Much of the American South, especially its small towns and rural areas, is connected not by interstate highways but through a web-like network of country roads, many of which appear only on the most detailed of maps. These are the backroads that most Southerners drive on every day. Unlike the interstates, whose roadsides have been largely scrubbed clean of regional character, these smaller roads travel through unplanned, vernacular landscapes that tell much about local life, both past and present, and suggest that we make connections between the two. David Wharton has been traveling throughout the American South since 1999, resulting in his first two books - Small Town South (2012) and The Power of Belief: Spiritual Landscapes from the Rural South (2016). As he journeyed, he often paused to make pictures of hamlets and the countryside he was driving through that did not fit the themes of those earlier books. These are scenes that speak to a sense of wonderment, or curiosity, about how those landscapes came to be and how they reflect a complex past with a modern-day world in which the urban competes with the rural in nearly every way. In Roadside South, the third book in Wharton's magical Trilogy of the American South, the photographer captures the quirky and the humorous, the sometimes sad and sometimes ironic scenes that are commonplace along the local, county, and state roads of the South. No artist has revealed the on-the-ground truth of the South as Wharton has, giving rise to a new understanding of and appreciation for a distinctive regional culture that all too frequently, and sometimes mistakenly, is imagined as a bastion of rural and small-town virtue.

London: 1963. The lives of a professional shoplifter and a young art student collide. Delia needs to atone for a terrible mistake; Tess is desperate to convince herself she really is an artist. Elsewhere in London, the Krays are on the rise and a gang war is in the offing. Tess's relationship with her gay best friend grows unexpectedly complicated, and Delia falls for a man she's been paid to betray. At last, the two women find a resolution together - a performance that is both Delia's goodbye to crime and Tess's one genuine work of art.

Since 1983 David Wharton has photographed the twelve states that define the American South, focusing his attention on rural and small-town culture, vernacular architecture and landscape, the role of religion in Southern life, and the relationship between Southerners, their natural surroundings, and the communities they have built. "Small Town South" is the result of Wharton's travels through a region that extends from Texas, Louisiana, and Arkansas in the west to Virginia and the Carolinas in the east, from Kentucky and Tennessee in the north to Florida in the south, with Mississippi, Alabama, and Georgia forming the region's center in between.No other photographer has devoted so much time and attention to recording this distinctive American place. The 115 duotone photographs which serve as the book's core, combined with the author's insightful text, convey an overall sense of what the small Southern town has become and looks like during the early twenty-first century. Wharton organizes his study into thematic portfolios that address themes such as the intersection of tradition and modernity, local commemorations of the past, the omnipresence of the church in town life, the difficulties of making a living in the New World economy, the look of Main Street, the display of public murals and memorials, and the iconographic unfolding of community values.Many have likened Wharton's photographic eye and approach to the work of other photographic masters of the South, including Walker Evans, Eudora Welty, William Christenberry, Shelby Lee Adams, Alex Harris, Rob Amberg, and Martha A. Strawn. And, just as we turn to those artists to help us understand and reckon with Southern history and culture, we now can look to David Wharton as another pioneer photographer of the Southern small town in all its simplicity and complexity.(See the publisher's website for further information: http: //gftbooks.com/books_Wharton.html )

Nematodes are renowned for their ability to survive severe environmental fluctuations. Their mechanisms to withstand temperature extremes, desiccation, and osmotic and ionic stress are presented here together with information on the underlying biochemical basis contributing to survival. Highlighting parallels and contrasts between parasitic and free-living nematode groups, this book integrates strategies that enable nematodes to persist in the absence of food with tactics used by parasitic forms to survive the defence responses of a plant or animal host. This functional study is an essential resource for researchers in nematology, parasitology and zoology.

A Cultural History of Color in Antiquity covers the period 3000 BCE to 500 CE. Although the smooth, white marbles of Classical sculpture and architecture lull us into thinking that the color world of the ancient Greeks and Romans was restrained and monochromatic, nothing could be further from the truth. Classical archaeologists are rapidly uncovering and restoring the vivid, polychrome nature of the ancient built environment. At the same time, new understandings of ancient color cognition and language have unlocked insights into the ways - often unfamiliar and strange to us - that ancient peoples thought and spoke about color. Color shapes an individual's experience of the world and also how society gives particular spaces, objects, and moments meaning. The 6 volume set of the Cultural History of Color examines how color has been created, traded, used, and interpreted over the last 5000 years. The themes covered in each volume are color philosophy and science; color technology and trade; power and identity; religion and ritual; body and clothing; language and psychology; literature and the performing arts; art; architecture and interiors; and artefacts. David Wharton is Associate Professor of Classical Studies at the University of North Carolina at Greensboro, USA. Volume 1 in the Cultural History of Color set. General Editors: Carole P. Biggam and Kirsten Wolf

Auteur study is a key element of Film Studies, and has become increasingly important in Media Studies, thanks to the popularity of cult auteurs such as Tarantino and Fincher. However, this theoretical aspect of film can seem obscure and difficult to communicate. Teaching Auteur Study provides a coherent and clear approach to the topic. Using examples throughout, the guide outlines the main elements of Auteur theory, provides an overview of how it developed, summarising some of its main proponents, and considers the influence it has had in the way we think about film. It summarises the criteria for defining a filmmaker as an auteur and explores issues of creative control. The guide also looks at the idea of film authorship from the point of view of the audience, and how it influences audience expectations and marketing campaigns.

Winner of the 2017 Mississippi Institute of Arts and Literature award for photography. The rural American South has no grand cathedrals or other wonder-of-the-world monuments to religious belief. Nor has it ever been the site of religious wars or large-scale religious persecutions we see throughout the world. Nevertheless, as David Wharton reveals in his remarkable new book of photographs, the rural South is a place-a land, a region, a culture, a "way of life"-so heavily invested in religious belief that the spiritual is constantly made manifest in the ordinary. This is how religion becomes pervasive and integral to everyday life in the South for believers and nonbelievers alike. Just as David Wharton did for his pioneering book, Small Town South, he has traveled throughout the entire South since 1999, on hundreds of trips, making thousands upon thousands of photographs about the region's spiritual landscapes-from churches both active and abandoned in all vernacular shapes and sizes to actual church services and outdoor baptisms, from iconographic signs about Jesus and redemption and sin to welcoming gestures about the wonders of revivals and of grace and compassion. Lurking behind every image, however, is a sense of place about this most distinctive American region, in which religious commitment is confined neither to Sundays nor to individual houses of worship. Religion in the rural South is, quite literally, everywhere. It is Wharton's unique gift that his photographs have meaning and memory beyond merely recording the physical appearance of spiritual sites and worship activities. The people and places that appear in The Power of Belief are seen not to be a product of recent changes in religious life seen elsewhere in urban and suburban America but, instead, as an ongoing living tradition that dates back far into the history and culture of the rural South.

Auteur study is a key element of film studies and has become increasingly important in media studies, thanks to the popularity of cult auteurs such as Quentin Tarantino and David Fincher. However, this theoretical aspect of film can seem obscure and difficult to communicate. "Teaching Auteur Study "provides a coherent and clear approach to the topic. Using examples throughout, the guide outlines the main elements of auteur theory, provides an overview of how it developed, summarizes some of its main proponents, and considers the influence it has had in the way we think about film. The book describes the criteria for defining a filmmaker as an auteur and explores issues of creative control. The guide also looks at the idea of film authorship from the point of view of the audience, and how it influences audience expectations and marketing campaigns.