We Play Here is a collection of four poem-stories, taking place in an underdeveloped area of Protestant North Belfast in the summer of 1988, against a background of political turbulence during the Troubles. Written from the perspectives of four female friends in the months between finishing primary school and starting high school, the girls inhabit an eerie, elemental landscape of normalised violence, poverty and neglect. This is a lyrical and graceful evocation of working-class girlhood that rings of Elena Ferrante's studies of female friendships in the Neapolitan novels, Didier Eribon's Returning to Reims, and Annie Ernaux's The Years. It is a radical approach to girlhood and girl-friendships, the kind of skewered space before an imposition of gender, or before the trappings of gender make themselves strongly known. Innocence is tinged here with a kind of hidden menace.

In December, 1817, the Georgia state legislature enacted legislation requiring all persons introducing slaves into the state to register with a local county court. Clerks in several counties created independent registers in which to record the resulting affidavits. While these affidavits are often overlooked by researchers, they generally include personal, identifying information about the deponents and the individual slaves that could be useful to genealogists and historians. This new volume contains abstracts of slave importation affidavit registers for nine of the ten Georgia counties where such registers are known to be extant: Camden County, Columbia County, Elbert County, Franklin County, Jackson County, Jasper County, Morgan County, Pulaski County, and Wilkes County. Two indexes make the text easy to search and use.