When a deep-seated memory suddenly surfaces, Elizabeth Burns becomes obsessed with the long-ago disappearance of her childhood friend April Cassidy. Driven to investigate, Elizabeth discovers a thirty-five-year-old newspaper article revealing the details that had been hidden from her as a child shocking revelations about April's mother, Adele.
Elizabeth, now herself a mother, seeks out anyone who might help piece together the final months, days, and hours of this troubled woman's life, but the answers yield only more questions. And those questions lead back to Elizabeth's own life: her own compromised marriage, her increasing self-doubt and dissatisfaction, and finally, a fearsome reckoning with what it means to be a wife and mother.
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'Destined to be a classic . . . a sharply funny, clear-eyed examination, in the vein of Mary McCarthy's The Group, of the power and burden of privilege, the reality of being a modern woman and the lasting bonds of female friendship.' Vanity Fair Can a weekend change your life? Clover, Addison, Mia and Jane were college roommates until their graduation in 1989. Now, twenty years later, their lives are in free fall. Clover, once a securities broker with Lehman Brothers, living the Manhattan dream, is out of a job, newly married and fretting about her chances of having a baby. Addison's marriage to a novelist with writers' block is as stale as her artistic 'career'. Mia's acting ambitions never got off the ground, and she now stays home with her four children, renovating and acquiring faster than her Hollywood director husband can pay the bills. Jane, once the Paris bureau chief for a newspaper, now the victim of budget cuts, has been blindsided by different sorts of loss. The four friends have kept up with one another via the red book, a class report published every five years, in which alumni write brief updates about their lives. But there's the story we tell the world, and then there's the real story, as the classmates arriving at their twentieth reunion with their families, their histories, their dashed dreams and secret longings, will discover over the course of an epoch-ending, score-settling, unforgettable weekend.

""The Big Chill" for the Facebook generation."
--Adam Gopnik, author of "Paris to the Moon"
Clover, Addison, Mia, and Jane were roommates at Harvard until their graduation in 1989.
Twenty years later, their lives are in free fall. Clover, once a securities broker, is out of a job and struggling to reproduce before her fertility window shuts. Addison's marriage to a writer's-blocked novelist is as stale as her so-called career as a painter. Hollywood closed its gold-plated gates to Mia, who now stays home with her children, renovating and acquiring faster than her husband can pay the bills. Jane, the Paris bureau chief for a newspaper whose foreign bureaus are now shuttered, is caught in a vortex of loss.
Like all Harvard grads, they've kept abreast of one another via the red book, a class report published every five years, containing alumni autobiographical essays. But there's the story we tell the world, and then there's the real story, as these former classmates will learn during their twentieth reunion, a relationship-changing, score-settling, unforgettable weekend.
"Utterly engrossing."
--"Entertainment Weekly"
"A wonderfully epic 'cradle to grave' story . . . about the enduring power of friendship."
--"Sunday Express"
"Destined to be a classic."
--"Vanity Fair"

I read No Exit in my early twenties, and I remember thinking hell might very well be other people, okay, sure, but under what far-fetched conditions would anyone ever actually be trapped forever in the company of strangers with no sleep or means of escape?Then I became a parent. From Deborah Copaken Kogan, the acclaimed author of the national bestseller Shutterbabe, comes this edgy, insightful, and sidesplitting memoir about surviving in the trenches of modern parenting. Kogan writes situation comedy in the style of David Sedaris and Spalding Gray with a dash of Erma-Bombeck-on-a-Vespa: wry, acutely observed, and often hilarious true tales, in which the narrator is as culpable as any character. In these eleven linked pieces, Kogan and her husband are almost always broke while working full-time and raising three children in New York City, one of the most expensive and competitive cities in the world. In one episode, exhausted from a particularly difficult childbirth, Kogan finds herself sharing a hospital room with a foul-mouthed teen mother and her partying posse. In another, Kogan manages to crawl her way to her own emergency appendectomy, which inconveniently strikes the same week her infant's babysitter is away on vacation, her adolescents are off from school, her New York Times editor needs his edit, and the whole family catches the flu. And in the book's capper essay, she drives twelve hours, solo, with a screaming toddler in a rent-a-car in a futile effort to catch a glimpse of her eldest child in his summer camp play. Yes, Shutterbabe is all grown up and slightly worse for the wear, but her clear-eyed vision while under fire has remained intact: You've never read funnier war stories.