The explicit purpose of this book is to analyze dying and death in the cosmopolitan, modern setting. There is, however, an additional theme that is implicit in the analysis and observations. The portrait of dying, which is provided in the pages of the book, also tells us a great deal about life. It demonstrates that the foundation for the medicalization of death that piercingly shapes the life experience of dying persons and loved ones is a product of the ways of life in the broader culture.

Dying at the Margins: Reflections on Justice and Healing for Inner-City Poor gives voice to the most vulnerable and disempowered population-the urban dying poor- and connects them to the voices of leaders in end-of-life-care. Chapters written by these experts in the field discuss the issues that challenge patients and their loved ones, as well as offering insights into how to improve the quality of their lives. In an illuminating and timely follow up to Dancing with Broken Bones, all discussions revolve around the actual experiences of the patients previously documented, encouraging a greater understanding about the needs of the dying poor, advocating for them, and developing best practices in caring. Demystifying stereotypes that surround poverty, Moller illuminates how faith, remarkable optimism, and an unassailable spirit provide strength and courage to the dying poor.Dying at the Margins serves as a rallying call for not only end-of-life professionals, but compassionate individuals everywhere, to understand and respond to the needs of the especially vulnerable, yet inspiring, people who comprise the world of the inner city dying poor.

Dancing with Broken Bones gives voice and face to a vulnerable and disempowered population whose stories often remain untold: the urban dying poor. Drawing on complex issues surrounding poverty, class, and race, Moller illuminates the unique sufferings that often remain unknown and hidden within a culture of broad invisibility. He demonstrates how a complex array of factors, such as mistrust of physicians, regrettable indignities in care, and inadequate communication among providers, patients, and families, shape the experience of the dying poor in the inner city. This book challenges readers to look at reality in a different way. Demystifying stereotypes that surround poverty, Moller illuminates how faith, remarkable optimism, and an unassailable spirit provide strength and courage to the dying poor. Dancing with Broken Bones serves as a rallying call for compassionate individuals everywhere to understand and respond to the needs of the especially vulnerable, yet inspiring, people who comprise the world of the inner city dying poor.

In this masterfully written text, Moller powerfully critiques how modern technology and bureaucracy, along with professionalization, have come to dehumanize the experience of death for both the dying and their survivors. Beginning with an historical overview of traditional patterns of death and dying, Moller examines the technological advances of the medical profession and the effects, both social and individual, that modern medicine has had on our perception of death, including pain and suffering, the expanding gap between clinical and spiritual death, and how our traditional social apparatuses help us to respond to death and dying. Chapters on funerals, grief, suicide, the death of children, the holocaust, and a critique of therapeutic models illustrate how doctors have come to control the process of dying, how professional funeral directors dominate funerals, and how professional therapists channel the grief of survivors. Invaluable for psychology, nursing, and religion courses in death and dying, this text offers a penetrating synthesis of the complex personal and social issues surrounding our mortality.

The explicit purpose of this book is to analyze dying and death in the cosmopolitan, modern setting. There is, however, an additional theme that is implicit in the analysis and observations. The portrait of dying, which is provided in the pages of the book, also tells us a great deal about life. It demonstrates that the foundation for the medicalization of death that piercingly shapes the life experience of dying persons and loved ones is a product of the ways of life in the broader culture.