This volume is a collection of essays by various contributors in honor of the late Laurence Berns, Richard Hammond Elliot Tutor Emeritus at St. John's College, Annapolis. The essays address the literary, political, theological, and philosophical themes of his life's work as a scholar, teacher, and constant companion of the "great books." Included are essays interpreting biblical books, as well as books by Homer, Herodotus, Aeschylus, Sophocles, Euripides, Plato, Virgil, Dante, Spinoza, Milton, Rousseau, Darwin, Dostoevsky, Nietzsche, Camus, and H.G. Wells. Like their honoree, the essayists aim at understanding such books as their authors wished them to be understood-for the light they shed on universal and timeless questions about God, nature, and human life which animated the authors themselves and which they saw fit to share, elegantly and eloquently, with thoughtful readers. Each essay is, in its way, a model of how to read and reflect on the writings of the great authors.

Fun, bright, and playful, Power Pop is a sometimes adored, sometimes maligned, often misunderstood genre of music. From its heyday in the 70s and 80s to its resurgence in the 90s and 00s, Power Pop has meant many things to many people. In Go All The Way, today's best and brightest writers go deep on what certain Power Pop bands and songs mean and have meant to them. Whether they love or hate it, Go All The Way is a dive into the Beatles-inspired pop rock of the last five decades. Featuring: Heather Havrilesky on Blondie Carrie Courogen on Liz Phair Michael Chabon on Big Star Jeff Rougvie on Cheap Trick David Yaffe on XTC Kate Sullivan on Jeff Lynne and ELO Dylan Champion on Guided By Voices Joe Clifford on The Hold Steady David Bash on His So-Called (Power Pop) Life Justin Fielding on The Road to Power Pop Paul Myers on Sloan Jeff Whalen on Power Pop as Beatles Obsession S. W. Lauden on Fountains of Wayne Ira Elliot on Putting the Pow! in Power Pop Rex Weiner on September Gurls Marko DeSantis on Surrender Ken Sharp on The Secret Power Pop History of KISS's Paul Stanley Tom Petty on The Strange Magic of Jeff Lynne (as told to Ken Sharp) John M. Borack on The Women of Power Pop Dave Holmes on Tommy Keene Daniel Brummel on Weezer Nancy Rommelmann on Analog Anthems Allison Anders on Nick Lowe's Pub Rock Roots Annie Zaleski on How Jelly Fish Changed the Game Chris Holm on The Brainy Power Pop of Allan Carl Newman Scott Miller excerpts from Music: What Happened? Kurt Baker on Pop Punk to Power Pop

"David Yaffe's "Fascinating Rhythm" is a marvelously evocative celebration of the interrelationships between modern American writing and jazz, which is in itself the outstanding American contribution to the arts, at least since Walt Whitman. I find particularly poignant the understanding that Ralph Ellison's true sequel to his "Invisible Man" was his poetics of jazz."--Harold Bloom

"This is a fascinating and formidable response to Ralph Ellison's famous call for a 'jazz-shaped' reading of American literature. Yaffe's bold and often brilliant treatments of black-Jewish relations in twentieth-century U.S. culture, Ellison's own seminal works, poetry and jazz influences, and the autobiographies of Mingus, Holiday, and Miles Davis are major contributions to American and Afro-American studies."--Cornel West, Princeton University

""Fascinating Rhythm" is an extremely absorbing and compelling demonstration of the key part jazz played in the construction of literary modernism. The book demonstrates an unusually mature intellectual self-possession and great analytic insight into U.S. cultural history, particularly the area of race and music. Yaffe is on his way to becoming one of the most notable public and scholarly writers of his generation."--Eric Lott, University of Virginia, author of "Love and Theft: Blackface Minstrelsy and the American Working Class"

"David Yaffe's "Fascinating Rhythm" does not simply fill a gaping vacuum in contemporary literary studies. It is likely to become the canonical text on jazz and literature, radically influencing all future writing on the subject. Each chapter is unique in its approach and sheds new light on books and poems we thought we knew."--KrinGabbard, State University of New York

"Written with a combination of vigor and shrewdness that is rare in jazz studies, "Fascinating Rhythm" possesses a clarity of argument that is both inviting and provocative. Yaffe captures the flavor of the jazz musicians and writers he covers--something of the elegance of Ralph Ellison, the saltiness of Miles Davis, and the bristle and energy of Charles Mingus."--Scott Saul, University of California, Berkeley

"Yaffe is one of the best informed--probably the best--of the younger scholars working in the relationship of jazz and the arts. His writing is clear, his descriptions evocative, and his comments judicious and shrewd. This is a book that should be read by serious students of America's arts, including the jazz scholars, and those in literature, American history, and American studies."--John Szwed, Yale University