The First World War has often suffered from comparison to the Second, in terms of both public interest and the significance ascribed to it by scholars in the shaping of modern Britain. This is especially so for the relationship between the Left and these two wars. For the Left, the Second World War can be seen as a time of triumph: a united stand against fascism followed by a landslide election win and a radical, reforming Labour government. The First World War is more complex. Given the gratuitous cost in lives, the failure of a 'fit country for heroes to live in' to materialise, the deep recessions and unemployment of the inter-war years, and the botched peace settlements which served only to precipitate another war, the Left has tended to view the conflict as an unmitigated disaster and unpardonable waste. This has led to a tendency on the Left to see the later conflict as the 'good' war, fought against an obvious evil, and the earlier conflict as an imperialist blunder; the result of backroom scheming, secret pacts and a thirst for colonies. This book hopes to move away from a concentration on machinations at the elite levels of the labour movement, on events inside Parliament and intellectual developments; there is a focus on less well-visited material.

Is Darwin a tool of Satan or a voice of reason? 2009 is the 150th anniversary of the publication of The Origin of Species and Christians continue to disagree about whether Darwinism should be baptized into our theology or rejected as a tool of Satan. Debating Darwin:Two Debates-is Darwinism True and Does it Matter? is aimed at Christians on both sides of the debate and hopes to further discussion. In this book two distinct questions are under the microscope 1. Is Darwinism compatible with orthodox Christian faith? 2. Does the scientific evidence support Darwinism? The book begins with a simple explanation of the neo-Darwinian theory of evolution. Stephen Lloyd then opens the first debate by making a theological and biblical case against Darwinism. He is met in battle by Graeme Finlay and Stephen Pattemore who argue that Christian Scripture and theology are compatible with Darwinism. This book will not tell readers what to think but it will inform the more intelligent debate.

This volume synthesises the latest scholarship on First World War veterans in post-war Britain and Ireland, investigating the topic through its political, social and cultural dynamics. It examines the post-war experiences of those men and women who served and illuminates the nature of the post-war society for which service had been given. Complicating the homogenising tendency in existing scholarship it offers comparison of the experiences of veterans in different regions of Britain, including perspectives drawn from Ireland. Further nuance is offered by the assessment of the experiences of ex-servicewomen alongside those of ex-servicemen, such focus deeping understanding into the gendered specificities of post-war veteran activities and experiences. Moreover, case studies of specific cohorts of veterans are offered, including focus on disabled veterans and ex-prisoners of war. In these regards the collection offers vital updates to existing scholarship while bringing important new departures and challenges to the current interpretive frameworks of veteran experiences in post-war Britain and Ireland.

We are in crisis. As a society we have never been less connected. The internet and globalisation fuel ignorance and anger, while the disconnect between people's reality and perceived identities has never been greater. Karl Marx outlined the idea of a material 'base' and politico-cultural 'superstructure'. According to this formula, a material reality - wealth, income, occupation - determined your politics, leisure habits, tastes, and how you made sense of the world. Today, the importance of material deprivation, in terms of threats to life, health and prosperity, are as acute as ever. But the identities apparently generated by these realities are increasingly detached from material circumstances. At the same time, different identities are needlessly conflated through a process of reeling off a list of -isms and -phobias, and are lumped together, as though these groups all somehow have something in common with one another. Th is process is not just inappropriate but obscures the specific nature of problems being faced. In The Identity Myth, David Swift covers the four different kinds of identity most susceptible to this trend - class, race, sex and age. He considers how the boundaries of identities are policed and how diverse versions of the same identity can be deployed to different ends. Ultimately, it is not that identities are simply more 'complex' than they appear but that there are more important commonalities. In a powerful call to arms, Swift argues that we must unite against these identity myths and embrace our differences to beat inequality.

This volume synthesises the latest scholarship on First World War veterans in post-war Britain and Ireland, investigating the topic through its political, social and cultural dynamics. It examines the post-war experiences of those men and women who served and illuminates the nature of the post-war society for which service had been given. Complicating the homogenising tendency in existing scholarship it offers comparison of the experiences of veterans in different regions of Britain, including perspectives drawn from Ireland. Further nuance is offered by the assessment of the experiences of ex-servicewomen alongside those of ex-servicemen, such focus deeping understanding into the gendered specificities of post-war veteran activities and experiences. Moreover, case studies of specific cohorts of veterans are offered, including focus on disabled veterans and ex-prisoners of war. In these regards the collection offers vital updates to existing scholarship while bringing important new departures and challenges to the current interpretive frameworks of veteran experiences in post-war Britain and Ireland.

We are in crisis. As a society we have never been less connected. The internet and globalisation fuel ignorance and anger, while the disconnect between people's reality and perceived identities has never been greater. Karl Marx outlined the idea of a material 'base' and politico-cultural 'superstructure'. According to this formula, a material reality - wealth, income, occupation - determined your politics, leisure habits, tastes, and how you made sense of the world. Today, the importance of material deprivation, in terms of threats to life, health and prosperity, are as acute as ever. But the identities apparently generated by these realities are increasingly detached from material circumstances. At the same time, different identities are needlessly conflated through a process of reeling off a list of -isms and -phobias, and are lumped together, as though these groups all somehow have something in common with one another. Th is process is not just inappropriate but obscures the specific nature of problems being faced. In The Identity Myth, David Swift covers the four different kinds of identity most susceptible to this trend - class, race, sex and age. He considers how the boundaries of identities are policed and how diverse versions of the same identity can be deployed to different ends. Ultimately, it is not that identities are simply more 'complex' than they appear but that there are more important commonalities. In a powerful call to arms, Swift argues that we must unite against these identity myths and embrace our differences to beat inequality.

In the first full length analysis of the rise of left-wing hobbyists, performative radicals and the 'Identity Left', A Left for Itself interrogates the connection between socio-economic realities and politico-cultural views and boldly asks what is a worthy politics, one for the follower count or one for effecting change. 'In the sometimes febrile environment of contemporary left politics, this book is a measured and evaluative contribution. David Swift cuts through the rhetoric of often violent and divisive exchanges to uncover the roots, motivations, diverse character and strengths and weaknesses of the current phenomenon of so-called `identity politics'.' Dr Stephen Meredith

The complete seven seasons of the original mystery and suspense series hosted by the master of suspense himself, Alfred Hitchcock. Each 30-minute episode includes opening and closing monologues by Hitchcock who explains some aspect of the day's story in his inimitably dry, humorous monotone.

Every episode from all six series of the satirical Channel 4 comedy. Set in the offices of GlobeLink News, the British sitcom follows the exploits of the corporation's newsroom staff, led by editor George Dent (Jeff Rawle). Series 1 episodes are: 'A New Dawn', 'Sally's Arrival', 'A Clash of Interests', 'A Blast from the Past', 'Old Father Time', 'Sex, Lies and Audiotape', 'The New Approach', 'The Root of All Evil', 'Death, Disaster 'N' Damien' and 'The Big Day'. Series 2 episodes are: 'The Gulf Report', 'The Trevorman Cometh', 'Henry and Dido', 'Baseball', 'Drunk Minister', 'Alex and the Interpreter', 'Hoax', 'Don't Mention the Arabs', 'Damien Down and Out', 'The Evangelist', 'George's Daughter', 'Dave's Day' and 'Xmas Party'. Series 3 episodes are: 'In Place of Alex', 'Sally's Accountant', 'Henry's Lost Love', 'Helen'll Fix It', 'Sally's Libel', 'Lady Merchant', 'The New Newsreader', 'Joy', 'Paintball', 'George and His Daughter' and 'Awards'. Series 4 episodes are: 'The Undiscovered Country', 'Quality Time', 'The Day of the Mum', 'Births and Deaths', 'Helen's Parents', 'Sally in TV Times', 'Crime Time', 'No More Mr. Nice Guy', 'Henry's Autobiography', 'The Strike', 'The Wedding' and 'Damien and the Weather Girl'. Series 5 episodes are: 'Inside the Asylum', 'The Godless Society', 'The Bird of Doom', 'What Are Friends For?', 'The Path of True Love', 'George's Car', 'Charnley in Love', 'Henry's Diary', 'Dave and Diana', 'Luck', 'The Graveyard Shift' and 'Sex 'N' Death'. Series 6 episodes are: 'The Newsmakers', 'Beasts, Badgers and Bombshells', 'The Diaries', 'But Is It Art?', 'George Finds Love', 'A Bit of an Atmosphere' and 'The Final Chapter'.

Classic comedy about two 13-year-old identical twins (both played by Hayley Mills), who meet for the very first time in summer camp. They soon learn that they were separated at a very early age when their parents Mitch (Brian Keith) and Margaret (Maureen O'Hara) divorced. On a lark, the twins switch places: the one living with Keith goes back home with O'Hara, and vice versa. Keith is planning to remarry the 'wrong woman', vituperative Vicky (Joanna Barnes). The twins conspire to reunite their parents, but the road to reconciliation is rough indeed.