Jeffrey L. Rubenstein offers a translation from the Hebrew of The Formation of the Babylonian Talmud by David Weiss Halivni. Halivni's work is widely regarded as the most comprehensive scholarly examination of the processes of composition and editing of the Babylonian Talmud. Halivni presents the summation of a lifetime of scholarship and the conclusions of his multivolume Talmudic commentary, Sources and Traditions (Meqorot umesorot). Arguing against the traditional view that the Talmud was composed c. 450 CE by the last of the named sages in the Talmud, the Amoraim, Halivni proposes that its formation took place over a much longer period of time, not reaching its final form until about 750 CE. The Talmud consists of many literary strata or layers, with later layers constantly commenting upon and reinterpreting earlier layers. The later layers differ qualitatively from the earlier layers, and were composed by anonymous sages whom Halivni calls Stammaim. These sages were the true author-editors of the Talmud, who reconstructed the reasons underpinning earlier rulings, created the dialectical argumentation characteristic of the Talmud, and formulated the literary units that make up the Talmudic text. Halivni also discusses the history and development of rabbinic tradition from the Mishnah through the post-Talmud legal codes, the types of dialectical analysis found in the different rabbinic works, and the roles of reciters, transmitters, compilers, and editors in the composition of the Talmud. This volume contains an introduction and annotations by Jeffrey Rubenstein.

First recorded in 1967 by Louis Armstrong, and with sales of over one million copies, "What a Wonderful World" has become a poignant message of hope for people everywhere. Sweet and positive in its message, with bright, beautiful art, this book is sure to be a hit. Perfect for sharing

This book discusses how ancient Japanese mythology was utilized during the colonial period to justify the annexation of Korea to Japan, with special focus on the god Susanoo. Described as an ambivalent figure and wanderer between the worlds, Susanoo served as a foil to set off the sun goddess, who played an important role in the modern construction of a Japanese national identity. Susanoo inhabited a sinister otherworld, which came to be associated with colonial Korea. Imperialist ideologues were able to build on these interpretations of the Susanoo myth to depict Korea as a dreary realm at the margin of the Japanese empire that made the imperial metropole shine all the more brightly. At the same time, Susanoo was identified as the ancestor of the Korean people. Thus, the colonial subjects were ideologically incorporated into the homogeneous Japanese “family state.� The book situates Susanoo in Japan’s cultural memory and shows how the deity, while being repeatedly transformed in order to meet the religious and ideological needs of the day, continued to symbolize the margin of Japan.

This book offers a historical description of science communication and addresses the gaps in the literature with the correspondent counterproposals to address these issues to promote audiences' engagement with science. Denisse Vasquez-Guevara offers practical guidelines to develop and implement effective science communication. Contributors present several communication theories, research and participatory intervention methodologies, data collection, and facilitation tools contrasted with scientific evidence and case studies to illustrate how to carry out engaging initiatives that unite researchers and people around collaboration and interest in scientific research. Scholars of science communication, participatory-action research, and decolonial methodologies will find this book of particular interest.

A beautiful board book featuring the lyrics from What a Wonderful World, accompanied by bright and colourful illustrations from award-winning illustrator Tim Hopgood. It encourages little ones to see the beauty of the world and to love other people - making it the perfect gift for even the youngest children.

What Democrats Talk about When They Talk about God is a collection of essays on the religious communication of members of the Democratic Party, past and present-in office, while campaigning, and in their public and private writing. While many books on the market address issues at the intersection of church and state, none to date have focused exclusively on Democrats as important participants in the dialogue about religion and politics.

David Weiss Halivni emerges his original approach to critical study of the Talmudic text not only in its modern printed form but as it was in its original form, the Oral Torah from the mouths of countless sages.

How is it possible, after the Shoah, to declare one's faith in the God of Israel? Breaking the Tablets is David Weiss Halivni's eloquent and insightful response to this question. Halivni, Auschwitz survivor and one of the greatest Talmudic scholars of the past century, declares that at this time of God's near absence, Jews can still observe the words of the Torah and pray for God to come near again. Jews must continue to study the classic texts of rabbinic Judaism but now with greater humility, recognizing that even the greatest religious leaders and thinkers interpret these texts only as mere people, prone to human error. Breaking the Tablets is important reading for anyone who feels burdened by the question of how it is possible to believe in God and practice their religion.

The American experience has been defined, in part, by the rhetoric of exceptionalism. This book of 11 critical essays explores the notion as it is manifested across a range of contexts, including the presidency, foreign policy, religion, economics, American history, television news and sports. The idea of exceptionalism is explored through the words of its champions and its challengers, past and present. By studying how the principles of American exceptionalism have been used, adapted, challenged, and even rejected, this volume demonstrates the continued importance of exceptionalism to the mythology, sense of place, direction and identity of the United States, within and outside of the realm of politics.

In this paperback reprint (which includes a new Afterword, responding to critics), noted Rabbinic scholar David Weiss Halivni offers a new explanation for the willingness of the early Sages to attribute to scripture meanings nowhere suggested in the text itself. He posits a sharp discontinuity between what the sages considered a valid meaning and our own modern understanding of textual meaning. He argues that the original meaning of the very work "peshat" was actually "context" rather than "literal" meaning, thus explaining the Rabbis' expressions of respect for peshat in the face of their evident unconcern for literal meaning in the text.

First recorded in 1967 by Louis Armstrong, and with sales of over one million copies, "What a Wonderful World" has become a poignant message of hope for people everywhere. Sweet and positive in its message, with bright, beautiful art, this book is sure to be a hit. Perfect for sharing

David Weiss Halivni emerges his original approach to critical study of the Talmudic text not only in its modern printed form but as it was in its original form, the Oral Torah from the mouths of countless sages.

Communication about vaccination has become a public battleground. The global adoption of social media has increased the visibility and influence of groups that were previously considered fringe. With the goal of understanding vaccination-related misinformation’s online spread and ways of effectively countering it, this book explores its reception, resistance, and reproduction by a range of stakeholders around the globe.  Chapters cover a rich array of topics, including vaccine misinformation’s history, its use as political propaganda, and its manipulation by both pro- and anti-vaccine groups. They apply a wide range of research methods, including historical literature and scoping reviews; advanced computational analysis, including machine learning; and reviews that incorporate the authors’ personal, professional, and practice-based experiences. Chapter authors include leading US and international scholars as well as practitioners of Communication, Computer Science, Health and Science Education, Political Communication, Public Health, Sociology, and other fields, making this book the most comprehensive and diverse collection of studies on vaccine misinformation—online and offline—currently available. 

An artist's book by the renowned Swiss duo dedicated to the questions that everyone asks themselves once in a while: Can something be unbelievable? Should I get drunk? Could I be Japanese? Is the freedom of birds overrated? Am I a farmer in winter? Does unease grow by itself? Should I crawl into my bed and stop producing things all the time?

This is a stunningly beautiful book featuring the lyrics from What a Wonderful World, accompanied by joyful illustrations from award-winning illustrator Tim Hopgood. It follows one little boy as he discovers just how wonderful this world of ours can be. The book comes with an accompanying CD which includes the much-loved recording of the song by Louis Armstrong and an exclusive reading by Sophie Aldred.

This book discusses how ancient Japanese mythology was utilized during the colonial period to justify the annexation of Korea to Japan, with special focus on the god Susanoo. Described as an ambivalent figure and wanderer between the worlds, Susanoo served as a foil to set off the sun goddess, who played an important role in the modern construction of a Japanese national identity. Susanoo inhabited a sinister otherworld, which came to be associated with colonial Korea. Imperialist ideologues were able to build on these interpretations of the Susanoo myth to depict Korea as a dreary realm at the margin of the Japanese empire that made the imperial metropole shine all the more brightly. At the same time, Susanoo was identified as the ancestor of the Korean people. Thus, the colonial subjects were ideologically incorporated into the homogeneous Japanese “family state.� The book situates Susanoo in Japan’s cultural memory and shows how the deity, while being repeatedly transformed in order to meet the religious and ideological needs of the day, continued to symbolize the margin of Japan.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

The words of the Talmud were the universe for David Weiss Halivni during his childhood in Sighet, in the Carpathian Mountains. He began his studies before he was five and he became famous for his erudition even before his ordination, at the age of fifteen, in 1943. But when the Nazis crushed the Jewish community of the Carpathians in 1944, he closed his Talmud. Halivni taught in the concentration camps and risked his life to save a scrap of paper from a sacred book. But adherence to the fundamentalist worldview that insists on reconciling every apparent contradiction in the text had become impossible for him. When he arrived in New York after the war, he began struggling toward the “window” of secular learning. From that synthesis emerged his original approach to critical study of the Talmudic text not only in its modern, printed form but as it was in its original form, the Oral Torah from the mouths of countless sages.
Painful, beautiful, and passionate, this memoir asks: What can the Holocaust mean for persons who have devoted their lives to the love of God? At the same time it is a unique look into the world of Talmudic learning, millennia old and still vibrant.