Tourism is becoming one of the world's most important economic activities. There is hardly a place on earth, no matter how inaccessible, that has not been visited by some traveler seeking adventure, enlightenment, or simply change from the familiar world back home.

In this pathfinding book, David Zurick explores the fastest-growing segment of the travel industry--adventure travel. He raises important questions about what constitutes the travel experience and shows how the modern adventure industry has commercialized the very notion of adventure by packaging it as tours.

Drawing on two decades of personal travel, as well as the writings of others, Zurick unravels the paradox of adventure travel--that the very act of visiting remote places untouched by Western culture introduces that culture and begins irreversible changes. This first in-depth look at adventure travel opens new insights into the physical, philosophical, and spiritual attributes of the travel experience. Written in a lively style, the book is intended for everyone interested in travel and its effects on both travelers and the people and places they visit.

This book tells the story of the painted towns of Shekhawati in rural Rajasthan, India. For centuries, the painted buildings served the towns as trading houses, pleasure palaces, temples, caravansaries, and private homes. Following independence, the descendants of the merchant families left Shekhawati for India's burgeoning cities, abandoning their opulent structures. Some were left in the charge of caretakers; squatters took up residence in many; most simply remain vacant. The buildings have slowly deteriorated over time, ravaged by climate and neglect, and now lie scattered among the desert settlements as an elegiac collection of beautiful living ruins--a crumbling open-air gallery set amid the ordinary affairs of small town life. This book portrays the fascinating ruinous beauty of the painted towns, and, along the way, provides an intimate look at life and landscape on the arid fringes of Rajasthan. This world, too, is fading, and so the book's photographs, in the end, are a visual study of both place and society at the edge of time.