..".the result of an exciting oral history project...this rich edited volume offers a compelling look at the meanings of the feminization of intra-European migration...One of the primary strengths of the volume is its effective approach to the collection and transmission of oral histories." - Oral History

"Women Migrants from East to West" documents the contemporary phenomenon of the feminisation of migration through an exploration of the lives of women who have moved from Bulgaria and Hungary to Italy and the Netherlands. The research is based on the oral histories of eighty migrant women and thirty additional interviews with 'native' women in the 'receiving' countries. The research assumes migrants to be active subjects, creating possibilities and taking decisions in their own lives, as well as being subject to legal and political regulation, and the book analyses the new forms of subjectivity that come about through mobility. Part I is a largely conceptual exploration of subjectivity, mobility and gender in Europe. The chapters in Part II focus on love, work, home, communication, and food, themes which emerged from the migrant women's accounts. In Part III, based on the interviews with 'native' women - employers, friends, or in associations relevant to migrant women - the chapters analyse their representations of migrants, and the book goes on to explore forms of intersubjectivity between European women of different cultural origins. A major contribution of this book is to consider how the movement of people across Europe is changing the cultural and social landscape with implications for how we think about what Europe means.

Luisa Passerini is Professor of Cultural History at the University of Turin, and External Professor of History of the Twentieth Century at the European University Institute, Italy. She is author of, amongst other books, Europe in Love, Love in Europe. Imagination and Politics Between the Wars (London: I.B. Tauris and New York: New York University Press, 1999).

Dawn Lyon is Lecturer in Sociology at the University of Kent, UK, and has published in the field of gender, work and employment in comparative perspective.

Enrica Capussotti is Research Fellow in the Department of History, University of Siena, Italy, and is author of Gioventu perduta. Gli anni cinquanta dei giovani e del cinema in Italia (Florence: Giunti, 2004).

Ioanna Laliotou is Assistant Professor in Contemporary History, University of Thessaly, Greece, and is author of Transatlantic Subjects: Acts of Migration and Culture of Transnationalism between Europe and America (Chicago: Chicago University Press, 2004)."

First published Open Access under a Creative Commons license as What is Rhythmanalysis?, this title is now also available as part of the Bloomsbury Research Methods series. In recent years, there has been growing interest in Henri Lefebvre's posthumously published volume, Rhythmanalysis. For Lefebvre and subsequent scholars, rhythmanalysis is a research strategy which offers a means of thinking space and time together in the study of everyday life, and this remains its strength and appeal. This book addresses the task of how to do rhythmanalysis. It discusses the history and development of rhythmanalysis from Lefebvre to the present day in a range of fields including cultural history and studies of place, work and nature. For Lefebvre, it is necessary to be 'grasped by' a rhythm at a bodily level in order to grasp it. And yet we also need critical distance to fully understand it. Rhythmanalysis is therefore both corporeal and conceptual. This book considers how the body is directly deployed as a research tool in rhythmanalytical research as well as how audio-visual methods can get at rhythm beyond the capacity of the senses to perceive it. In particular, the book includes detailed discussion of research on different forms of mobility - from driving to dancing - and on the social life of markets - from finance to fish. Dawn Lyon highlights the gains, limitations and lively potential of rhythmanalysis for spatially, temporally and sensually attuned practices of research. This engaging text will be of interest to students and researchers in sociology, criminology, socio-legal studies, geography, urban studies, architecture, anthropology, economics and cultural studies.

Based on the oral histories of eighty migrant women and thirty additional interviews with 'native' women in the 'receiving' countries, this volume documents the contemporary phenomenon of the feminisation of migration through an exploration of the lives of women, who have moved from Bulgaria and Hungary to Italy and the Netherlands. It assumes migrants to be active subjects, creating possibilities and taking decisions in their own lives, as well as being subject to legal and political regulation, and the book analyses the new forms of subjectivity that come about through mobility. Part I is a largely conceptual exploration of subjectivity, mobility and gender in Europe. The chapters in Part II focus on love, work, home, communication, and food, themes which emerged from the migrant women's accounts. In Part III, based on the interviews with 'native' women - employers, friends, or in associations relevant to migrant women - the chapters analyse their representations of migrants, and the book goes on to explore forms of intersubjectivity between European women of different cultural origins. A major contribution of this book is to consider how the movement of people across Europe is changing the cultural and social landscape with implications for how we think about what Europe means. Cover image: Painting by Carla Accardi. Reproduced with the kind permission of Luca Barsi of the Galleria Accademia, Via Accademia Albertina 3/e, 10123 Torino.

This collection brings together new and original research on the concept and practice of 'rhythmanalysis' in urban sociology as a means to analyse the relationship between the time and space of the city. Originally proposed by French philosopher and urban scholar, Henri Lefebvre and his collaborator, Catherine Regulier, in the twentieth century, 'rhythmanalysis' continues to capture the attention of urban scholars today. Including in-depth analyses of the rhythms of place-making, this volume takes us from the City of London to the Caminito of Buenos Aires. Exploring the production of rhythm on the move - in cars and on the street - in relation to urban atmospheres and the implications of mobility for climate emergency, the chapters consider what happens when everyday urban rhythms are disrupted and reconfigured. Delving into the mobilisation of the body, materials and technologies to make and detect rhythm, this collection sparks new interest in using rhythmanalysis as a mode of sensing and making sense of the complex entanglements of time and space at the heart of everyday urban life. It is an appealing read for scholars and students in urban sociology, social and cultural geography, mobilities studies, and the sociology and philosophy of time.

First published Open Access under a Creative Commons license as What is Rhythmanalysis?, this title is now also available as part of the Bloomsbury Research Methods series. In recent years, there has been growing interest in Henri Lefebvre’s posthumously published volume, Rhythmanalysis. For Lefebvre and subsequent scholars, rhythmanalysis is a research strategy which offers a means of thinking space and time together in the study of everyday life, and this remains its strength and appeal. This book addresses the task of how to do rhythmanalysis. It discusses the history and development of rhythmanalysis from Lefebvre to the present day in a range of fields including cultural history and studies of place, work and nature. For Lefebvre, it is necessary to be ‘grasped by’ a rhythm at a bodily level in order to grasp it. And yet we also need critical distance to fully understand it. Rhythmanalysis is therefore both corporeal and conceptual. This book considers how the body is directly deployed as a research tool in rhythmanalytical research as well as how audio-visual methods can get at rhythm beyond the capacity of the senses to perceive it. In particular, the book includes detailed discussion of research on different forms of mobility – from driving to dancing – and on the social life of markets – from finance to fish. Dawn Lyon highlights the gains, limitations and lively potential of rhythmanalysis for spatially, temporally and sensually attuned practices of research. This engaging text will be of interest to students and researchers in sociology, criminology, socio-legal studies, geography, urban studies, architecture, anthropology, economics and cultural studies.