Erasmus yearned to make the Bible an effective instrument of reform in society, church, and everyday life. To this end, he composed the Paraphrases, in which the words of Holy Scripture provide the core of a text vastly expanded to embrace the reforming 'philosophy of Christ.' Matthew was Erasmus's first paraphrased Gospel and was thus the great theologian's first opportunity to set out a full portrait of the life of Jesus. In this Paraphrase, the wonderful complexity of Jesus's life finds coherence in the conception of Him as a teacher. The baptism, the dove, and the divine voice attesting sonship are called the 'inaugurating ceremonies' that authenticate Jesus as the divine teacher of heavenly philosophy. His students are the disciples, who are to be teachers themselves, initiating an unending line of Christian teachers. The Jesus of this Paraphrase understands pedagogy: He adapts His teaching to the developing abilities of His pupils, quizzes them, and gently rebukes them. His actions as well as His words have one primary objective: to teach the disciples. As a Preface to the Paraphrase, Erasmus wrote a 'Letter to the Pious Reader, ' which became one of his most provocative and important essays. Like the more published Paraclesis, this 'Letter' vigorously advocates the translation of scripture into the vernacular languages, and proposes a 'confirmation' ceremony to encourage young people to assume responsibility for the vows taken for them at baptism by their sponsors. This volume illuminates the early thinking of Erasmus and is a welcome addition to the Collected Works series. Volume 45 of the Collected Works of Erasmus series.

Gerontopia examines contemporary architectural and urban mutations that have emerged as a consequence of one of the key demographic transformations of our time: population aging. Distinguishing between different phases of old age, it identifies the group known as the "Young-Old" as a remarkable petri dish for experimental forms of subjectivity, collectivity, and environment. In investigating this field of latent urban and architectural novelty, Gerontopia asserts both the escapist and emancipatory dimensions of these practices. Richly illustrated with drawings, maps, and photographs, the volume documents phenomena ranging from the continuous, golf cart accessible urban landscapes of the world's largest retirement community in Florida and the mono-national urbanizaciones of "the retirement home of Europe" on Costa del Sol, to the Dutch-themed residential community at Huis Ten Bosch in the south of Japan.

Winner of the DAM ARCHITECTURAL BOOK AWARD 2017 This publication explores the contested territory between the state and corporate drive to 'securitise' urban space - and the principle of the city as a site for enacting open civil society, participatory democracy, and the freedom of speech and assembly. Starting from the disputed redevelopment of the Oslo Government Quarter since its attack in 2011, the book functions as a broader discursive platform mediating opposing positions at the intersection of architecture/urbanism and security/democracy. The book interposes essays, interviews, site drawings, a lexicon of terms, and photo-essays documenting fieldwork in the UK, USA, Israel, Palestine and Spain. Contributors include: S. Graham, M. Sorkin, D.Harvey, G. Agamben, Y. Yasky, L. Lambert, CPNI, R. V. Clarke, J. Coaffee, and O. Newman.

The ciliary muscle reproduces the effect of a lens and allows the eye to focus or blur vision. It became the emblem of the critical vision that Diller + Scofidio (+ Renfro) had in their research and experimentation, including most recently the High Line park design for New York City. Their interdisciplinary projects range from objects, installations, and performances to media and architecture. In recent years they have expanded- with a third partner joining their studio-to embrace projects on a larger urban scale.
"Diller + Scofidio ("+"Renfro)" covers their development, documenting about twenty works, for the earliest to the most recent. It also includes essays investigating the studio's contect, influences and strategies; some interviews with the architects; and a scheme showing the evolutiuon and growth of the studio from 1979 to today.