We go to the movies compulsively. If you, too, are a frequent viewer, you must have noticed the avalanche of apocalyptic imagery spewing from the screen. It's everywhere, and not only in films about the end of civilization. Romantic comedies, teen adventures, and even children's tales often feature crumbling infrastructure, disintegrating cities, vast deserts, extreme weather events, extinctions, epidemics, military forces gone rogue, zombie armies, colliding worlds...and too many more calamities to list. Filmmakers marry this obsession to sophisticated CGI technology to create eye-popping visuals with immense force and stunning realism. We describe and discuss this phenomenon, a product of its cultural surround. Our movies tell us that we are consumed by cataclysmic endings. You'll want to read our book if you're puzzled by this trend in popular films-movies you've seen-and if you're intrigued by the link between current cinema and our new century. We broaden the discussion about this dark topic; we suggest some real-world reasons; we identify some flashes of hope in the desolate landscape.

The plots of many films pivot on the moment when a dowdy girl with bad hair, ill-fitting outdated clothing, and thick glasses is changed into an almost unrecognizable glamour girl. Makeover scenes such as these are examined beginning with 1942's Now, Voyager. The study examines whether the film makeover is voluntary or involuntary, whether it is always successful, how much screen time it takes up, where in the narrative structure it falls, and how the scene is actually filmed. Films with a Pygmalion theme, such as My Fair Lady, Vertigo, and Shampoo, are examined in terms of gender relations: whether the man is content with his creation and what sort of woman is the ideal. Some films' publicity capitalizes on a glamorous star's choice to play an unattractive character, as discussed in a chapter examining stars like Bette Davis, Meryl Streep, and Cameron Diaz. Topics also include folk literature's Cinderella tale, men as the inspiration for makeovers in teen flicks films like Clueless, She's All That, and Me, Natalie, and class repositioning in such movies as Working Girl, Pretty Woman, and Grease. Photographs are presented in a before/after format, showing the change in the madeover character.

In the past 30 years, Diane Keaton has been an actress, a director and a photographer. This work begins with her early years in California, but the primary focus is on her film career from the 1970s through the present. The author examines Keaton's image as star and public figure, drawing on information from interviews (including personal conversations with Keaton), feature pieces, press releases, books, photographs, posters, films, and reviews of films. Each chapter provides an overview of the significant events and influences in Keaton's life during a particular period, along with a thematic and stylistic analysis of that period's feature films, television movies, and photography. The film analyses include an examination of themes and technical elements such as cinematography, mise-en-scene, movement, editing, sound, acting, costumes, set, and narrative structures.