Agamemnon is the first of the three plays within the Oresteia trilogy and is considered to be one of Aeschylus' greatest works. This collection of 12 essays, written by prominent international academics, brings together a wide range of topics surrounding Agamemnon from its relationship with ancient myth and ritual to its modern reception. There is a diverse array of discussion on the salient themes of murder, choice and divine agency. Other essays also offer new approaches to understanding the notions of wealth and the natural world which imbue the play, as well as a study of the philosophical and moral questions of choice and revenge. Arguments are contextualized in terms of performance, history and society, discussing what the play meant to ancient audiences and how it is now received in the modern theatre. Intended for readers ranging from school students and undergraduates to teachers and those interested in drama (including practitioners), this volume includes a performer-friendly and accessible English translation by David Stuttard.

Bacchae is one of the most troubling yet intriguing of Greek tragedies. Written during Euripides' self-imposed exile in Macedonia, it tells of the brutal murder and dismemberment of Pentheus by his mother and aunts who, driven temporarily insane, have joined the Bacchae (devotees of the god Dionysus, or Bacchus). The startling plot, driven by Dionysus' desire to punish his family for refusing to accept his divinity, and culminating in the excruciating pathos of a mother's realization that she has killed her son, has held audiences transfixed since its original performance (when it won first prize). It is one of the most performed and studied plays in the Greek tragic corpus, with a strong history of reception down to the present day. This collection of essays by eminent academics gathered from across the globe explores the themes, staging and reception of the play, with essays on the characters Dionysus and Pentheus, the role of the chorus of Bacchae, key themes such as revenge, women and religion, and the historical and literary contexts of the play. The essays are accompanied by David Stuttard's English translation which is performer-friendly, accessible and closely accurate to the original.

Aeschylus' Persians is unique in being the only extant Greek tragedy on an historical subject: Greece's victory in 480 BC over the great Persian King, Xerxes, eight years before the play was written and first performed in 472 BC. Looking at Persians examines how Aeschylus responded to such a turning point in Athenian history and how his audience may have reacted to his play. As well as considering the play's relationship with earlier lost tragedies and discussing its central themes, including war, nature and the value of human life, the volume considers how Persians may have been staged in fifth-century Athens and how it has been performed today. The twelve essays presented here are written by prominent international academics and offer insightful analyses of the play from the perspectives of performance, history and society. Intended for readers ranging from school students and undergraduates to teachers and those interested in drama (including practitioners), this volume also includes an accurate, accessible and performance-friendly English translation of Persians by David Stuttard.

A Times Literary Supplement Best Book of the Year A vivid, novelistic history of the rise of Athens from relative obscurity to the edge of its golden age, told through the lives of Miltiades and Cimon, the father and son whose defiance of Persia vaulted Athens to a leading place in the Greek world. When we think of ancient Greece we think first of Athens: its power, prestige, and revolutionary impact on art, philosophy, and politics. But on the verge of the fifth century BCE, only fifty years before its zenith, Athens was just another Greek city-state in the shadow of Sparta. It would take a catastrophe, the Persian invasions, to push Athens to the fore. In Phoenix, David Stuttard traces Athens’s rise through the lives of two men who spearheaded resistance to Persia: Miltiades, hero of the Battle of Marathon, and his son Cimon, Athens’s dominant leader before Pericles. Miltiades’s career was checkered. An Athenian provincial overlord forced into Persian vassalage, he joined a rebellion against the Persians then fled Great King Darius’s retaliation. Miltiades would later die in prison. But before that, he led Athens to victory over the invading Persians at Marathon. Cimon entered history when the Persians returned; he responded by encouraging a tactical evacuation of Athens as a prelude to decisive victory at sea. Over the next decades, while Greek city-states squabbled, Athens revitalized under Cimon’s inspired leadership. The city vaulted to the head of a powerful empire and the threshold of a golden age. Cimon proved not only an able strategist and administrator but also a peacemaker, whose policies stabilized Athens’s relationship with Sparta. The period preceding Athens’s golden age is rarely described in detail. Stuttard tells the tale with narrative power and historical acumen, recreating vividly the turbulent world of the Eastern Mediterranean in one of its most decisive periods.

The political leaders, writers, artists and philosophers of ancient Greece turned a small group of city states into a pan-Mediterranean civilization, whose legacy can be found everywhere today. But who were these people, what do we know of their lives and how did they interact with one another? In this original new approach to telling the Greek story, David Stuttard weaves together the lives of fifty movers and shakers of the Greek world into a continuous, chronologically organized narrative, from the early tyrant rulers Peisistratus and Polycrates, through the stirrings of democracy under Cleisthenes to the rise of Macedon under Philip II and Alexander the Great and the eventual decline of the Greek world as Rome rose. With 29 illustrations, 25 in colour

The Greek myths have a universal appeal, reaching far beyond the time and physical place in which they were created. But many are firmly rooted in specific settings: Thebes dominates the tragedy of Oedipus; Mycenae broods over the fates of Agamemnon and Electra; Knossos boasts the scene of Theseus’ slaying of the Minotaur; Tiryns was where Heracles set out from on each of his twelve labours. Here, the reader is taken on a tour of 22 destinations in Greece and Turkey, from Mount Olympus to Homer’s Hades, recounting the tales from Greek mythology and the history associated with each, evoking their atmosphere and highlighting features that visitors can still see today. Drawing on a wide range of Classical sources, with quotations newly translated by the author and freshly illustrated with specially commissioned drawings, this book is both a useful visitor’s guide to famous sites connected with Greek mythology and an enthralling imaginative journey for the armchair traveller.

The Parthenon is one of the worlds most iconic buildings: today, its silhouette symbolizes Greece. Built on the rocky acropolis of Athens in the aftermath of the devastating invasion of Xerxes, the Parthenon was part temple to Athene, part war memorial, part treasure trove of some of the most outstanding art of its age. Parthenon: Power and Politics on the Acropolis takes the reader through the dramatic story of the conception and creation of the Parthenon, setting it against a turbule nt historical background and rooting the building firmly in the real and mythological landscape of Athens. Written as a pacy, narrative history, the text features a cast of memorable characters, including Themistocles, the general whose decision to eva cuat e Athens led to the Persian sack of the acropolis; Pericl es, visionary statesman and mastermind of the Athens building project; and Pheidi as, who created the cult statue of Athene, and narrowly escaped impeachment for embezzlement. Beautifully illustrated with evocative site photography, details from the Parthenon sculptures and other related artworks from the superb collection of the British Museum, this book explores the Parthenon as the spiritual heart of a network of commanding buildings, de vised by Pericles and continued by his successors to promote the power of Athens as leader of the Greek world.

Ajax is perhaps the earliest of Sophocles' tragedies, yet the issues at its heart remain profoundly resonant today. Set in the Greek encampment during the siege of Troy, it traces not just the story of a respected war hero's mental breakdown but (like Sophocles' Antigone) the treatment of an enemy's remains and the management of his memory. Pitting the fate of the individual against not just his own community but the cosmic world of the divine, it explores questions of loyalty and power, compassion and control, integrity and political expediency - and ultimately what it is to be human. In Antiquity the fate of Ajax fascinated writers and artists alike. Today it has assumed a new importance with Sophocles' play being used to help treat military veterans suffering from PTSD. This collection of 12 essays by leading academics from across the UK, US and Ireland draws together many of the themes explored in Ajax, from how Sophocles exploits audiences' awareness of mythology and visual arts, to questions of politics and religion, staging and characterization, changing perceptions of the heroic, and the therapeutic use to which the play is put today. The essays are accompanied by David Stuttard's introduction and performer-friendly, accurate and easily accessible English translation.

Antigone is one of the most influential and thought-provoking of all Greek tragedies. Set in a newly victorious society, where possibilities seem boundless and mankind can overcome all boundaries except death, the action is focussed through the prism of Creon, a remarkable anti-hero - a politician who, in crisis, makes a reckless decision, whose pride (or insecurity) prevents him from backing down until it is too late, and who thereby ends up losing everything. Not just the story of a girl who confronts the state, Antigone is an exploration of inherent human conflicts - between men and women, young and old, power and powerlessness, civil law and the 'unwritten laws' of nature. Lauded in Antiquity, it has influenced drama and philosophy throughout history into the modern age. With an introduction discussing the nature of the community for which Antigone was written, this collection of essays by 12 leading academics from across the world draws together many of the themes explored in Antigone, from Sophocles' use of mythology, his contemporaries' reactions and later reception, to questions of religion and ritual, family life and incest, ecology and the environment. The essays are accompanied by David Stuttard's performer-friendly, accurate and easily accessible English translation.

The perfect companion for both the actual and armchair traveller to the Roman myths and the landscapes and ideas that shaped them

All roads lead to Rome. Sites and events throughout the ancient world provided Romans with a rich tapestry woven with the stories of their past. The city itself was a melting pot of peoples from across the Mediterranean and beyond, each bringing their myths and legends of heroes and heroines, gods and goddesses. Rome’s citizens wholeheartedly embraced these stories of kings consorting with river nymphs, a prophetic baby discovered in a field and the founding of Rome itself. Myths formed the backdrop to the rituals and customs of everyday life.

David Stuttard takes the reader on a tour of eighteen of the great sites of the ancient Roman world, following in the footsteps of Aeneas and his companions from Troy via Greece, North Africa and Sicily to Italy, and travelling with his descendants to Rome, while also enjoying an excursion into Tuscany and Latium to explore later legends. Each chapter begins with an evocative description of the site’s location and landscape, followed by its associated myths and stories, as well as any rituals performed there in antiquity. Drawing on the great works of Dionysius of Halicarnassus and Plutarch, Ovid, Horace and Virgil, and with specially commissioned illustrations and information about key events and remains that can still be seen today, this is a fresh look at a subject of eternal fascination.

The Goths' sack of Rome in AD 410 was an event which shook the Roman world to its core. This gripping book uncovers the key factors that contributed to Alaric the Goth's capture of Rome: mass migrations, military incompetence, civil war, court intrigue, economic decline and religious bigotry. It also explains the collapse of the Western Roman Empire, including the loss of Britain, around AD 410. Telling a truly compelling story of a defining moment in history, the book is packed with dramatic characters and events. Bold personalities are brought to life, drawn from sources newly translated for this book by master storytellers thoroughly familiar with their subject. Although many have asked why Rome fell, few have told the tale of how it fell. The dramatic story is richly illustrated throughout with evocative sites and iconic objects, many drawn from the vast collections of the British Museum.

Agamemnon is the first of the three plays within the Oresteia trilogy and is considered to be one of Aeschylus' greatest works. This collection of 12 essays, written by prominent international academics, brings together a wide range of topics surrounding Agamemnon from its relationship with ancient myth and ritual to its modern reception. There is a diverse array of discussion on the salient themes of murder, choice and divine agency. Other essays also offer new approaches to understanding the notions of wealth and the natural world which imbue the play, as well as a study of the philosophical and moral questions of choice and revenge. Arguments are contextualized in terms of performance, history and society, discussing what the play meant to ancient audiences and how it is now received in the modern theatre. Intended for readers ranging from school students and undergraduates to teachers and those interested in drama (including practitioners), this volume includes a performer-friendly and accessible English translation by David Stuttard.

Antigone is one of the most influential and thought-provoking of all Greek tragedies. Set in a newly victorious society, where possibilities seem boundless and mankind can overcome all boundaries except death, the action is focussed through the prism of Creon, a remarkable anti-hero - a politician who, in crisis, makes a reckless decision, whose pride (or insecurity) prevents him from backing down until it is too late, and who thereby ends up losing everything. Not just the story of a girl who confronts the state, Antigone is an exploration of inherent human conflicts - between men and women, young and old, power and powerlessness, civil law and the 'unwritten laws' of nature. Lauded in Antiquity, it has influenced drama and philosophy throughout history into the modern age. With an introduction discussing the nature of the community for which Antigone was written, this collection of essays by 12 leading academics from across the world draws together many of the themes explored in Antigone, from Sophocles' use of mythology, his contemporaries' reactions and later reception, to questions of religion and ritual, family life and incest, ecology and the environment. The essays are accompanied by David Stuttard's performer-friendly, accurate and easily accessible English translation.

Euripides' Medea is one of the most often read, studied and performed of all Greek tragedies. A searingly cruel story of a woman's brutal revenge on a husband who has rejected her for a younger and richer bride, it is unusual among Greek dramas for its acute portrayal of female psychology. Medea can appear at once timeless and strikingly modern. Yet, the play is very much a product of the political and social world of fifth century Athens and an understanding of its original context, as well as a consideration of the responses of later ages, is crucial to appreciating this work and its legacy. This collection of essays by leading academics addresses these issues, exploring key themes such as revenge, character, mythology, the end of the play, the chorus and Medea's role as a witch. Other essays look at the play's context, religious connotations, stagecraft and reception. The essays are accompanied by David Stuttard's English translation of the play, which is performer-friendly, accessible yet accurate and closely faithful to the original.

Ajax is perhaps the earliest of Sophocles' tragedies, yet the issues at its heart remain profoundly resonant today. Set in the Greek encampment during the siege of Troy, it traces not just the story of a respected war hero's mental breakdown but (like Sophocles' Antigone) the treatment of an enemy's remains and the management of his memory. Pitting the fate of the individual against not just his own community but the cosmic world of the divine, it explores questions of loyalty and power, compassion and control, integrity and political expediency - and ultimately what it is to be human. In Antiquity the fate of Ajax fascinated writers and artists alike. Today it has assumed a new importance with Sophocles' play being used to help treat military veterans suffering from PTSD. This collection of 12 essays by leading academics from across the UK, US and Ireland draws together many of the themes explored in Ajax, from how Sophocles exploits audiences' awareness of mythology and visual arts, to questions of politics and religion, staging and characterization, changing perceptions of the heroic, and the therapeutic use to which the play is put today. The essays are accompanied by David Stuttard's introduction and performer-friendly, accurate and easily accessible English translation.

In Aristophanes' Lysistrata, the women of Athens, fed up with the war against Sparta, go on a sex strike and barricade themselves into the acropolis to persuade their husbands to vote against the war. It is the most often performed of all Aristophanes' comedies. It is also, perhaps, the most misunderstood. This collection of essays by eight leading academics - written for sixth-form students and the general public alike - sets the play firmly in its historical and social context, while exploring Aristophanes' purpose in writing it and considering the responses of modern audiences and directors. The collection has been assembled and edited by David Stuttard, whose energetic new performing version of the play is included in this volume. Contributors include: Alan Beale; Edith Hall; Lorna Hardwick; James Morwood; Martin Revermann; James Robson; Alan H. Sommerstein; Michael Walton.

Bacchae is one of the most troubling yet intriguing of Greek tragedies. Written during Euripides' self-imposed exile in Macedonia, it tells of the brutal murder and dismemberment of Pentheus by his mother and aunts who, driven temporarily insane, have joined the Bacchae (devotees of the god Dionysus, or Bacchus). The startling plot, driven by Dionysus' desire to punish his family for refusing to accept his divinity, and culminating in the excruciating pathos of a mother's realization that she has killed her son, has held audiences transfixed since its original performance (when it won first prize). It is one of the most performed and studied plays in the Greek tragic corpus, with a strong history of reception down to the present day. This collection of essays by eminent academics gathered from across the globe explores the themes, staging and reception of the play, with essays on the characters Dionysus and Pentheus, the role of the chorus of Bacchae, key themes such as revenge, women and religion, and the historical and literary contexts of the play. The essays are accompanied by David Stuttard's English translation which is performer-friendly, accessible and closely accurate to the original.

Euripides' Medea is one of the most often read, studied and performed of all Greek tragedies. A searingly cruel story of a woman's brutal revenge on a husband who has rejected her for a younger and richer bride, it is unusual among Greek dramas for its acute portrayal of female psychology. Medea can appear at once timeless and strikingly modern. Yet, the play is very much a product of the political and social world of fifth century Athens and an understanding of its original context, as well as a consideration of the responses of later ages, is crucial to appreciating this work and its legacy. This collection of essays by leading academics addresses these issues, exploring key themes such as revenge, character, mythology, the end of the play, the chorus and Medea's role as a witch. Other essays look at the play's context, religious connotations, stagecraft and reception. The essays are accompanied by David Stuttard's English translation of the play, which is performer-friendly, accessible yet accurate and closely faithful to the original.