrepresentations. Pythagoras had followers who attributed their own ideas to their master; Heraclitus wrote in a prose style so ambiguous that he came to be known as the Shadow, so that even the most earnest attempts to paraphrase his views had to smooth out his intentional rough edges. Nonetheless, enough remains to allow the authors of this volume, edited by David Sider and Dirk Obbink (Oxford), to offer new ways of viewing their views and the way others perceived them. The contributors are Gabor Betegh (Budapest), Roman Dilcher (Heidelberg), Aryeh Finkelberg (Tel Aviv), Daniel Graham (Brigham Young University), Herbert Granger (Wayne State University), Carl Huffman (DePauw), Enrique Hulsz Piccone (Mexico City), Anthony Long (Berkeley), Richard McKirahan (Pomona), Catherine Rowett (East Anglia), David Sider (New York), and Leonid Zhmud (St. Petersberg).

Simonides of Ceos, one of the nine lyric poets enshrined in what is conventionally thought of as the Hellenistic Lyric Canon, is a relatively mysterious figure despite his renown in the classical world. Few historical and biographical facts about him have survived, and only fragments of his non-epigrammatic poetry. This volume is intended to complement Orlando Poltera's full-scale text and commentary on Simonides' lyrics (Schwabe, 2008), offering an up-to-date edition and commentary covering, for the most part, those poems in elegiac distichs now called epigrams and elegies. In addition to these forms, Simonides wrote in a few other non-lyric metrical patterns involving dactyls and iambs: these are also included for the sake of completeness, since they are properly absent from Poltera's edition. As authenticity is in question for all but a very few of the epigrams ascribed to Simonides, the volume's scope extends to cover every poem ascribed to him in antiquity, including some poems that are surely not by him: these poems have never before been treated in such detail and the large body of scholarship generated by the corpus as a whole is taken into account here for the first time. Each poem and fragment is accompanied by a new English translation, where applicable, and detailed exegetic line-by-line commentary; a comprehensive general Introduction sets Simonides and his works into their historical context and provides a thorough examination of the textual transmission of the elegies and epigrams.