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"Teenage Nervous Breakdown: Music and Politics in the Post-Elvis
Era "combines music and cultural history and criticism to examine
how rock and the rock lifestyle have been merchandised first to a
teenage audience and eventually to a worldwide consumer society.
Well-known, iconoclastic writer/ critic David Walley examines the
entire rock culture and how it has infused all aspects of American
(and world) life, from entertainment to politics to academic
education. In a series of what he describes as "word-jazz rock and
roll improvisations and variations," Walley examines how adult
culture has been "adolescent-ized" and what the ramifications are
on our society.
Walley is not an uninvolved observer-his personal story and
opinions are right up front, where they belong. Famous for being
the first writer to recognize the commercial genius of "Frank
Zapp"a (in the landmark book, "No Commercial Potential," first
published in 1972 and still in print today), Walley is ideally
suited to examine how commercialism has invaded rock music, and in
turn how this commercialism has invaded rock music, and in turn how
this commercial stepchild of rock has become a culture unto itself.
He tackles everything from the elevation of youth culture to the
mainstream; the fast-food economy; the commercial hijack of the
counterculture movement; the "cool" aesthetic; the marketing of
politicians; psychotropic drugs from LSD to Prozac; and much, much
more. Along the way, he touches on a diverse range of figures. From
Ma Rainey to Elvis, from Bela Bartok to Batman; from Timothy Leary
to Rush Limbaugh; from "The Man From U.N.C.L.E." to "Understanding
Media."
For nearly thirty years Frank Zappa (1940-1993) pursued an
idiosyncratic but influential course in music - rock, jazz, and
classical composer (releasing over fifty albums); founder of the
Mothers of Invention; guitarist, conductor, and producer; as well
as social satirist, sonic scientist, First Amendment champion, and
all-around iconoclast. This updated edition of David Walley's
cutting-edge classic includes a new foreword, a substantial chapter
carrying the Zappa saga through his death from cancer, an
afterword, bibliography, discography, videography, and guide to
Zappa on the Internet. From 1960's Freak Out! to the posthumous
Civilization Phaze III, No Commercial Potential offers converts and
connoisseurs the most practical and penetrating book ever written
on the musical phenomenon known as Frank Zappa.
"Teenage Nervous Breakdown: Music and Politics in the Post-Elvis
Era "combines music and cultural history and criticism to examine
how rock and the rock lifestyle have been merchandised first to a
teenage audience and eventually to a worldwide consumer society.
Well-known, iconoclastic writer/ critic David Walley examines the
entire rock culture and how it has infused all aspects of American
(and world) life, from entertainment to politics to academic
education. In a series of what he describes as "word-jazz rock and
roll improvisations and variations," Walley examines how adult
culture has been "adolescent-ized" and what the ramifications are
on our society.
Walley is not an uninvolved observer-his personal story and
opinions are right up front, where they belong. Famous for being
the first writer to recognize the commercial genius of "Frank
Zapp"a (in the landmark book, "No Commercial Potential," first
published in 1972 and still in print today), Walley is ideally
suited to examine how commercialism has invaded rock music, and in
turn how this commercialism has invaded rock music, and in turn how
this commercial stepchild of rock has become a culture unto itself.
He tackles everything from the elevation of youth culture to the
mainstream; the fast-food economy; the commercial hijack of the
counterculture movement; the "cool" aesthetic; the marketing of
politicians; psychotropic drugs from LSD to Prozac; and much, much
more. Along the way, he touches on a diverse range of figures. From
Ma Rainey to Elvis, from Bela Bartok to Batman; from Timothy Leary
to Rush Limbaugh; from "The Man From U.N.C.L.E." to "Understanding
Media."
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