This is the first book in a two-volume comparative history of negation in the languages of Europe and the Mediterranean. The work integrates typological, general, and theoretical research, documents patterns and directions of change in negation across languages, and examines the linguistic and social factors that lie behind such changes. The first volume presents linked case studies of particular languages and language groups, including French, Italian, English, Dutch, German, Celtic, Slavonic, Greek, Uralic, and Afro-Asiatic. Each outlines and analyses the development of sentential negation and of negative indefinites and quantifiers, including negative concord and, where appropriate, language-specific topics such as the negation of infinitives, negative imperatives, and constituent negation. The second volume (to be pubished in 2014) will offer comparative analyses of changes in negation systems of European and north African languages and set out an integrated framework for understanding them. The aim of both is a universal understanding of the syntax of negation and how it changes. Their authors develop formal models in the light of data drawn from historical linguistics, especially on processes of grammaticalization, and consider related effects on language acquisition and language contact. At the same time the books seek to advance models of historical syntax more generally and to show the value of uniting perspectives from different theoretical frameworks.

Welsh, like the other Celtic languages, is best known amongst linguists for its verb-initial word order and its use of initial consonant mutations. However it has many more characteristics which are of interest to syntacticians. This book, first published in 2007, provides a concise and accessible overview of the major syntactic phenomena of Welsh. A broad variety of topics are covered, including finite and infinitival clauses, noun phrases, agreement and tense, word order, clause structure, dialect variation, and the language's historical Celtic background. Drawing on work carried out in both Principles and Parameters theory and Head-driven Phrase Structure Grammar, it takes contemporary colloquial Welsh as its starting point and draws contrasts with a range of literary and dialectal forms of the language, as well as earlier forms (Middle Welsh) were appropriate. An engaging guide to all that is interesting about Welsh syntax, this book will be welcomed by syntactic theorists, typologists, historical linguists and Celticists alike.

Welsh, like the other Celtic languages, is best known amongst linguists for its verb-initial word order and its use of initial consonant mutations. However it has many more characteristics which are of interest to syntacticians. This book, first published in 2007, provides a concise and accessible overview of the major syntactic phenomena of Welsh. A broad variety of topics are covered, including finite and infinitival clauses, noun phrases, agreement and tense, word order, clause structure, dialect variation, and the language's historical Celtic background. Drawing on work carried out in both Principles and Parameters theory and Head-driven Phrase Structure Grammar, it takes contemporary colloquial Welsh as its starting point and draws contrasts with a range of literary and dialectal forms of the language, as well as earlier forms (Middle Welsh) were appropriate. An engaging guide to all that is interesting about Welsh syntax, this book will be welcomed by syntactic theorists, typologists, historical linguists and Celticists alike.

This is the second book in a two-volume comparative history of negation in the languages of Europe and the Mediterranean. The work integrates typological, general, and theoretical research, documents patterns and directions of change in negation across languages, and examines the linguistic and social factors that lie behind such changes. The aim of both volumes is to set out an integrated framework for understanding the syntax of negation and how it changes. While the first volume (OUP, 2013) presented linked case studies of particular languages and language groups, this second volume constructs a holistic approach to explaining the patterns of historical change found in the languages of Europe and the Mediterranean over the last millennium. It identifies typical developments found repeatedly in the histories of different languages and explores their origins, as well as investigating the factors that determine whether change proceeds rapidly, slowly, or not at all. Language-internal factors such as the interaction of syntax, semantics, and pragmatics, and the biases inherent in child language acquisition, are investigated alongside language-external factors such as imposition, convergence, and borrowing. The book proposes an explicit formal account of language-internal and contact-induced change for both the expression of sentential negation ('not') and negative indefinites ('anyone', 'nothing'). It sheds light on the major ways in which negative systems develop, on the nature of syntactic change, and indeed on linguistic change more generally, demonstrating the insights that large-scale comparison of linguistic histories can offer.

The first half of the 20th century saw the birth of the aeroplane and its development as an instrument of war and commerce. Within five decades, contraptions barely able to take to the air had given way to jet-powered aircraft flying near the 'sound barrier', a rate of technological advance unparalleled in any other field. It was the period when Great Britain's aviation industry was established and grew to its zenith, fueled by the demands of two world wars and the growth of the airlines. These requirements generated a plethora of aircraft designs, some of which became house-hold names, while others failed to make the grade. British Aviation: The First Half-Century chronicles the wide variety of aircraft produced in Great Britain before 1950. With over 170 period images, carefully colourised, this book goes through the aircraft of the first half-century, portraying them in their full glory once more.

The first half of the 20th century saw the birth of the aeroplane and its development as an instrument of war and commerce. Within five decades, contraptions barely able to take to the air had given way to jet-powered aircraft, a rate of technological advance unparalleled in any other field. With carefully colourised images, this book chronicles the wide variety of aircraft produced in America before 1950, portraying them in their full glory once more.

Enter the world of Molly the Meerkat as she makes a new friend and learns the importance of honesty and responsibility. In this beautiful children's story, you get the first two volumes of the Molly the Meerkat series, written by 6-year old Zachary Willis. Two short stories written for young imaginations, by a young imagination. The perfect children's book to read at bedtime or in the classroom.

Do you have to be able to see something to believe that it is real? Is Santa real? That is a question that many people have asked. Peter wanted to know. When he asked the question he got much more of an answer than he ever expected. Come take a trip with Peter and his new friends, Comet the Reindeer and Frosty the Elf, as they travel to the North Pole to uncover the answer to these very questions. Maybe you, like Peter, will come away surprised with what you find. Do You Believe?

The Nicene Creed's powerful summary of Christian faith has stood the test of time, embodying core truths and distinguishing essential Christian teachings from those of lesser importance. As respected thinker and educator David Willis explores the Nicene Creed in this new book, he provides clues for meaningfully interpreting this most ecumenical of church creeds in the twenty-first century.

Writing especially for educated laypeople, advanced students, and theological educators, Willis eloquently links the ancient creed to life today. As he points out, faith is constantly taking different shapes within broad boundaries like the creed's perennial truths, and even these truths need to be reinterpreted in each age to keep them intelligible and compelling. Willis admirably achieves this task for our day by elucidating the creed's statement of faith with analogies drawn from such diverse areas as architecture, graphic art, poetry, sculpture, and psychological theory.

Those seeking to delve into the creed or to deepen a lifelong encounter with it will be enriched by Willis's reflections.

This series relates past thought from the history of Western theological traditions to areas of contemporary concern in fresh, innovative, and constructive ways. Designed for those with no formal theological training, these student-friendly volumes guide readers through core theological issues in a systematic and accessible way.

Leading contemporary Reformed theologians from around the world provide here a unique summary of the range and wealth of Reformed theology today and explore its potential for the future. These thirty-one essays consider the task of Reformed theology in the modern world, give Reformed perspectives on key theological themes, and suggest fruitful present-day trajectories of Reformed thought from the past.

This section-by-section, line-by-line commentary reflects on the meaning of "A Brief Statement of Faith" and its relevance for today. It will help Presbyterians think about who they are and what they believe, and will interest others concerned with the relationship between the Christian tradition and contemporary issues.

When hitman Jimmy 'The Tulip' (Bruce Willis) hides out from the mob in a quiet Montreal suburb fate conspires to interwine his path with that of his dentist neighbour Oz Oseransky (Matthew Perry). Oz's wife Sophie (Rosanna Arquette) persuades Oz to travel to Chicago and reveal Jimmy's whereabouts to the mob, then in order to keep the anticipated reward money all for herself, takes out a contract on Oz's life. However, when Oz returns to Montreal he finds himself thrown together with Jimmy - they both have contracts on their lives and, in order to stay alive, have to work together.